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What explains Putin's enduring popularity in Russia? In The Red Mirror, Gulnaz Sharafutdinova uses social identity theory to explain Putin's leadership. The main source of Putin's political influence, she finds, lies in how he articulates the shared collective perspective that unites many Russian citizens. Under his tenure, the Kremlin's media machine has tapped into powerful group emotions of shame and humiliation--derived from the Soviet transition in the 1990s--and has politicized national identity to transform these emotions into pride and patriotism. Culminating with the annexation of Crimea in 2014, this strategy of national identity politics is still the essence of Putin's leadership in Russia. But victimhood-based consolidation is also leading the country down the path of political confrontation and economic stagnation. To enable a cultural, social, and political revival in Russia, Sharafutdinova argues, political elites must instead focus on more constructively conceived ideas about the country's future. Integrating methods from history, political science, and social psychology, The Red Mirror offers the clearest picture yet of how the nation's majoritarian identity politics are playing out.
The Vanir of the south speak of the Red Mirror, a legend hidden in the mists of time. In the desert of the Southern Kingdom, a grim message is left. No one knows who it is for, or why anyone would do such a thing. The hideous crime is being investigated by detective Cornell Nightworth and his partner, Jenny. The strange incident leads them towards the hidden history of the Last War, and towards someone thought long gone. Just when they start to get somewhere, the case gets taken away from them. But Cornell is unwilling to let it go, and decides to pursue the truth using his own methods - no matter where it might lead.
The return of the 'Soviet' or the 'national' in Putin's Russia? -- The white knight and the red queen : blinded by love -- Shared mental models of the late soviet period -- The new Russian identity and the burden of the Soviet past -- Constructing the collective trauma of the -- MMM for VVP : building the modern media machine -- Le cirque politique a la russe : political talk shows and public opinion leaders in Russia -- Searching for a new mirror : on human and collective dignity in Russia.
These evocative stories bring to life the tragic personal impact of the Cultural Revolution on the families of China's intellectuals. Now adults, survivors recall their childhood during the tumultuous years between 1965 and 1976, when Mao's death finally drew a curtain on a bitterly failed social and political experiment.A series of first-person narratives eloquently describes the life-long influence of this seminal period on China's children. Those who were teenagers in the late 1960s joined the Red Guards and the revolutionary rebel groups, following Mao's directives to make revolution, often to their own undoing. Those who were too young to participate directly were even more vulnerable. Although they had little understanding of the political firestorm that engulfed their parents, they were old enough to understand and feel the terror it brought. Vividly capturing the emotional intensity of the time, these stories explore what it was like to be caught up in revolutionary fervor, to be sent to the countryside, to be separated,either ideologically or physically,from one's parents, often forever.By undermining families and family structure, the Cultural Revolution created a generation of Chinese who view politics, the Communist Party, and life itself with deep cynicism. Presenting a spectrum of individual stories of people who saw the Cultural Revolution through the eyes of a child, The Red Mirror offers rare insights for understanding the crippling legacy of the Cultural Revolution.
Poetry. Asian & Asian American Studies. Translated from the Korean by Jiwon Shin, Lauren Albin, and Sue Hyon Bae. A landmark feminist poet and critic in her native South Korea, Kim Hyesoon's surreal, dagger-sharp poetry has spread from hemisphere to hemisphere in the past ten years, her works translated to Chinese, Swedish, English, French, German, Dutch, and beyond. In A DRINK OF RED MIRROR, Kim Hyesoon raises a glass to the reader in the form of a series of riddles, poems conjuring the you inside the me, the night inside the day, the outside inside the inside, the ocean inside the tear. Kim's radical, paradoxical intimacies entail sites of pain as well as wonder, opening onto impossible--which is to say, visionary--vistas. Again and again, in these poems as across her career, Kim unlocks a horizon inside the vanishing point.
Grimms’ fairy tales, originally collected in 1812, are a timeless chronicle of the possibilities our lives all have, and the full range of human nature. The stories remain just as relevant today as when they were first published over 200 years ago. To introduce these tales to a new generation, Uzzlepye Press presents Mirror Mirrored: An Artists' Edition of 25 Grimms' Tales, a special visual edition of 25 of the stories. It includes not only almost 2,000 vintage Grimms' illustrations remixed into the book alongside the story texts, but also work from 28 contemporary artists visually reimagining these stories.
Taking a straightforward, logical approach that emphasizes symmetry and crystal relationships, Foundations of Crystallography with Computer Applications, Second Edition provides a thorough explanation of the topic for students studying the solid state in chemistry, physics, materials science, geological sciences, and engineering. It is also written
There are over 1300 species of cyprinids in Asia, and these are utilized by people for food (capture fisheries and aquaculture) and as ornamental species. This publication focuses on cyprinid species that are bred in hatcheries and used in aquaculture and restocking activities. Introduced and threatened species of cyprinids in Asia are also discussed. We are well aware that we have not covered many other cyprinid species that are utilized by people in Asia in various ways: wild species in capture fisheries, self-recruiting species in aquaculture ponds and other water bodies, and aquarist species.
This is not a book about Religion. Using the real birthday of Jesus, kinda, plus fractals and other patterns found in nature, I have created several new zodiac charts to help locate, and describe, the evil ones amoung us. I gave these charts such names as ' Heaven to Hell', ' Child, Teen, Adult', 'Leaping Lizards', and my favorite, 'The Wheel of Good & Evil'. With certain specific patterns, I was able to locate such horrible people as 'The Professional Victims', 'People of Rage', and 'The Laughing Idiots'. A "Health Chart' is included that might help you feel better and look younger for years longer. It uses the seperation of white light through a prism, or the power of 3, to let you know who on the zodiac wheel might help in restoring you back to life. If hell is other people, then heaven can be other people too. Names were giving to all 12 zodiac zones on the wheel, and most of the evil subzones too. These names describe the basic essense of those individuals who were born inside those zones. Some of the names giving include:
First demonstrated in 1928, color television remained little more than a novelty for decades as the industry struggled with the considerable technical, regulatory, commercial, and cultural complications posed by the medium. Only fully adopted by all three networks in the 1960s, color television was imagined as a new way of seeing that was distinct from both monochrome television and other forms of color media. It also inspired compelling popular, scientific, and industry conversations about the use and meaning of color and its effects on emotions, vision, and desire. In Bright Signals Susan Murray traces these wide-ranging debates within and beyond the television industry, positioning the story of color television, which was replete with false starts, failure, and ingenuity, as central to the broader history of twentieth-century visual culture. In so doing, she shows how color television disrupted and reframed the very idea of television while it simultaneously revealed the tensions about technology's relationship to consumerism, human sight, and the natural world.