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ATTACK FROM BELOW...AND FROM WITHIN! Jason Todd and Roy Harper—Red Hood and Arsenal—are Bats for hire, rent-a-heroes hoping to save the day and make a little money while they’re at it. But the latest challenge they’ve taken on might just be their toughest yet, and they’re working for free! She calls herself Joker’s Daughter, and she’s a teenage psychopath that Red Hood is determined to save from herself. But can Joker’s Daughter be saved...or trusted? To find out, Jason and Roy will have to follow her down to the Nethers, a subterranean section of Gotham where a power struggle is playing out with their teenage charge caught in the middle. And what happens in the Nethers might just swallow the entire city whole! Can these would-be heroes make it out of the underground city alive...and finally find a paying gig? Only one thing is for certain: in Gotham, nothing stays buried for long—especially the past. Writer Scott Lobdell (RED HOOD AND THE OUTLAWS) and artists Javier Fernández (DOOMED) and Dexter Soy (BATMAN: ARKHAM KNIGHT—GENESIS) send Red Hood and Arsenal as low as they’ve ever gone...but will they be able to rise back up? RED HOOD/ARSENAL VOL. 2: DEVIL’S DAUGHTER collects issues #7-13 and a special preview of RED HOOD AND THE OUTLAWS: REBIRTH #1!
Writer Scott Lobdell (SUPERMAN, RED HOOD AND THE OUTLAWS) and artist Denis Medri (SPIDER-VERSE) give you more bang for your buck in RED HOOD/ARSENAL VOL. 1: OPEN FOR BUSINESS! Jason Todd: a former dead Robin turned Outlaw. Roy Harper: a self-destructive tech guru whose perfect aim falters when it comes to alcohol, women and finances. Alone, they’ve fallen on hard times. Together…well, they’re still falling on hard times. With the Outlaws disbanded, Red Hood and Arsenal go into business for themselves-first as on-staff outlaws for mysterious “fixer” Tara Battleworth, then as freelance problem solvers. Unfortunately for them, business is literally booming after a jolting “job interview” with Underbelly, a seemingly invincible crime boss who claims to have a hand in the corruption running through every major city on Earth. Traveling to Gotham City to root out society’s Underbelly, the armed brothers-in-arms must also contend with a techno-suited Batman that’s unfamiliar to Jason, and the Hero Manifesto, a villainous organization looking to follow Red Hood and Arsenal’s business model by eliminating the competition. The duo even earns a bonus: facing the self-proclaimed offspring of Gotham City’s greatest mass murderer. Collects issues #1-6 and DC SNEAK PEEK: RED HOOD/ARSENAL #1.
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
“Three Guineas” is a 1938 extended essay by Virginia Woolf that deals with the subjects of fascism, feminism, and war. The book was written in response to three requests for donations by three different feminist organisations and contains a statement on feminine purpose. Not to be missed by fans and collectors of Feminist literature. Adeline Virginia Woolf (1882–1941) was an English writer. She is widely hailed as being among the most influential modernist authors of the 20th century and a pioneer of stream of consciousness narration. Woolf was a central figure in the feminist criticism movement of the 1970s, her works having inspired countless women to take up the cause. She suffered numerous nervous breakdowns during her life primarily as a result of the deaths of family members, and it is now believed that she may have suffered from bipolar disorder. In 1941, Woolf drowned herself in the River Ouse at Lewes, aged 59. Contents include: “Virginia Woolf”, “One”, “Notes and References”, “Two”, “Notes and References”, “Three”, “Notes and References”. Other notable works by this author include: “To the Lighthouse” (1927), “Orlando” (1928), and “A Room of One's Own” (1929). Read & Co. Great Essays is proudly republishing this classic essay now complete with a specially-commissioned new biography of the author.
The invisible man is the unnamed narrator of this impassioned novel of black lives in 1940s America. Embittered by a country which treats him as a non-being he retreats to an underground cell.
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