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When the Outland People abandoned a baby girl on the outskirts of a village, few imagined that she would grow up to marry into the illustrious Akakuchiba family, much less that she would develop clairvoyant abilities and become matriarch of the illustrious ironworking clan. Her daughter shocks the village further by joining a motorcycle gang and becoming a famous manga artist. The Outlander’s granddaughter Toko—well, she’s nobody at all. A nobody worth entrusting with the secret that her grandmother was a murderer. This is Toko’s story. -- VIZ Media
The perfect series for kids who loved THE LEMONADE WAR series and are ready for more mysteries! Edgar Award Nominee for Best Mystery! "With wit, cunning, snappy dialogue and superior math skills, The Red Blazer Girls represent the best of girl-detectives while still feeling relatable and real. Nancy Drew would be right at home with this group." -- Huffington Post's 15 Greatest Kid Detectives List It all began with The Scream. And ended with . . . well, if we told you that, it wouldn’t be a mystery! But in between The Scream and The Very Surprising Ending, three friends find themselves on a scavenger hunt set up for a girl they never met, in search of a legendary ring reputed to grant wishes. Are these sleuths in school uniforms modern-day equivalents of Nancy, Harriet, or Scooby? Not really, they’re just three nice girls who decide to help out a weird lady, and end up hiding under tables, tackling word puzzles and geometry equations, and searching rather moldy storage rooms for “the stuff that dreams are made of” (that’s from an old detective movie). Oh, and there’s A Boy, who complicates things. As boys often do. Intrigued? The Red Blazer Girls offers a fun, twisty adventure for those who love mystery, math (c’mon, admit it!), and a modest measure of mayhem. Michael Beil, a New York City high school English teacher and life-long mystery fan, delivers a middle-grade caper that's perfect for middle-grade readers who have finished THE LEMONADE WAR series and are ready for more advanced mysteries!
If you were an independent, adventurous, liberated American woman in the 1920s or 1930s where might you have sought escape from the constraints and compromises of bourgeois living? Paris and the Left Bank quickly come to mind. But would you have ever thought of Russia and the wilds of Siberia? This choice was not as unusual as it seems now. As Julia L. Mickenberg uncovers in American Girls in Red Russia, there is a forgotten counterpoint to the story of the Lost Generation: beginning in the late nineteenth century, Russian revolutionary ideology attracted many women, including suffragists, reformers, educators, journalists, and artists, as well as curious travelers. Some were famous, like Isadora Duncan or Lillian Hellman; some were committed radicals, though more were just intrigued by the “Soviet experiment.” But all came to Russia in search of social arrangements that would be more equitable, just, and satisfying. And most in the end were disillusioned, some by the mundane realities, others by horrifying truths. Mickenberg reveals the complex motives that drew American women to Russia as they sought models for a revolutionary new era in which women would be not merely independent of men, but also equal builders of a new society. Soviet women, after all, earned the right to vote in 1917, and they also had abortion rights, property rights, the right to divorce, maternity benefits, and state-supported childcare. Even women from Soviet national minorities—many recently unveiled—became public figures, as African American and Jewish women noted. Yet as Mickenberg’s collective biography shows, Russia turned out to be as much a grim commune as a utopia of freedom, replete with economic, social, and sexual inequities. American Girls in Red Russia recounts the experiences of women who saved starving children from the Russian famine, worked on rural communes in Siberia, wrote for Moscow or New York newspapers, or performed on Soviet stages. Mickenberg finally tells these forgotten stories, full of hope and grave disappointments.
A beautiful art book and a richly illustrated biography, The Red Rose Girls is the story of three remarkable women artists--Jessie Willcox Smith, Elizabeth Shippen Green, and Violet Oakley--who captivated early-twentieth-century society with their brilliant careers and bohemian lifestyle. Nicknamed by their mentor, the famous illustrator Howard Pyle, The Red Rose Girls lived and worked at a picturesque former inn of the same name in an idyllic suburb on Philadelphia's Main Line. In the course of their years together they formed intimate bonds of friendship and love and enriched each other's professional lives by sharing ideas and inspiration. Smith and Green were prolific illustrators, celebrated for their work in children's books and periodicals such as Scribner's, Collier's, Harper's; and Oakley was a painter and muralist of national reputation whose work graces the interior of the Pennsylvania State Capitol in Harrisburg. Full-color illustrations and wonderful period photographs bring their work and milieu to life.
From the national bestselling author of Alice comes a postapocalyptic take on the perennial classic "Little Red Riding Hood"...about a woman who isn't as defenseless as she seems. It's not safe for anyone alone in the woods. There are predators that come out at night: critters and coyotes, snakes and wolves. But the woman in the red jacket has no choice. Not since the Crisis came, decimated the population, and sent those who survived fleeing into quarantine camps that serve as breeding grounds for death, destruction, and disease. She is just a woman trying not to get killed in a world that doesn't look anything like the one she grew up in, the one that was perfectly sane and normal and boring until three months ago. There are worse threats in the woods than the things that stalk their prey at night. Sometimes, there are men. Men with dark desires, weak wills, and evil intents. Men in uniform with classified information, deadly secrets, and unforgiving orders. And sometimes, just sometimes, there's something worse than all of the horrible people and vicious beasts combined. Red doesn't like to think of herself as a killer, but she isn't about to let herself get eaten up just because she is a woman alone in the woods....
A novel based on the Red Cross women in London who served doughnuts and hot coffee, and provided Big Band music and much more to welcome airmen as they returned from missions during World War II.
Writing in free verse honed to a wicked edge, the incomparable Ron Koertge brings dark and contemporary humor to twenty iconic fairy tales. Once upon a time, there was a strung-out match girl who sold CDs to stoners. Twelve impetuous sisters escaped King Daddy’s clutches to jiggle and cavort and wear out their shoes. A fickle Thumbelina searched for a tiny husband, leaving bodies in her wake. And Little Red Riding Hood confessed that she kind of wanted to know what it’s like to be swallowed whole. From bloodied and blinded stepsisters (they were duped) to a chopped-off finger flying into a heroine’s cleavage, this is fairy tale world turned upside down. Ron Koertge knows what really happened to all those wolves and maidens, ogres and orphans, kings and piglets, and he knows about the Ever After. So come closer — he wants to whisper in your ear.
Two young girls from very different backgrounds discover what they hold in common in this funny Australian classic.
Sophie and her friends, who call themselves The Red Blazer Girls, embark on solving a case involving mistaken identities, switched paintings, and some priceless family heirlooms.
From the New York Times columnist, a portrait of a family and the cycles of joy and grief that mark the natural world: “Has the makings of an American classic.” —Ann Patchett Growing up in Alabama, Margaret Renkl was a devoted reader, an explorer of riverbeds and red-dirt roads, and a fiercely loved daughter. Here, in brief essays, she traces a tender and honest portrait of her complicated parents—her exuberant, creative mother; her steady, supportive father—and of the bittersweet moments that accompany a child’s transition to caregiver. And here, braided into the overall narrative, Renkl offers observations on the world surrounding her suburban Nashville home. Ringing with rapture and heartache, these essays convey the dignity of bluebirds and rat snakes, monarch butterflies and native bees. As these two threads haunt and harmonize with each other, Renkl suggests that there is astonishment to be found in common things: in what seems ordinary, in what we all share. For in both worlds—the natural one and our own—“the shadow side of love is always loss, and grief is only love’s own twin.” Gorgeously illustrated by the author’s brother, Billy Renkl, Late Migrations is an assured and memorable debut. “Magnificent . . . Readers will savor each page and the many gems of wisdom they contain.” —Publishers Weekly (starred review)