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The case of Robert Charles Browne, who may be one of America’s most prolific serial killers, was supposed to be a cold one. But that was before three retired buddies took it on. “The score is you one, the other team 48,” wrote Robert Charles Browne in March 2000, from his prison cell in Colorado, where he was serving a life sentence for a girl’s murder. “Seven sacred virgins entombed side by side, those less worthy are scattered wide.” No one in local law enforcement knew what to make of this message. Then three friends, volunteer members of the El Paso Sheriff’s Department cold case squad, decided to write back to Browne. Browne boasted about having killed as many as forty-eight people in a cross-country murder spree spanning twenty-five years. As the old friends parsed the riddles, investigators followed clues leading to a confession and the closure of another heartbreaking case. This is their story. Includes photographs
Hailed as "powerful," "accomplished," and "spellbinding," Lalita Tademy's first novel Cane River was a New York Times bestseller and the 2001 Oprah Book Club Summer Selection. Now with her evocative, luminous style and painstaking research, she takes her family's story even further, back to a little-chronicled, deliberately-forgotten time...and the struggle of three extraordinary generations of African-American men to forge brutal injustice and shattered promise into a limitless future for their children... For the newly-freed black residents of Colfax, Louisiana, the beginning of Reconstruction promised them the right to vote, own property-and at last control their own lives. Tademy saw a chance to start a school for his children and neighbors. His friend Israel Smith was determined to start a community business and gain economic freedom. But in the space of a day, marauding whites would "take back" Colfax in one of the deadliest cases of racial violence in the South. In the bitter aftermath, Sam and Israel's fight to recover and build their dreams will draw on the best they and their families have to give-and the worst they couldn't have foreseen. Sam's hidden resilience will make him an unexpected leader, even as it puts his conscience and life on the line. Israel finds ironic success-and the bitterest of betrayals. And their greatest challenge will be to pass on to their sons and grandsons a proud heritage never forgotten-and the strength to meet the demands of the past and future in their own unique ways. An unforgettable achievement, a history brought to vibrant life through one of the most memorable families in fiction, Red River is about fathers and sons, husbands and wives-and the hopeful, heartbreaking choices we all must make to claim the legacy that is ours.
On a Saturday night in 1948, Hank Williams stepped onto the stage of the Louisiana Hayride and sang "Lovesick Blues." Up to that point, Williams's yodeling style had been pigeon-holed as hillbilly music, cutting him off from the mainstream of popular music. Taking a chance on this untried artist, the Hayride--a radio "barn dance" or country music variety show like the Grand Ole Opry--not only launched Williams's career, but went on to launch the careers of well-known performers such as Jim Reeves, Webb Pierce, Kitty Wells, Johnny Cash, and Slim Whitman. Broadcast from Shreveport, Louisiana, the local station KWKH's 50,000-watt signal reached listeners in over 28 states and lured them to packed performances of the Hayride's road show. By tracing the dynamic history of the Hayride and its sponsoring station, ethnomusicologist Tracey Laird reveals the critical role that this part of northwestern Louisiana played in the development of both country music and rock and roll. Delving into the past of this Red River city, she probes the vibrant historical, cultural, and social backdrop for its dynamic musical scene. Sitting between the Old South and the West, this one-time frontier town provided an ideal setting for the cross-fertilization of musical styles. The scene was shaped by the region's easy mobility, the presence of a legal "red-light" district from 1903-17, and musical interchanges between blacks and whites, who lived in close proximity and in nearly equal numbers. The region nurtured such varied talents as Huddie Ledbetter, the "king of the twelve-string guitar," and Jimmie Davis, the two term "singing governor" of Louisiana who penned "You Are My Sunshine." Against the backdrop of the colorful history of Shreveport, the unique contribution of this radio barn dance is revealed. Radio shaped musical tastes, and the Hayride's frontier-spirit producers took risks with artists whose reputations may have been shaky or whose styles did not neatly fit musical categories (both Hank Williams and Elvis Presley were rejected by the Opry before they came to Shreveport). The Hayride also served as a training ground for a generation of studio sidemen and producers who steered popular music for decades after the Hayride's final broadcast. While only a few years separated the Hayride appearances of Hank Williams and Elvis Presley--who made his national radio debut on the show in 1954--those years encompassed seismic shifts in the tastes, perceptions, and self-consciousness of American youth. Though the Hayride is often overshadowed by the Grand Ole Opry in country music scholarship, Laird balances the record and reveals how this remarkable show both documented and contributed to a powerful transformation in American popular music.
Mayeux does more than just tell the story of the fort from the military perspective; it goes deeper to closely examine the lives of the people that served in-and lived around-Fort DeRussy. Through a thorough examination of local documents, Mayeux has uncovered the fascinating stories that reveal for the first time what wartime life was like for those living in central Louisiana. In this book, the reader will meet soldiers and slaves, plantation owners and Jayhawkers, elderly women and newborn babies, all of whom played important roles in making the history of Fort DeRussy. Mayeux presents an unvarnished portrait of the life at the fort, devoid of any romanticized notions, but more accurately capturing the utter humanity of those who built it, defended it, attacked it, and lived around it.
A compilation of stories and reflections on growing up through the Great Depression and World War II, and the impact of a caring, vibrant neighborhood. Includes memories from childhood up through early adult years. A glimpse into a small town, southern, neighborhood of playmates, parents, grandparents, teachers, and shop keepers.