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The Red Stick Diaries are a set of diary entries from the heart of a young woman that finds herself enthralled in a romantic love affair after rebuilding her life from a previously traumatic relationship. Betrayal is a criminal drama that reveals the power and control that a state and local justice system has over its residents. Damian D’Vil is a smooth talker that satiates his women with good looks and impeccable charm. He is a well connected public figure that never walks away from a challenge and loves power. He uses his network to enable his behaviors as he finds his next victims. However, a strange turn of events could soon reveal his abusive, controlling and felonious secrets.
In this provocative treatise, author Joe Khamisi catalogues the events that took place during one of Kenyas most important periods in history. This period began in 2002, when Daniel Arap Moi stepped down after twenty-four years as president of Kenya. Khamisi reviews events up to the time when the country exploded in post-election violence in 2007 and the subsequent formation of the Grand Coalition Government between President Mwai Kibaki and Raila Amolo Odinga the following year. Khamisi explores the leadership betrayals that he believes are responsible for the political, social, and economic rot that are pervasive in Kenya. He recounts how he helped a presidential poll loser in the 2007 elections, Stephen Kalonzo Musyoka, capture the coveted role of vice president. He also presents an in-depth analysis of Senator Barack Obamas visit to Kenya in 2006, as well as his own personal experiences with Baracks late father, who he describes as a person who chain-smoked contentedly, drank copiously, and partied spiritedly. The Politics of Betrayal is critical reading for anyone who is interested in the transformation of Kenya from a one-party dictatorship to a pluralistic nation.
A New York Times bestseller—over one million copies sold! A National Book Award winner A Boston Globe-Horn Book Award winner Bestselling author Sherman Alexie tells the story of Junior, a budding cartoonist growing up on the Spokane Indian Reservation. Determined to take his future into his own hands, Junior leaves his troubled school on the rez to attend an all-white farm town high school where the only other Indian is the school mascot. Heartbreaking, funny, and beautifully written, The Absolutely True Diary of a Part-Time Indian, which is based on the author's own experiences, coupled with poignant drawings by Ellen Forney that reflect the character's art, chronicles the contemporary adolescence of one Native American boy as he attempts to break away from the life he was destined to live. With a forward by Markus Zusak, interviews with Sherman Alexie and Ellen Forney, and black-and-white interior art throughout, this edition is perfect for fans and collectors alike.
"Motorcycle riding is a metaphor for life, and it changed mine."A coming-of-age story told from the saddle of a motorcycle, The Philzer Moto-Diaries describes Philip E. Boyer's personal journey on two wheels, as he confronts dangers physical and emotional, discovers lasting friendships and romance, experiences thrilling adventures and incredible scenery, and navigates the countless peaks, valleys, and twists of life. With plenty to entertain the riding fan, The Philzer Moto-Diaries is also an intensely personal memoir of the journey of one man's soul.
Between 1919 and his death by suicide in 1963, Arthur Crew Inman wrote what is surely one of the fullest diaries ever kept by any American. Convinced that his bid for immortality required complete candor, he held nothing back. This abridgment of the original 155 volumes is at once autobiography, social chronicle, and an apologia addressed to unborn readers. Into this fascinating record Inman poured memories of a privileged Atlanta childhood, disastrous prep-school years, a nervous collapse in college followed by a bizarre life of self-diagnosed invalidism. Confined to a darkened room in his Boston apartment, he lived vicariously: through newspaper advertisements he hired "talkers" to tell him the stories of their lives, and he wove their strange histories into the diary. Young women in particular fascinated him. He studied their moods, bought them clothes, fondled them, and counseled them on their love affairs. His marriage in 1923 to Evelyn Yates, the heroine of the diary, survived a series of melodramatic episodes. While reflecting on national politics, waifs and revolutions, Inman speaks directly about his fears, compulsions, fantasies, and nightmares, coaxing the reader into intimacy with him. Despite his shocking self-disclosures he emerges as an oddly impressive figure. This compelling work is many things: a case history of a deeply troubled man; the story of a transplanted and self-conscious southerner; a historical overview of Boston illuminated with striking cityscapes; an odd sort of American social history. But chiefly it is, as Inman himself came to see, a gigantic nonfiction novel, a new literary form. As it moves inexorably toward a powerful denouement, The Inman Diary is an addictive narrative.
