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Shira Spector, whose drawing is visceral, symbolic and naturalistic, literally paints a vivid portrait of the most eventful 10 years of her life, encompassing her tenacious struggle to get pregnant, the emotional turmoil of her father’s cancer diagnosis and eventual death, and her recollections of past relationships with her parents and her partner. Set in a kaleidoscope of Montreal and Toronto, Red Rock Baby Candy begins in subtle, tonal shades of black ink and introduces color slowly over the next 50 pages until it explodes into a glorious full color palette. The visual storytelling eschews traditional comics panels in favor of a series of unique page compositions that convey both a stream of consciousness and the tactile reality of life, both the subjective impressions of the author at each moment of the life she depicts and the objective series of events that shape her narrative.
A HOLOCAUST SURVIVOR STRUGGLES TO LET GO OF THE PAST Miriam Katin has the light hand of a master storyteller in this flowing, expressive, full-color masterpiece. A Holocaust survivor and mother, Katin’s world is turned upside down by the news that her adult son is moving to Berlin, a city she’s villainized for the past forty years. As she struggles to accept her son’s decision, she visits the city twice, first to see her son and then to attend a museum gala featuring her own artwork. What she witnesses firsthand is a city coming to terms with its traumatic past, much as Katin is herself. Letting It Go is a deft and careful balance: wry, self-deprecating anecdotes counterpoint a serious account of the myriad ways trauma inflects daily existence, both for survivors and for their families. Katin’s first book, We Are On Our Own, was a memoir of her childhood, detailing how she and her mother hid in the Hungarian countryside, disguising themselves as a peasant woman and her illegitimate child in order to escape the Nazis. The stunning story, along with Katin’s gorgeous pencil work, immediately garnered acclaim in the comics world and beyond. With Letting It Go, Katin’s storytelling and artistic skills allow her to explore a voice and perspective like no other found in the medium.
This acclaimed graphic memoir that Kirkus calls “cathartic and uplifting” is the tale of losing a parent and what it feels like to grieve and to move forward. “I can’t recommend this kind, funny, and poignant memoir enough. It’s an intimate, life-affirming story of resilience that feels like a good friend.” —Mari Andrew, author of Am I There Yet? Tyler Feder had just white-knuckled her way through her first year of college when her super cool mom was diagnosed with late-stage cancer. Now, with a decade of grief and nervous laughter under her belt, Tyler shares the story of that gut-wrenching, heart-pounding, extremely awkward time in her life—from her mom’s first oncology appointment to her funeral through the beginning of facing reality as a motherless daughter. She shares the sting of loss that never goes away, the uncomfortable post-death firsts, and the deep-down, hard-to-talk-about feelings of the grieving process. Dancing at the Pity Party is a frank and refreshingly funny look at what it’s like to grieve—for anyone struggling with loss who just wants someone to get it.
Newborn babies as young as six weeks old will be mesmerized by the bold shapes and colors in BABY SEES COLORS! This book makes a perfect gift for a new baby—parents, grandparents, and other caretakers will love the bonding experience of reading this lovely board book aloud to infants or one-year-olds. **2019 National Parenting Product Awards Winner** (NAPPAawards.com) Based on decades of research and refinement, the art in this high-contrast board book will help babies focus and begin to discern shapes and colors. Written by popular children’s book author Akio Kashiwara, BABY SEES COLORS has simple, uplifting images and rhymes. Babies soak in everything they hear, and eventually learn to associate particular sounds with familiar people and things. Hundreds of thousands of parents in Japan have already discovered the power of this little book, and now American parents can too! This adorable, sturdy book will still look new after being loved for years, and will find a place on the shelf next to classic board books like Eric Carle's The Very Hungry Caterpillar, Brown Bear, Brown Bear, What Do You See?; Chica Chica Boom Boom, and Sandra Boynton’s classics. What parents are saying: “My baby started being very interested in this as soon as she could focus, around one and a half months. This is a great first book!” “GREAT first book for baby. My two month old twins LOVE when I read and show them this book.” “Attention Grabber! Super cute book! Really grabs my 2 month old’s attention!"
