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Redeemed by Her Innocence Can the untouched beauty tame the beast? Ruthless Nikos won’t risk his company to save Jacquelyn’s struggling bridal boutique. But he will give her the best night of her life! Could untouched Jacquelyn’s sensual surrender be this dark-hearted Greek’s redemption?
Viper has always been a bastard, a nightmare, death for hire. He's known for his swift kills, so he isn't surprised when he's offered seven figures for a new hit. It's supposed to be a quick find and eliminate. When his mark turns out to be an innocent twenty-year old with big blue eyes, he shouldn't care one way or another, but he does. Viper wants to keep her for himself.
While the atheist Nietzsche is well known, the pious Nietzsche is seldom recognised and understood. Fraser traces the failures of Nietzsche's salvation theology to an inability to face the depths of human suffering.
In this fourth volume of Collected Essays, Bonaventure, John Duns Scotus, and the Franciscan Tradition, Peter Damian Fehlner traces the development of the Franciscan theologies of redemption, co-redemption, and the Immaculate Conception as they both flow from and return to a very concrete spirituality rooted in devotion to the persons of Jesus and Mary. The main protagonists in these studies are the towering figures of Bonaventure and John Duns Scotus. Framed within an ecclesiological and sacramental worldview, shaped by the correlative and markedly Franciscan doctrines of the Absolute Primacy of Jesus and the Immaculate Conception, Fehlner outlines the theological background and rationale for affirming Mary’s co-redemptive role in creation and salvation history. In articulating this great vision of the church, Fehlner discloses the Catholic and Franciscan understanding of Tradition and its progressive penetration and integration of doctrinal and devotional development into the life of the church. For Fehlner, Mary’s co-redemptive association with her Son and her union in charity with the Holy Spirit provides both the primary instance of and the hermeneutical key for prayerfully receiving and living the mysteries of our salvation.
The author provides an interpretation of the words of Jews living during the intertestamental period and through the third century, including several hassidim. A hermeneutics grounded in the perception of early Rabbinic texts as sharing in events rather than as linguistically autonomous is used. The phenomenology of Jewish martyrdom is read as an acting-out of the Binding of Isaac. The search leads into the question of the bindingness of the La. The The religious soul's passion for the revelation of Law is followed out in its path of temptation to martyrdom. A grand drama of sacrifice and messianic yearnings is thereby unearthed.
She ran from their attraction… But can she resist the billionaire’s deal? Dutiful heiress Talia Grantham shared one earth-shattering evening with sinful stranger Luke Xenakis, knowing that they could never be anything more. So she’s stunned when the enigmatic Greek returns, having bought her father’s business out from under him! Arrogant Luke offers Talia a job to save her family home… She can’t turn down the arrangement—or deny their inescapable, life-changing chemistry! Escape with this intense revenge romance…
Clear mirrors and The Geneva Bible, revolutionary innovations of the Elizabethan age, inspired Shakespeare’s drive towards a new purpose for drama. Shakespeare reversed the conventional mirror metaphor for drama, implying drama cannot reflect the substance of human nature, and developed a method of characterization, through metadrama, self-awareness and soliloquy, to project St. Paul’s idea of conscience onto the Elizabethan stage. This revolutionary method of characterization, aesthetic existence beyond performance, has long been sensed but remains frustratingly uncategorized. Shakespeare’s Mirrors charts the invention of a drama that staged the unstageable: St. Paul’s metaphysical conception of human nature glimpsed through a looking glass darkly.
This book arose from the author's sense of urgency. The Protestant church that we know and love has grown silent about the judgment of God. It seems that our church is bent upon living up to H. Richard Niebuhr's caricature of liberal Protestantism: "A God without wrath brought men without sin into a kingdom without judgment through the ministrations of a Christ without a cross." The book is meant to remedy this silence regarding God's judgment. It demonstrates the pervasiveness of the judgment of God in both Old and New Testaments. Not only do we find the act of judgment in every era, but judgment is a necessary stage in God's saving work. Moreover, the illuminating power of the concept is confirmed by common human experience.
Grace is the ultimate expression of love. We all know we need grace and forgiveness, but why is it so difficult to extend them to ourselves and others? In Reckless Grace, Bill Vanderbush and Brit Eaton challenge our understanding of forgiveness with powerful biblical evidence and show us how to step into the fullness of grace, bringing reconciliation and restoration to our relationships using: - practical steps and accessible tools to help identify and overcome barriers to grace - carefully crafted exercises and reflections that explore past and present hurts and work toward healing - gentle guidance in becoming gospel-centered and releasing grace into a fallen world. God isn’t reckless, but the way he extends grace defies all reason. We can learn to freely give what we have been freely gifted.