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A story of lfe n Dolpo, g n te Hmalayan Mountans n Nepal, as seen troug te eyes of Namsel, a young grl wo grows up to be a great panter several centures ago.
RED EARTH SKY is the third novel in the People of the Stone saga dealing with the prehistory of native North America from the end of the Ice Age to the arrival of the first Europeans.
In recent decades, Native American literature has experienced a resurgence in prominence and popularity. Beginning with the 1969 publication of N. Scott Momaday's Pulitzer Prize–winning novel House Made of Dawn, and continuing with the work of Paula Gunn Allen, Linda Hogan, Louise Erdrich, and Craig Lesley, American Indian writers have become an increasingly visible part of the literary landscape. In this collection of thirty varied and powerful short stories, almost all being published here for the first time, emerging talents carry on the tradition of their storytelling ancestors.
The gods of poetry and death descend on a house in India to vie for the soul of a wounded monkey. A bargain is struck: the monkey must tell a story, and if he can keep his audience entertained, he shall live. The result is Red Earth and Pouring Rain, Vikram Chandra's astonishing, vibrant novel. Interweaving tales of nineteenth-century India with modern America, it stands in the tradition of The Thousand and One Nights, a work of vivid imagination and a celebration of the power of storytelling itself. 'A dazzling first novel written with such originality and intensity as to be not merely drawing on myth but making it.' Sunday Times
An assassin is on the loose and a baby has gone missing in South Africa - it's up to a vulture researcher and a helicopter pilot track down the innocent and stop the guilty. How will they know the difference? On the outskirts of Durban, Suzanne Fessey fights back during a vicious carjacking. She kills one thief but the other, wounded, escapes with her baby strapped into the back seat. Called in to pursue the missing vehicle are helicopter tracker pilot Nia Carras from the air, and Mike Dunn, a nearby wildlife researcher, from the ground. But South Africa’s police have even bigger problems: a suicide bomber has killed the visiting American Ambassador, and chaos has descended on Kwa-Zulu Natal. As the missing baby is tracked through wild game reserves from Zululand to Zimbabwe, Mike and Nia come to realise that the war on terror has well and truly invaded their part of the world.
A memorable collection of weather sayings, beautifully arranged in story form and illustrated by renowned paper artist Elly MacKay. Red sky at night, sailor's delight. And, the next morning, when the dew is on the grass, no rain will come to pass. These are the perfect conditions for a grandfather to take his grandchildren out on a fishing trip. Especially since, as the saying goes, when the wind is from the West, then the fishes bite the best. The family takes a boat out on the lake, fishing and swimming and eventually camping out on a nearby island, taking full advantage of the gorgeous weather. But the next day . . . red sky in the morning, sailors take warning! The family ventures back home just in time to avoid a rainstorm. But not to worry -- the more rain, the more rest. Fair weather's not always best. Acclaimed paper artist Elly MacKay illustrates a lovely family narrative through the use of weather aphorisms, creating a beautiful and informational story which will appeal to children's timeless fascination with the natural world.
In 1857, the Meskwaki Nation purchased an eighty-acre parcel of land along the Iowa River. With that modest plot secured as a place to rest and rebuild after centuries of devastation and dispossession, the Meskwaki, or "Red Earth People," began to reclaim their homeland—an effort that Native nations continue to this day in what has recently come to be called the #Landback movement. Red Earth Nation explores the long history of #Landback through the Meskwaki Nation’s story, one of the oldest and clearest examples of direct-purchase Indigenous land reclamation in American history. Spanning Indigenous environmental and political history from the Red Earth People’s creation to the twenty-first century, Red Earth Nation focuses on the Meskwaki Settlement: now comprising more than 8,000 acres, this is sovereign Meskwaki land, not a treaty-created reservation. Currently the largest employer in Tama County, Iowa, the Meskwaki Nation has long used its land ownership and economic clout to resist the forces of colonization and create opportunities for self-determination. But the Meskwaki story is not one of smooth or straightforward progress. Eric Steven Zimmer describes the assaults on tribal sovereignty visited on the Meskwaki Nation by the local, state, and federal governments that surround it. In these instances, the Meskwaki Settlement provided political leverage and an anchor for community cohesion, as generations of Meskwaki deliberately and strategically—though not always successfully—used their collective land ownership to affirm tribal sovereignty and exercise self-determination. Revealing how the Red Earth People have negotiated shifting environmental, economic, and political circumstances to rebuild in the face of incredible pressures, Red Earth Nation shows that with their first, eighty-acre land purchase in the 1850s, Meskwaki leaders initiated a process that is still under way. Indeed, Native nations across the United States have taken up the #Landback cause, marshaling generations of resistance to reframe the history of Indigenous dispossession to explore stories of reclamation and tribal sovereignty.
