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Redeeming Beauty explores the richness of orthodox Christian tradition, both Western and Eastern, in matters of 'sacral aesthetics' - a term used to denote the foundations, production and experience of religiously relevant beauty. Aidan Nichols investigates five principal themes: the foundation of beauty in the natural order through divine creative action; explicitly 'evangelical' beauty as a quality of biblical revelation and notably at its climax in Christ; the legitimacy of making and venerating artworks; qualities of the self in relation to objective presentation of the religiously beautiful; and the difficulties of practising a sacral aesthetic, whether as producer or consumer, in an epoch when the visual arts themselves have left behind not only Church but for the greater part the public as well. The thought of theologians such as Augustine, Aquinas, Balthasar, Ratzinger, Bulgakov, Maritain and others are explored.
Redeeming Beauty explores the richness of orthodox Christian tradition, both Western and Eastern, in matters of 'sacral aesthetics' - a term used to denote the foundations, production and experience of religiously relevant beauty. Aidan Nichols investigates five principal themes: the foundation of beauty in the natural order through divine creative action; explicitly 'evangelical' beauty as a quality of biblical revelation and notably at its climax in Christ; the legitimacy of making and venerating artworks; qualities of the self in relation to objective presentation of the religiously beautiful; and the difficulties of practising a sacral aesthetic, whether as producer or consumer, in an epoch when the visual arts themselves have left behind not only Church but for the greater part the public as well. The thought of theologians such as Augustine, Aquinas, Balthasar, Ratzinger, Bulgakov, Maritain and others is explored.
Based in the riches of Christian worship and tradition, this brief, eloquently written introduction to Christian thinking and worldview helps readers put back together again faith and reason, truth and beauty, and the fragmented academic disciplines. By reclaiming the classic liberal arts and viewing disciplines such as science and mathematics through a poetic lens, the author explains that unity is present within diversity. Now repackaged with a new foreword by Ken Myers, this book will continue to benefit parents, homeschoolers, lifelong learners, Christian students, and readers interested in the history of ideas.
A fully developed biblical perspective of work and leisure finds the holistic balance missing from today in Puritan enjoyment of both as important to life.
An Examination of Beauty in the Christian Life from Philip Ryken The world is full of beautiful things—the vibrancy of trees in fall, the joy of sitting around a table with family—but in our fallen world, many beautiful things have been turned into ugly distortions. How should Christians think about beauty in a world that is often ugly? In Beauty Is Your Destiny, Philip Ryken provides readers with an introduction to the theology and practice of beauty, striving to awaken a longing for beauty that he explains "can only be satisfied in the face of Jesus Christ." Adapted from chapel messages given at Wheaton College, Ryken considers key topics on Christian thought—including the Trinity, the incarnation, sexuality, and racial diversity—through the lens of beauty, showing how beauty illuminates each of these biblical principles in our world today. Introduction to the Theology of Beauty: Great for college students, pastors, and small groups Biblically Based: Examines how beauty is seen in Christian doctrines such as eternity, the church, and the crucifixion Written by Philip Ryken: President of Wheaton College and author of Grace Transforming; Is Jesus the Only Way?; and Loving the Way Jesus Loves
Coping with post-industrial brownfields is an issue throughout Europe and North America. A point of departure for their broad rediscovery in Germany was the refurbishment of an abandoned steelworks from 1990 on by Peter Latz which subsequently became Duisburg Nord Landscape Park. There, industrial relics were not demolished or converted but perceived as integral parts of the overall concept and then imbued with new meaning and use. Many additional projects with a similar approach were created in the past decades, among them Parc del Clòt in Barcelona, Parque do Tejo e Trancão in Lisbon or Michel Desvigne's Parc aux Angéliques in Bordeaux, currently under construction. This book does not only describe a systematic framework for the use of post-industrial ruins it also contextualizes them in design history. The author, professor for landscape design at Copenhagen University, covers a wide range of topics, linking 19th century Romanticism's preoccupation with ruins to industrial decline (exemplified by Detroit) and then on to the subsequent Renaissance of the transformed landscape and its refound beauty.
If you’re excited about the upcoming Disney film Beauty and the Beast, starring Emma Watson, don’t miss Cruel Beauty. The romance of Beauty and the Beast meets the adventure of Graceling in this dazzling fantasy novel about our deepest desires and their power to change our destiny. Perfect for fans of bestselling An Ember in the Ashes and A Court of Thorns and Roses, this gorgeously written debut infuses the classic fairy tale with glittering magic, a feisty heroine, and a romance sure to take your breath away. Betrothed to the evil ruler of her kingdom, Nyx has always known that her fate was to marry him, kill him, and free her people from his tyranny. But on her seventeenth birthday when she moves into his castle high on the kingdom's mountaintop, nothing is what she expected—particularly her charming and beguiling new husband. Nyx knows she must save her homeland at all costs, yet she can't resist the pull of her sworn enemy—who's gotten in her way by stealing her heart.
With an interdisciplinary approach, Edwards utilizes literature, aesthetics, world religions, and continental philosophy as avenues into the theology of natural beauty. This is an epistemological look at our aesthetically charged knowing of God through nature. Emphasizing our embodied experience of the world, Edwards examines the phenomenon of perceptual beauty, while questioning traditional notions of God's metaphysical "beauty." Drawing upon Michael Polanyi's philosophy of science, Edwards explores the human aesthetic and religious interface with the natural world. This philosophical approach is then linked to the poetic: Polanyi's "tacit knowledge" and Jean-Luc Marion's "saturated phenomena" give support to Wordsworth's "pregnant vision" of the natural world. This approach culminates in a re-envisaging of John Ruskin's typology of natural beauty: Ruskin's vision of the world can be adapted toward an understanding of natural revelation. Edwards brings this Romantic theology back across the Atlantic in dialogue with American nature writers and the uniquely American experience of wilderness and "frontier."
This dissertation is a theological analysis of the trinitarian shape of Jonathan Edwards' aesthetics of beauty. The contributions of this dissertation lie chiefly in three areas. The primary aim of this study is to advance the burgeoning field of the study of Jonathan Edwards by elucidating his views of beauty. In so doing, I present him as a rich source for the theological engagement of beauty, which could serve not only the field of Edwards studies, but also that of theological aesthetics more broadly.