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A history of American Western genre comics and how they interacted with contemporaneous political and popular culture. Redrawing the Western charts a history of the Western genre in American comics from the late 1800s through the 1970s and beyond. Encompassing the core years in which the genre was forged and prospered in a range of popular media, Grady engages with several key historical timeframes, from the origins of the Western in the nineteenth-century illustrated press; through fin de siècle anxieties with the closing of the frontier, and the centrality of cowboy adventure across the interwar, postwar, and high Cold War years; to the revisions of the genre in the wake of the Vietnam War and the Western’s continued vitality in contemporary comics storytelling. In its study of stories about vengeance, conquest, and justice on the contested frontier, Redrawing the Western highlights how the “simplistic” conflicts common in Western adventure comics could disguise highly political undercurrents, providing young readers with new ways to think about the contemporaneous social and political milieu. Besides tracing the history, forms, and politics of American Western comics in and around the twentieth century, William Grady offers an original reassessment of the important role of comics in the development of the Western genre, ranking them alongside popular fiction and film in the process.
Memorial to a passing era? Mistress to history? Illustration of popular legend? Where is the art in traditional narrative western art? Is it kitsch or kunst? Six writers on art and popular culture survey the terrain of western art in the twenty-first century, tracing and refining its boundaries in the areas of aesthetics and national identity. Their sharp-eyed observations support a newly emerging history of western art that places it in a social, psychological, and political-as well as aesthetic-context. The result is a refreshing, vigorous, and substantial contribution to American art history.
Memorial to a passing era? Mistress to history? Illustration of popular legend? Where is the art in traditional narrative western art? Is it kitsch or kunst? Six writers on art and popular culture survey the terrain of western art in the twenty-first century, tracing and refining its boundaries in the areas of aesthetics and national identity. Their sharp-eyed observations support a newly emerging history of western art that places it in a social, psychological, and political--as well as aesthetic--context. The result is a refreshing, vigorous, and substantial contribution in America art history.
Have de-industrialization, expanding services and occupational upgrading put an end to class divisions? Drawing on extensive empirical research, this book adds new insights to the debate about the end of class and shows that Western European societies remain decidedly stratified with respect to material advantages and citizenship rights.
After World War II, some 12 million Germans, 3 million Poles and Ukrainians, and tens of thousands of Hungarians were expelled from their homes and forced to migrate to their supposed countries of origin. Using freshly available materials from Polish, Ukrainian, Russian, Czechoslovak, German, British, and American archives, the contributors to this book provide a sweeping, detailed account of the turmoil caused by the huge wave of forced migration during the nascent Cold War. The book also documents the deep and lasting political, social, and economic consequences of this traumatic time, raising difficult questions about the effect of forced migration on postwar reconstruction, the rise of Communism, and the growing tensions between Western Europe and the Eastern bloc. Those interested in European Cold-War history will find this book indispensable for understanding the profound--but hitherto little known--upheavals caused by the massive ethnic cleansing that took place from 1944 to 1948.
In Reapportionment and Redistricting in the West, Gary F. Moncrief brings together some of the best-known scholars in American state and electoral politics to explore the unique processes and problems of redistricting in the western United States. These political scientists examine the specific challenges facing western states in ensuring fair and balanced political representation. Western states tend to be geographically large and experiencing rapid population growth and the chapters in this enlightening volume discuss the changing demographics in western states, paying special attention to the rise in the Latino population and the effect this has had on reapportionment and redistricting. They describe the ways in which some of these states achieve redistricting through independent redistricting commissions—a process rarely found in other regions—and they provide policy prescriptions for the future.
From the Afghan-Pakistan borderlands to the Sahara, images of danger depict a new world disorder on the global margins. With vivid detail, Ruben Andersson traverses this terrain to provide a startling new understanding of what is happening in remote "danger zones." Andersson takes aim at how Western states and international organizations conduct military, aid, and border interventions in a dangerously myopic fashion, further disconnecting the world's rich and poor. Risk-obsessed powers are helping to remap the world into zones of insecurity and danger, resulting in a vision of chaos crashing into fortified borders. Andersson contends that we must reconnect and snap out of this dangerous spiral, which affects us no matter where we are. Only by developing a new cartography of hope can we move beyond the political geography of fear that haunts us. From back cover.
After World War II, some 12 million Germans, 3 million Poles and Ukrainians, and tens of thousands of Hungarians were expelled from their homes and forced to migrate to their supposed countries of origin. Using freshly available materials from Polish, Ukrainian, Russian, Czechoslovak, German, British, and American archives, the contributors to this book provide a sweeping, detailed account of the turmoil caused by the huge wave of forced migration during the nascent Cold War. The book also documents the deep and lasting political, social, and economic consequences of this traumatic time, raising difficult questions about the effect of forced migration on postwar reconstruction, the rise of Communism, and the growing tensions between Western Europe and the Eastern bloc. Those interested in European Cold-War history will find this book indispensable for understanding the profound—but hitherto little known—upheavals caused by the massive ethnic cleansing that took place from 1944 to 1948.
Woodcock are one of the oddest birds in North America. They are a shorebird that got lost and ended up in the scrubby parts of the forest, and look like they were put together with the leftover parts of other birds. Oddities aside, each spring they rise to great beauty with their sky dance at dusk. Greg Hoch combines natural history, land management, scientific knowledge, and personal observation to examine this little game bird. Woodcock have a complex life history and the management of their habitat is also complex. The health of this bird can be considered a key indicator of what good forests look like.
The essays collected in this volume were first presented at the international and interdisciplinary conference on the Graphic Novel hosted by the Institute for Cultural Studies (University of Leuven) in 2000.The issues discusses by the conference are twofold. Firstly, that of trauma representation, an issue escaping by definition from any imaginable specific field. Secondly, that of a wide range of topics concerning the concept of "visual narrative," an issue which can only be studied by comparing as many media and practices as possible.The essays of this volume are grouped here in two major parts, their focus depending on either a more general topic or on a very specific graphic author. The first part of the book, "Violence and trauma in the Graphic Novel", opens with a certain number of reflections on the representation of violence in literary and visual graphic novels, and continues with a whole set of close readings of graphic novels by Art Spiegelman (Maus I and II) and Jacques Tardi (whose masterwork "C'?tait la guerre des tranch'es" is still waiting for its complete English translation). The second part of the book presents in the first place a survey of the current graphic novel production, and insists sharply on the great diversity of the range in the various 'continental' traditions (for instance underground 'comix', and feminist comics, high-art graphic novels, critical superheroes-fiction) whose separation is nowadays increasingly difficult to maintain. It continues and ends with a set of theoretical interventions where not only the reciprocal influences of national and international traditions, but also those between genres and media are strongly forwarded, the emphasis being here mainly on problems concerning ways of looking and positions of spectatorship.