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Rediscovering Church is the candid story of Willow Creek Community Church’s phenomenal growth, from 100 members meeting in a Palatine, Illinois, movie theater to its present Sunday morning attendance of 15,000. Bill Hybels and his wife, Lynne, tell about Willow Creek’s beginnings, its struggles, the philosophy behind its success, and the strategies that have made it a model for church growth. The first half of the book, written by Lynne Hybels, explores the early years of Willow Creek and the personal accounts behind one of this century's most remarkable church stories. It offers an honest look at the ways God has used both the strengths and weaknesses of His people, creating a church of believers who have had tremendous impact for Christ in their community. In the second half of Rediscovering Church, Bill Hybels helps you apply the strengths of Willow Creek's ministry philosophy to your own congregation's mission. From mission statements to developing leadership, making sound financial decisions, and handling growth, Bill stresses that God wants to build His church to be an effective and committed community of faith that reaches out to a hurting world, to be the body of Christ in real and tangible ways. Rediscovering Church draws on the experiences of Willow Creek to show how one fellowship crystallized its mission and methodology, its vision and values. The Willow Creek story provides an example that churches and individuals alike can turn to for inspiration, encouragement, and a means of uncovering the pattern for their own unique mission and ministry.
In 2010, Anthropology students from IUPUI began collecting oral histories, photographs, and other memorabilia from African-American and Jewish elders, former residents of what once had been one of the most multi-ethnic neighborhoods in Indianapolis - the Near South-side. The Jewish and African-American communities had not only lived side-by-side; they once shared deep bonds of friendship that were renewed when they began meeting with the students and one another to share their memories of that beloved time and place. This book tells the stories of those residents, their neighborhood, and the project that brought them back together nearly 50 years later.
These vintage and contemporary images of Baltimore movie palaces explore the changing face of Charm City with stories and commentary by filmmakers. Since the dawn of popular cinema, Baltimore has been home to hundreds of movie theaters, many of which became legendary monuments to popular culture. But by 2016, the number of cinemas had dwindled to only three. Many theaters have been boarded up, burned out, or repurposed. In this volume, Baltimore Sun photojournalist Amy Davis pairs vintage black-and-white images of downtown movie palaces and modest neighborhood theaters with her own contemporary color photos. Flickering Treasures delves into Baltimore’s cultural and cinematic history, from its troubling legacy of racial segregation to the technological changes that have shaped both American cities and the movie exhibition business. Images of Electric Park, the Century, the Hippodrome, and scores of other beloved venues are punctuated by stories and interviews, as well as commentary from celebrated Baltimore filmmakers Barry Levinson and John Waters. A map and timeline reveal the one-time presence of movie houses in every corner of the city, and fact boxes include the years of operation, address, architect, and seating capacity for each of the 72 theaters profiled, along with a brief description of each theater’s distinct character.
Discusses the importance of observing the Jewish Sabbath as both a practical and spiritual exercise, and provides guidelines for properly incoporating the Sabbath into everyday life.
In this intimate portrait of an extraordinary father-son relationship, Mark K. Shriver discovers the moral principles that guided his legendary father and applies them to his own life When Sargent "Sarge" Shriver—founder of the Peace Corps and architect of President Johnson's War on Poverty—died in 2011 after a valiant fight with Alzheimer's, thousands of tributes poured in from friends and strangers worldwide. These tributes, which extolled the daily kindness and humanity of "a good man," moved his son Mark far more than those who lauded Sarge for his big-stage, headline-making accomplishments. After a lifetime searching for the path to his father's success in the public arena, Mark instead turns to a search for the secret of his father's joy, his devotion to others, and his sense of purpose. Mark discovers notes and letters from Sarge; hears personal stories from friends and family that zero in on the three guiding principles of Sarge's life—faith, hope, and love—and recounts moments with Sarge that now take on new value and poignancy. In the process, Mark discovers much about himself, as a father, as a husband, and as a social justice advocate. A Good Man is an inspirational and deeply personal story about a son discovering the true meaning of his father's legacy.
Baltimore has been home to hundreds of theaters since the first moving pictures flickered across muslin sheets. These monuments to popular culture, adorned with grandiose architectural flourishes, seemed an everlasting part of Baltimore’s landscape. By 1950, when the city’s population peaked, Baltimore’s movie fans could choose from among 119 theaters. But by 2016, the number of cinemas had dwindled to only three. Today, many of the city’s theaters are boarded up, even burned out, while others hang on with varying degrees of dignity as churches or stores. In Flickering Treasures, Amy Davis, an award-winning photojournalist for the Baltimore Sun, pairs vintage black-and-white images of opulent downtown movie palaces and modest neighborhood theaters with her own contemporary full-color photographs, inviting us to imagine Charm City’s past as we confront today’s neglected urban landscape. Punctuated by engaging stories and interviews with local moviegoers, theater owners, ushers, and cashiers, plus commentary from celebrated Baltimore filmmakers Barry Levinson and John Waters, the book brings each theater and decade vividly to life. From Electric Park, the Century, and the Hippodrome to the Royal, the Parkway, the Senator, and scores of other beloved venues, the book delves into Baltimore’s history, including its troubling legacy of racial segregation. The descriptions of the technological and cultural changes that have shaped both American cities and the business of movie exhibition will trigger affectionate memories for many readers. A map and timeline reveal the one-time presence of movie houses in every corner of the city, and fact boxes include the years of operation, address, architect, and seating capacity for each of the 72 theaters profiled, along with a brief description of each theater’s distinct character. Highlighting the emotional resonance of film and the loyalty of Baltimoreans to their neighborhoods, Flickering Treasures is a profound story of change, loss, and rebirth. -- W. Edward Orser, author of Blockbusting in Baltimore: The Edmondson Village Story
The twentieth century generated tens of thousands of hours of American newsfilm but not the scholarly apparatus necessary to analyze and contextualize them. Assembling new approaches to the study of U.S. newsfilm in cinema and television, this book makes a long overdue critical intervention in the field of film and media studies by addressing the format’s inherent intermediality; its mediation of "events" for local, national, and transnational communities; its distinctive archival legacies; and, consequently, its integral place in film and television studies more broadly. This collection brings fresh, contemporary methodologies and analysis to bear on a vast amount of material that has languished in relative obscurity for far too long.
Surfing the New Wave Containing 19 pieces of fiction, Rediscovery Volume 3 is particularly resonant with pieces like Sonya Dorman’s “The Deepest Blue in the World”, a prototype for The Handmaid’s Tale. And Pam Zoline’s “The Heat Death of the Universe”, which fused the New Wave and feminist science fiction. And Hilary Bailey’s alternate history masterpiece, set in a Nazi-conquered (but not subdued!) England, “The Fall of Frenchy Steiner”. With a host of Afterwords by luminaries from Seanan McGuire to Marie Vibbert, as well as a number by relatives of the authors, Rediscovery Volume 3 will be an indispensable part of every library, whether you’re a casual SF fan or a rarefied scholar!