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This bundle contains all three volumes of The Red Ledger (Reborn, Recall, and Revenge) from #1 NYT bestselling author Meredith Wild. He’s death for hire… Some people measure life in hours. Days. Weeks. I measure mine in kills. A covert military mission gone wrong robbed me of my memory and any link to my past. This is my existence now. I execute and survive. Nothing more, nothing less. I was ready to write Isabel Foster’s name in my ledger of unfortunate souls until she uttered the one word that could stop the bullet meant for her. My name. She knows my face. She knows me. She’s the key to the memories I’m not sure I want back. Now nothing is simple. I still have a job to do, and my soul isn’t worth saving. I’m not the man she thinks I am. I can’t love her. And sparing her life puts us both in the crosshairs.
Henri Charlebois is a rich old man who was homeless, ill and destitute many years ago. He keeps a book that he calls the Red Ledger, where he has written names of all people he encountered during his life as a hobo. He has a plan to make his accounts balanced, and debts settled. All those who done him well, will be protected and secured, but those who done him wrong will live to regret it. Frank Lucius Packard (1877-1942) was a Canadian novelist best known for his Jimmie Dale mystery series. As a young man he worked as a civil engineer for the Canadian Pacific Railway. His experiences working on the railroad led to his writing a series of railroad stories and novels. Packard also wrote number of mystery novels, the most famous of which featured a character called Jimmie Dale, a wealthy playboy by day and a fearless crime fighter by night. Jimmie Dale novels brought the idea of a costume and mask for hero's secret identity, and also established the concept of a hero's secret hideout or lair.
DigiCat Publishing presents to you this special edition of "The Red Ledger" by Frank Lucius Packard. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
"Thrilling, suspenseful and heart-stopping!" -NYT Bestseller Alessandra Torre He’s death for hire… Some people measure life in hours. Days. Weeks. I measure mine in kills. A covert military mission gone wrong robbed me of my memory and any link to my past. This is my existence now. I execute and survive. Nothing more, nothing less. I was ready to write Isabel Foster’s name in my ledger of unfortunate souls until she uttered the one word that could stop the bullet meant for her. My name. She knows my face. She knows me. She’s the key to the memories I’m not sure I want back. Now nothing is simple. I still have a job to do, and my soul isn’t worth saving. I’m not the man she thinks I am. I can’t love her. And sparing her life puts us both in the crosshairs.
No one else can stop them… I’ve never loved Tristan more. I’ve never trusted him less. Is it murder in his eyes or just jealousy when he insists we’ll find answers in Boston, headquarters of one of our greatest enemies and home to the man I left back in Rio? I haven’t forgotten Kolt’s betrayal nor the blood that’s already been spilled between our families. Inviting him back into my life with the promise of settling our unfinished business is a dangerous gamble that could end in more bloodshed. But as his family’s twisted plan starts to unfold, nothing can prepare me for the horror of what will happen if I do nothing. More people will die, and every death will serve a dark purpose. Tristan and I may be an army of two, but one thing is certain—if we can’t save them, no one will.
There’s no turning back… The second I spared Isabel’s life, everything changed. I used to deal in death wishes. Now the instinct to protect her charts the course. Because every time I turn away from her, something turns me back. She’s uncovered a side of me that I can no longer ignore. Doesn’t change the fact that she doesn’t belong in my world. Isabel’s learning to hold her own, but nothing can prepare her for the life I’m being called back into. With a long road ahead of us, I won’t make promises I can’t keep. She can barely accept the dark deeds of my past―a bloody history spelled out in a ledger she’s more preoccupied with than I’d like. When an old associate sets a dangerous plan in motion, I can’t hide who I really am. And there’s no turning back…
Red Ledger is Mary Dalton's fourth book of poems, and follows the success of her highly praised and prize-winning collection Merrybegot. In Red Ledger, Dalton's wit leaps forward to create yet another series of pressure-packed, tough-minded poems inseparable from their Atlantic source. The immediacy and precision of her diction and the large scope of her thinking evoke an elemental world in ways that recall the oral traditions from which Dalton has often drawn inspiration. Rarely has the formidable Newfoundland character found such authentic expression. Ranging from erotic lyrics to riddles, from parables to social-political meditations, Red Ledger is the work of an exceptional poet who has once again struck out on her own.
Although ledger art has long been considered a male art form, Women and Ledger Art calls attention to the extraordinary achievements of four contemporary female Native artists—Sharron Ahtone Harjo (Kiowa), Colleen Cutschall (Oglala Lakota), Linda Haukaas (Sicangu Lakota), and Dolores Purdy Corcoran (Caddo). The book examines these women's interpretations of their artwork and their thoughts on tribal history and contemporary life.
Call them prayers or curses. Fictions or true stories. Mary Dalton's new poems are voices caught in print, fashioned from the vigorous idioms and cadences of Newfoundland speech. Readers will, likely for the first time, encounter words like "conkerbells", "drite", "mollyfoostering", "mawmouth" and "elt"--potent words rich with the music of their centuries-old origins. The Atlantic landscape, its water and weather, is made to play a memorable role in these poems, reflecting the often anarchic vitality of a complex, sea-dependent people. But the true marvel of Merrybegot, Dalton's third book, is the linguistic energy, the "salt accent," of its various speakers. The title, Merrybegot (a child born outside marriage), aptly suggests this poetry's extraordinary originality. Here is a language, and a community, rendered in all its exuberant and irreverent life.