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In this book, Huaichuan Mou takes a fresh look at the life, times, and work of Wen Tingyun, the great poet of the late Tang dynasty in China, whose reputation has been overshadowed by notoriety and misunderstanding for more than a thousand years. In probing the political intricacies of the major events of Wen's life and the complex contexts in which these events took place, Mou presents a historical key to Wen's artistic labyrinth, unraveling many of Wen's poetic puzzles and rediscovering a historical past that vividly represents his unyielding pursuit of ideal government and true love. This reconstruction of the poet's life results in a new understanding not only of his literary work but also of late Tang history as well. Translations and close readings of a number of poems and prose essays are included.
The Chinese Tang Dynasty Poet, Wen Tingyun is a book his complete poems, with an introduction to Tang Poet Wei Yingwu, by American Poet Laureate, Jean Elizabeth Ward, with poems inspired by and homages given. A delight for the reader; in alphabetical order with many Shape and Concrete poems included. Kimo poems and a few illustrations within this Historical Poetry book.
The Northern Song poet He Zhu is best known for his lyrics (ci) but also produced shi poetry of subtlety, wit, and feeling. This study examines the latter as a response to the options available to a late-eleventh century writer in the pentametrical and heptametrical forms of Ancient Verse, Regulated Verse, and Quatrains. Numerous comparisons are made with Su Shi, Huang Tingjian, Du Fu, and other important writers. In a major advance over previous methodologies, the author uses a clear system of metrical notation to show how sound patterns reveal the poet's artistic and emotional intentions. This innovation and the author's other meticulous explorations of He Zhu's artistry allow us to experience Chinese poetry as never before. From the reader's report: "not just an excellent study of an individual poet but also a model of reading the language of classical Chinese poetry. [..] opens up a world of interpretive territory heretofore seldom explored."
Compiled in 940 at the court of the kingdom of Shu, the Huajian ji is the earliest extant collection of lyrics by literati poets. Shields examines the influence of court culture on the anthology's creation and the significance of imitation and convention in its lyrics, situating the work within larger questions of Chinese literary history.
This book provides new insight into the creation of the Chinese empire by examining the changing forms of permitted violence--warfare, hunting, sacrifice, punishments, and vengeance. It analyzes the interlinked evolution of these violent practices to reveal changes in the nature of political authority, in the basic units of social organization, and in the fundamental commitments of the ruling elite. The work offers a new interpretation of the changes that underlay the transformation of the Chinese polity from a league of city states dominated by aristocratic lineages to a unified, territorial state controlled by a supreme autocrat and his agents. In addition, it shows how a new pattern of violence was rationalized and how the Chinese of the period incorporated their ideas about violence into the myths and proto-scientific theories that provided historical and natural prototypes for the imperial state.