About The Book Finding Home: Earth, Sky, Ocean Spirit This book of poems, new and selected, has been years in the making. Nearing a seventieth decade, one is reminded of Leonard Cohens admonition to make a record of ones life. Adrienne Rich suggests that one finds the deepest truths of a womans life in her poetry, poetry that draws from and illuminates her autobiography. Its language is precocious and uncanny in its efforts to explicate the nature of her lived experience. I have taught creative writing in a number of contexts: with troubled adolescents, in colleges and universities, in a womens prison, and with patients and clients in my own private practice in New London, Connecticut. It was always the journaling that revealed and explicated the individuals trauma and allowed them to move to what might be called a quotidian delight, which they had not been able to find beforethat life might hold a quotidian ecstasy was a new and wondrous idea to them, and one they could find access to. The earth, sky, ocean, spirit, and their own embodied and ensouled selves were the means to their own connectedness to the universe. Human language began with womans singing, her music, her natural response to giving life, and perceiving the plenitude around her. A mother murmuring vowels and consonants, soft language of warmth, comfort, and tenderness. There is reason to believe that at one time on the island of Crete, long ago, there was a woman-centered culture in which the values of nurturing, living in harmony with the natural world, using a language that emerged from this matrix. Warriors came, the earlier culture was destroyed, and the language reflected the new and violent warring culture. The new patriarchal lexicon focused on the lived experience of the men. It concerned power, victory, defeat, and death. It was literal, denotative as opposed to connotative; it was didactic, hierarchical, and dismissive of the language and life of the womans perspective. It would seem that in contemporary American culture, the exclusion of what we might call poetic languagethat is, language that expresses the truth and affects of the human beinghas become obsolete, replaced by patriarchal language ubiquitous in the political violence of the day and the seeming waning of what we thought was an American way of life. These poems attempt to illuminate a womans experience of her world. They further attempt to suggest the need for Whitmans notion of the need for an increasingly capacious imagination. Perhaps men are not from Mars and women from Venus. Adrienne Rich suggests, there is hope for a common language more in harmony with the truth, reality, and ambiguity of the natural world. And perhaps after all, even with the angst and anxiety of living in this world, we are all poets, soul-searching people, all of whom experience quotidian ecstasymoments of the pure joy of living, mystery, and incomprehensibleness, bringing delight and clarity, affirming and confirming the wondrous miracle of our lives.
This is the biography of an extraordinary woman. It will appeal to those interested in the history of the Grand Canyon buildings, the Fred Harvey Company, and the Santa Fe Railway as well as those with an interest in architecture, interior design, native american art, and women of accomplishment.
Albrecht, a noted management consultant, speaker, and author, draws on his experiences working with organizations around the world to define what organizational intelligence is and how it can be developed. Taking a critical look at organizations that have and have not achieved organizational intelligence, including Disney, Apple, Ford, and NASA, he defines seven components of organizational intelligence and uses them to analyze situations and identify the kinds of conditions necessary to nurture organizational intelligence. He also identifies 17 dysfunctional syndromes that keep companies from mobilizing their collective brain power. Annotation copyrighted by Book News, Inc., Portland, OR