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Colour remains one of the few uncharted territories in writing about film style. Colour is the first monograph to deal with the close criticism of film colour across decades and countries. Through detailed explorations of films such as Three Colours: White and The Green Ray, this study offers a way of approaching, interpreting, and appreciating cinematic colour. The book also considers film’s ability to place colour in a shifting relationship with all other points of style including camerawork, editing, performance, music, and lighting. Accessible and inventive in its approach, Colour invites the reader to see films differently, providing a fresh perspective of this overlooked element of cinema aesthetics.
The Red Equinox has dawned, and the old gods who have slept for aeons are stirring. Urban explorer and photographer Becca Philips was raised in the shadow of Miskatonic University, steeped in the mysteries of her late grandmother's work in occult studies. But what she thought was myth becomes all too real when cultists unleash terror on the city of Boston. Now she's caught between a shadowy government agency called SPECTRA and the followers of an apocalyptic faith bent on awakening an ancient evil. As urban warfare breaks out between eldritch monsters and an emerging police state, she must uncover the secrets of a family heirloom known as the Fire of Cairo to banish the rising tide of darkness before the balance tips irrevocably at the Red Equinox.
A dramatic journey through a present tense view of Tom Sanders, whos an Afro-American archaeologist that will unknowingly rip open the theory of time travel. When hes assigned a mission that will set his life on an innovative path after the undiscovered territory to save a life. A primeval Mayan Indian tribe that once populated a metropolis deep in the jungle of Mexico vanished off the face of the earth thousands of years ago. Volatile and degrading scenarios set a platform for a perilous adventure when four destinies collide at the intersection of life. Tom Sanders a retired Navy Seal and infamous archaeologist is called upon by Dr. Baldwin; the director of a New York museum to find the Mayan lost city of Tikal. Tom is pushed to the edge of his breaking point when several members of his crew suffer horrendous deaths caused by uncanny events. He must find resolve when turmoil comes from just around the next corner. Tom Sanders calls on his beloved friend Susan Anderson for her invaluable expertise in deciphering ancient glyphs. They find an artifact that later turns out to be a key that can open the doors to the future and the past. During this journey, his feelings cultivate even stronger for her as they make the biggest discovery of their careers. Calamity strikes Susan at the hands of a sadistic religious fanatic; Peter Stanley, who believes that he has his own kingdom waiting for him in heaven. Another close friend, Jon Henderson gets himself into a big dilemma dealing with a lethal Russian mobster (Mr. Keloff), as desperation comes to a boil; Jon makes matters worse by naively stealing a cursed artifact from Tom in order to save his own skin.
Based on a close reading of Japanese director Yasujiro Ozu’s extant films, this book provides insights into the ways the director created narrative structures and used symbolism to construct meaning in his films. Against critics’ insistence that Ozu was indifferent to plot and unlikely to use symbols, Geist demonstrates otherwise, revealing the director’s subtle iconographic paradigms. Her incisive understanding of the historical and cultural context in which the films were conceived amplifies her analysis of the films’ structure and meaning. Ozu: A Closer Look guides the reader through Ozu’s early, silent films and his sound films made during Japan’s wars in Asia and the subsequent American Occupation, then takes up specific themes relevant to his later, better-known films. These themes include religion, gender, and the influence of traditional Japanese painting. Geist also examines the impact that Ozu’s films had on specific directors in Europe, America, and Japan. Intended for film scholars, students, and fans of the director, this book provides fresh insights into the director’s films and new challenges for those who study him. “Kathe Geist has woven an elegantly textured tapestry in this illuminating survey of Ozu’s films and their endless sense of pattern, rhythm, and cultural renewal. Melding form, narrative, iconography, and context, the book traces old and new patterns of meaning and critical debate.”—Alastair Phillips, University of Warwick; author of the BFI Film Classic on Tokyo Story (2022) “Ozu: A Closer Look provides one of the most comprehensive and meticulous analyses so far on Ozu Yasujiro. With her great attention to small textual details, along with intertextual and contextual comparisons, Geist achieves a significant reinterpretation of the director’s work, opening up new possibilities in future Ozu studies.”—Woojeong Joo, Nagoya University; author of The Cinema of Ozu Yasujiro: Histories of the Everyday
David Rigsbees poems focus on the relationship between memory and place, self and other, and history and story. The poems record not only the fact that events and experiences bring us to loss, to the Adamic vastnesses, but that their transformation into memory can also uncover occasions for redemptive hope. Rigsbees poemsintensely felt, formally rigorousare grounded in the South and in generations of family. They move through suicide, disease, survival and dementia to the spreading loam of racism, spiritual erosion, and permanently deferred dreams; from the hardscrabble seasons and their too-brief flowerings, to empathy suspended elegiacally over loss, shaping the climate of felt life.