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The scale of ecological crises made us realize that every kind of politics has always been cosmopolitics, politics of a cosmos. Cosmos embraces everything, including the multifarious natural and material entities that make humans act. The book examines cosmopolitics in its relation to design practice. Abandoning the modernist idea of nature as being external to the human experience - a nature that can be mastered by engineers and scientists from outside, the cosmpolitical thinking offers designers to embark in an active process of manipulating and reworking nature ’from within.’ To engage in cosmopolitics, this book argues, means to redesign, create, instigate, and compose every single feature of our common experience. In the light of this new understanding of nature, we set the questions: What is the role of design if nature is no longer salient enough to provide a background for human activities? How can we foster designers’ own force and make present what causes designers to think, feel, and act? How do designers make explicit the connection of humans to a variety of entities with different ontology: rivers, species, particles, materials and forces? How do they redefine political order by bringing together stars, prions and people? In effect, how should we understand design practice in its relation to the material and the living world? In this volume, anthropologists, science studies scholars, political scientists and sociologists rethink together the meaning of cosmopolitics for design. At the same time designers, architects and artists engage with the cosmopolitical question in trying to imagine the future of architectural and urban design. The book contains original empirical chapters and a number of revealing interviews with artists and designers whose practices set examples of ’cosmopolitically correct design’.
An exciting introduction to astronomy, using recent discoveries and stunning photography to inspire non-science majors about the Universe and science.
Explorer was the original American space program and Explorer 1 its first satellite, launched in 1958. Sixty years later, it is the longest continuously running space program in the world, demonstrating to the world how we can explore the cosmos with small spacecraft. Almost a hundred Explorers have already been launched. Explorers have made some of the fundamental discoveries of the Space Age. Explorer 1 discovered Earth’s radiation belts. Later Explorers surveyed the Sun, the X-ray and ultraviolet universes, black holes, magnetars and gamma ray bursts. An Explorer found the remnant of the Big Bang. One Explorer chased and was the first to intercept a comet. The program went through a period of few launches during the crisis of funding for space science in the 1980s. However, with the era of ‘faster, cheaper, better,’ the program was reinvented, and new exiting missions began to take shape, like Swift and the asteroid hunter WISE. Discovering the Cosmos with Small Spacecraft gives an account of each mission and its discoveries. It breaks down the program into its main periods of activity and examines the politics and debate on the role of small spacecraft in space science. It introduces the launchers (Juno, Thor, etc.), the launch centers, the ground centers and key personalities like James Van Allen who helped develop and run the spacecraft’s exciting programs.
NATIONAL BESTSELLER • From one of the world’s leading physicists and author of the Pulitzer Prize finalist The Elegant Universe, comes “an astonishing ride” through the universe (The New York Times) that makes us look at reality in a completely different way. Space and time form the very fabric of the cosmos. Yet they remain among the most mysterious of concepts. Is space an entity? Why does time have a direction? Could the universe exist without space and time? Can we travel to the past? Greene has set himself a daunting task: to explain non-intuitive, mathematical concepts like String Theory, the Heisenberg Uncertainty Principle, and Inflationary Cosmology with analogies drawn from common experience. From Newton’s unchanging realm in which space and time are absolute, to Einstein’s fluid conception of spacetime, to quantum mechanics’ entangled arena where vastly distant objects can instantaneously coordinate their behavior, Greene takes us all, regardless of our scientific backgrounds, on an irresistible and revelatory journey to the new layers of reality that modern physics has discovered lying just beneath the surface of our everyday world.
The scale of ecological crises made us realize that every kind of politics has always been cosmopolitics, politics of a cosmos. Cosmos embraces everything, including the multifarious natural and material entities that make humans act. The book examines cosmopolitics in its relation to design practice. Abandoning the modernist idea of nature as being external to the human experience - a nature that can be mastered by engineers and scientists from outside, the cosmpolitical thinking offers designers to embark in an active process of manipulating and reworking nature ‘from within.’ To engage in cosmopolitics, this book argues, means to redesign, create, instigate, and compose every single feature of our common experience. In the light of this new understanding of nature, we set the questions: What is the role of design if nature is no longer salient enough to provide a background for human activities? How can we foster designers’ own force and make present what causes designers to think, feel, and act? How do designers make explicit the connection of humans to a variety of entities with different ontology: rivers, species, particles, materials and forces? How do they redefine political order by bringing together stars, prions and people? In effect, how should we understand design practice in its relation to the material and the living world? In this volume, anthropologists, science studies scholars, political scientists and sociologists rethink together the meaning of cosmopolitics for design. At the same time designers, architects and artists engage with the cosmopolitical question in trying to imagine the future of architectural and urban design. The book contains original empirical chapters and a number of revealing interviews with artists and designers whose practices set examples of ‘cosmopolitically correct design’.
Brian Harvey recounts for the first time the definitive history of scientific Russian space probes and the knowledge they acquired of the Earth, its environment, the Moon, Mars and Venus. He examines what Russian Space Science has actually achieved in furthering our knowledge of the Solar System, focusing on the instrumentation and scientific objectives and outcomes, the information gained and lessons learnt. Boxes and charts are used extensively in order to convey in an easily understandable manner for the non-scientific reader the problems and issues addressed and solved by Soviet space science. The book opens with the story of early space science in Russia, which started when the first Russian rockets were fired into the high atmosphere from Kapustin Yar in the late 1940s. Instruments were carried to measure and map the atmosphere and later rockets carried dogs to test their reactions to weightlessness. In order to beat America into Earth orbit, two simpler satellites than originally planned were launched, Sputnik and Sputnik 2, which provided some initial information on atmospheric density, while the following Sputnik 3 carried twelve instruments to measure radiation belts, solar radiation, the density of the atmosphere and the Earth’s magnetic field. The author recounts how, by the 1960s, the Soviet Union had developed a program of investigation of near-Earth space using satellites within the Cosmos program, in particular the DS (Dnepropetrovsky Sputnik), small satellites developed to investigate meteoroids, radiation, the magnetic fields, the upper atmosphere, solar activity, ionosphere, charged particles, cosmic rays and geophysics. Brian Harvey then gives the scientific results from Russian lunar exploration, starting with the discovery of the solar wind by the First Cosmic Ship and the initial mapping of the lunar far side by the Automatic Interplanetary Station. He describes Luna 10, which made the first full study of the lunar environment, Luna 16 which brought soil back to Earth and the two Moon rovers which travelled 50 kms across the lunar surface taking thousands of measurements, soil analyses and photographs, as well as profiles of discrete areas. Chapters 4 and 5 describe in detail the scientific outcomes of the missions to Venus and Mars, before considering the orbiting space stations in Chapter 6. Space science formed an important part of the early manned space program, the prime focus being the human reaction to weightlessness, how long people could stay in orbit and the effects on the body, as well as radiation exposure. Chapter 7 looks at the later stage of Soviet and Russian space science, including Astron and Granat, the two observatories of the 1980s, and Bion, the space biology program which flew monkeys and other animals into orbit. The final chapter looks forward to a new period of Russian space science with the Spektr series of observatories and a range smaller science satellites under the Federal Space Plan 2006-2015.
This workshop brought together top researchers in logic and software engineering in the unique occasion of celebrating the 70th birthday of Professor C S Tang who has devoted much of his long research career to establishing a solid logic foundation for software engineering.