NATIONAL JEWISH BOOK AWARD WINNER • Visually and emotionally rich, MetaMaus is as groundbreaking as the masterpiece whose creation it reveals. In the pages of MetaMaus, Art Spiegelman re-enters the Pulitzer prize–winning Maus, the modern classic that has altered how we see literature, comics, and the Holocaust ever since it was first published twenty-five years ago. He probes the questions that Maus most often evokes—Why the Holocaust? Why mice? Why comics?—and gives us a new and essential work about the creative process. Compelling and intimate, MetaMaus is poised to become a classic in its own right.
Based (very loosely) on cartoonist Peter Kupers real life, this novel tells the story of his alter ego Walter Kurtz, who is struggling through what hes been ominously warned will change your life: the arrival of his first child.
Bo Mason, his wife, Elsa, and their two boys live a transient life of poverty and despair. Drifting from town to town and from state to state, the violent, ruthless Bo seeks out his fortune - in the hotel business, in new farmland and eventually, in illegal rum-running through the treacherous back roads of the American Northwest. In this affecting narrative, Wallace Stegner portrays more than thirty years in the life of the Mason family as they struggle to survive during the lean years of the early twentieth century. Wallace Stegner was the author of, among other works of fiction, Remembering Laughter (1973); Joe Hill (1950); All the Little Live Things (1967, Commonwealth Club Gold Medal); A Shooting Star (1961); Angle of Repose (1971, Pulitzer Prize); The Spectator Bird (1976, National Book Award); Recapitulation (1979); Crossing to Safety (1987); and Collected Stories (1990). His nonfiction includes Beyond the Hundredth Meridian (1954); Wolf Willow (1963); The Sound of Mountain Water (essays, 1969); The Uneasy Chair: A Biography of Bernard deVoto (1964); American Places (with Page Stegner, 1981); and Where the Bluebird Sings to the Lemonade Springs: Living and Writing in the West (1992). Three short stories have won O.Henry prizes, and in 1980 he received the Robert Kirsch Award from the Los Angeles Times for his lifetime literary achievements.
She wanted to be a hip-hop star but the streets got in the way. Have you ever laid down with a man and wasn’t sure if you’d ever get back up? Tossed the sheets with a bone-knocking fear that only a hard-core hustler could produce? Sexed him like your life depended on it, because in reality it did? You still with me? Then let’s roll over to my house. Harlem. 145th Street. Grab a seat and brace yourself as I show you the kind of pain that street life and so-called success can bring. . . . Nineteen-year-old Candy Raye Montana, an ex—drug runner for the Gabriano crime family and a former foster child, dreams of becoming a hip-hop superstar, if only someone will discover her talents. Someone does. Mega music producer and king thug of Harlem, Junius “Hurricane” Jackson, CEO of the House of Homicide recording studio, cuts a deal and puts Candy on the stage. Suddenly she is a hot new artist on the notorious Homicide Hitz record label. Her career takes off and she blazes the charts, but it’s not long before Candy realizes that the man she thought was her knight is nothing more than a cold-blooded nightmare. Caught between the music and the madness, between the dollars and the deals, Candy belongs to Hurricane—body and soul—and must endure his sadistic bedroom desires while keeping his sexual secrets hidden from the world. But Candy has some strong desires of her own that simply cannot be denied, especially when she finds herself turned on by a brilliant investment baller who just happens to be Hurricane’s right-hand man. Candy longs for her freedom, but if Hurricane gets wind of her betrayal the blowback will be lethal—and not only will she risk losing her recording contract, she just might lose her life.
In this powerful memoir the the LA Times calls “moving, rigorous, and heartbreaking," Sarah Leavitt reveals how Alzheimer’s disease transformed her mother, Midge, and her family forever. In spare blackand- white drawings and clear, candid prose, Sarah shares her family’s journey through a harrowing range of emotions—shock, denial, hope, anger, frustration—all the while learning to cope, and managing to find moments of happiness. Midge, a Harvard educated intellectual, struggles to comprehend the simplest words; Sarah’s father, Rob, slowly adapts to his new role as full-time caretaker, but still finds time for wordplay and poetry with his wife; Sarah and her sister Hannah argue, laugh, and grieve together as they join forces to help Midge. Tangles confronts the complexity of Alzheimer’s disease, and ultimately releases a knot of memories and dreams to reveal a bond between a mother and a daughter that will never come apart.
In a truly innovative memoir, the author combines her skills as a writer and illustrator to recount her early childhood in the 1950s and fragmented stories of family members lost in the war.