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The essays in this collection reveal many fascinating, often previously unknown facts about the Red Desert in an undeveloped region of Wyoming and are complemented by a photo-essay that portrays both the beauty and the devastation that characterize the region today.
A photographic and multidisciplinary study of one of America’s last undeveloped—and most endangered—landscapes, edited by a Pulitzer Prize–winning author. A vast expanse of rock formations, sand dunes, and sagebrush in central and southwest Wyoming, the little-known Red Desert is one of the last undeveloped landscapes in the United States, as well as one of the most endangered. It is a last refuge for many species of wildlife. Sitting atop one of North America's largest untapped reservoirs of natural gas, the Red Desert is a magnet for energy producers who are damaging its complex and fragile ecosystem in a headlong race to open a new domestic source of energy and reap the profits. To capture and preserve what makes the Red Desert both valuable and scientifically and historically interesting, writer Annie Proulx and photographer Martin Stupich enlisted a team of scientists and scholars to join them in exploring the Red Desert through many disciplines: geology, hydrology, paleontology, ornithology, zoology, entomology, botany, climatology, anthropology, archaeology, sociology, and history. Their essays reveal many fascinating, often previously unknown facts about the Red Desert—everything from the rich pocket habitats that support an amazing diversity of life to engrossing stories of the transcontinental migrations that began in prehistory and continue today on I-80—which bisects the Red Desert. Complemented by Martin Stupich’s photo-essay, which portrays both the beauty and the devastation that characterize the region today, Red Desert bears eloquent witness to a unique landscape in its final years as a wild place./
Death in a Red Desert, a ground breaking case in animal DNA forensic investigation, was featured on the television network Animal Planet. The manuscript chronicles the unusual triangle between a woman, her lover and his transvestite partner, and the events leading up to the disappearance and murder of Elizabeth Langhorst-Ballard. The authors based the work on depositions, trial transcripts and tapes, and on interviews with the detectives, officials in the district attorney's office, the victim's parents and with Charles Martinez, one of the two convicted murderers. Some of the information, using as a guide court documentation and letters written by the other defendant Chris Faviell, is related in a conversational manner to enhance the flow of the story. Names of a few minor figures were changed. Many of the events and the trials are viewed through the eyes of the lead detective, Wolfgang Born, who was an invaluable resource in writing the account, as was the lead prosecutor Canon Stevens. After Born's dogged search for the victim's body in thousands of square miles of red desert in the Tularosa Basin of Otero County, New Mexico, yielded success, the persistence of the late Jim Biggs, a Ruidoso detective, led to Dr. Joy Halverson, whose DNA work on the case made history and was highlighted on the Animal Witness series in 2008. Canines played key roles in solving the crime from the pit bull pet of one of the killers to desert coyotes and a cadaver dog on his last assignment before retirement.
Age range 3 to 8 When a group of desert children invite their school teacher, Mrs White, home for dinner to show her why their homework is always grubby, no-one expects what is to come! They are happily showing Mrs White their higgledy piggledy garden when suddenly a big red sand storm comes billowing over the hill. Sand and spinifex whips at their legs and flies at their heads. They can hardly see through the storm. They hurry back home, only to discover that everything is now red. Their lovely clean house is covered in red dust. The beds are red. The washing on the line is red. The table is red. Their delicious dinner is red and ruined. And Mrs White’s clean white dress has turned into a dusty red dress. Now Mrs White finally knows why the children’s homework is always so grubby!
* A beautiful reproduction of the original book published in 1939 * Filled with tips, advice and anecdotes on decorating that still ring true today * A must-have for fans and followers of both Dorothy Draper and Carleton Varney After being out of print for many years, Decorating is Fun is being republished with its original illustrations and a new introduction by Draper's protégé, designer Carleton Varney. Amazingly, the book is still practical, amusing and inspirational. Draper's earnest enthusiasm feels fresh and contemporary. She believed that though there were troubles in the world, one's home should be a refuge, a cheerful place for entertaining one's friends and a colorful and comfortable shelter from the storm.
Two young girls from very different backgrounds discover what they hold in common in this funny Australian classic.
The 427 glass-plate and film negatives of the Osuna Collection, photographs from the Mexican Revolution, are now preserved in the Special Collections & Archives Department of the Tomâas Rivera Library at the University of California, Riverside. This volume reproduces the whole collection, highlights a number of the most striking images and provides essays that illuminate and place the photos in context.
In this potent collage of stories, essays, and testimony, Williams makes a stirring case for the preservation of America’s Redrock Wilderness in the canyon country of southern Utah. As passionate as she is persuasive, Williams, the beloved author of Refuge, is one of the country’s most eloquent and imaginative writers. The desert is her blood. Here she writes lyrically about the desert’s power and vulnerability, describing wonders that range from an ancient Puebloan sash of macaw feathers found in Canyonlands National Park to the desert tortoise–an animal that can “teach us the slow art of revolutionary patience” as it extends our notion of kinship with all life. She examines the civil war being waged in the West today over public and private uses of land–an issue that divides even her own family. With grace, humor, and compassionate intelligence, Williams reminds us that the preservation of wildness is not simply a political process but a spiritual one.