In 1933 and 1934, Thomas Minehan, a young sociologist at the University of Minnesota, joined the ranks of a roving army of 250,000 boys and girls torn from their homes during the Great Depression. Disguised in old clothes, he hopped freight trains crisscrossing six midwestern states. While undercover, Minehan associated on terms of social equality with several thousand transients, collecting five hundred life histories of the young migrants. The result was a vivid and intimate portrayal of a harrowing existence, one in which young people suffered some of the deadliest blows of the economic disaster. Boy and Girl Tramps of America reveals the poignant experiences of American youth who were sent out on the road by grinding poverty, shattered family relationships, and financially strapped schools that locked their doors. For these young people, danger was a constant companion that could turn deadly in an instant. The book documents the hunger and hardships these youth faced, capturing an appalling spectacle and social problem in America’s history before any effort was made to meet the problem on a nationwide basis by the federal government. Boy and Girl Tramps of America is a work unique in its ability to extend beyond statistical analyses to uncover the opinions, ideas, and attitudes of the boxcar boys and girls. Originally published in 1934, it remains highly relevant to the turbulent moments of the twenty-first century. This reprint features an introduction by scholar Susan Honeyman that puts the work into our current context.
In The Native Ground, Kathleen DuVal argues that it was Indians rather than European would-be colonizers who were more often able to determine the form and content of the relations between the two groups. Along the banks of the Arkansas and Mississippi rivers, far from Paris, Madrid, and London, European colonialism met neither accommodation nor resistance but incorporation. Rather than being colonized, Indians drew European empires into local patterns of land and resource allocation, sustenance, goods exchange, gender relations, diplomacy, and warfare. Placing Indians at the center of the story, DuVal shows both their diversity and our contemporary tendency to exaggerate the influence of Europeans in places far from their centers of power. Europeans were often more dependent on Indians than Indians were on them. Now the states of Arkansas, Oklahoma, Kansas, and Colorado, this native ground was originally populated by indigenous peoples, became part of the French and Spanish empires, and in 1803 was bought by the United States in the Louisiana Purchase. Drawing on archaeology and oral history, as well as documents in English, French, and Spanish, DuVal chronicles the successive migrations of Indians and Europeans to the area from precolonial times through the 1820s. These myriad native groups—Mississippians, Quapaws, Osages, Chickasaws, Caddos, and Cherokees—and the waves of Europeans all competed with one another for control of the region. Only in the nineteenth century did outsiders initiate a future in which one people would claim exclusive ownership of the mid-continent. After the War of 1812, these settlers came in numbers large enough to overwhelm the region's inhabitants and reject the early patterns of cross-cultural interdependence. As citizens of the United States, they persuaded the federal government to muster its resources on behalf of their dreams of landholding and citizenship. With keen insight and broad vision, Kathleen DuVal retells the story of Indian and European contact in a more complex and, ultimately, more satisfactory way.
"Martin Duberman is a national treasure." —Masha Gessen, The New Yorker Roger Casement was an internationally renowned figure at the beginning of the 20th century, famous for exposing the widespread atrocities against the indigenous people in King Leopold's Congo and his subsequent exposure—for which he was knighted in 1911—of the brutal conditions of enslaved labor in Peru. An Irish nationalist of profound conviction, he attempted, at the outbreak of World War I, to obtain German support and weapons for an armed rebellion against British rule. Apprehended and convicted of treason in a notorious trial that captured worldwide attention, Casement was sentenced to die on the gallows. A powerful petition drive for the commutation of his sentence was inaugurated by George Bernard Shaw and a host of other influential figures. A gay man, Casement kept detailed diaries of his sexual escapades, and the British government, upon discovering the diaries, circulated its pages to public figures, thereby crippling what had been a mounting petition for clemency. In 1916, he was hanged. In this gripping reimagining, acclaimed historian Martin Duberman paints a full portrait of the man for the first time. Tracing his evolution from servant of the empire to his work as a humanitarian activist and anti-imperialist, Duberman resurrects and recognizes all facets—from the professional to the personal—of the fantastic life of this pioneer for human rights.
An exhaustive, day-by-day diary-like study of modern music, "Post Punk Diary" details every day of Punk's existence in the early 1980s with the minutiae of musical history, graphics, and photographs. "It's a top-notch fan book".--"Rolling Stone".