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More than 700 uncredited scriptwriters who created the memorable characters and thrilling stories of radio's Golden Age receive due recognition in this reference work. For some, radio was a stepping stone on the way to greater achievements in film or television, on the stage or in literature. For others, it was the culmination of a life spent writing newspaper copy. Established authors dabbled in radio as a new medium, while working writers saw it as another opportunity to earn a paycheck. When these men and women came to broadcasting, they crafted a body of work still appreciated by modern listeners.
The Decades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major playwrights and their works to receive in-depth coverage in this volume include: * Eugene O'Neill: The Iceman Cometh (1946), A Moon for the Misbegotten (1947), Long Day's Journey Into Night (written 1941, produced 1956), and A Touch of the Poet (written 1942, produced 1958); * Tennessee Williams: The Glass Menagerie (1944), A Streetcar Named Desire (1947), Summer and Smoke (1948); * Arthur Miller: All My Sons (1947), Death of a Salesman (1949), and The Crucible (1953); * Thornton Wilder: Our Town (1938), The Skin of Our Teeth (1942), Shadow of a Doubt (1943), and The Alcestiad (written 1940s).
Caryl Phillips is one of the most respected writers of his generation. An award-winning author best known for his fiction, essays and stage plays, he is also the author of radio plays, nine of which were broadcast by the BBC between 1984 and 2016. Previously locked away in Phillips's archives, housed at the Beinecke Library at Yale University, these hidden gems are now published in Caryl Phillips's Radio Plays, the first collection of these important works of drama. Despite being previously overlooked, these radio plays are fully creative works and constitute an integral part of Caryl Phillips's literary universe. Not only do these dramatic texts display the author's hallmark mix of formal elegance and sharp social criticism, but they also offer compelling points of comparison with the rest of his wider writing. From the experience on an eighteenth-century slave ship and the life of a migrant family in 1980s England, to an account of James Baldwin's time in Paris and Marvin Gaye's stay in Belgium, these plays grapple with expansive themes in creative and dramatic ways. Contextualized by a scholarly introduction by Bénédicte Ledent, this volume introduces these works in the published form for the first time, allowing readers a better grasp of Phillips's narrative techniques, offering fascinating vistas into his imaginary world, which ranges from the history of the African diaspora to the predicament of displaced individuals the world over.
In this book, Sarah E. Chinn pulls together what seems to be opposite discourses--the information-driven languages of law and medicine and the subjective logics of racism--to examine how racial identity has been constructed in the United States over the past century. She examines a range of primary social case studies such as the American Red Cross' lamentable decision to segregate the blood of black and white donors during World War II, and its ramifications for American culture, and more recent examples that reveal the racist nature of criminology, such as the recent trial of O.J. Simpson. Among several key American literary texts, she looks at Mark Twain's Pudd'nhead Wilson, a novel whose plot turns on issues of racial identity and which was written at a time when scientific and popular interest in evidence of the body, such as fingerprinting, was at a peak.
How did the business of professional baseball fare during World War II? The sport, like many nonessential industries, struggled to find its place in society during a time of war. The men who ran the game faced government interference and manpower shortages that threatened to shut down their businesses for the duration, and they had to balance the need to show a patriotic front to the public while at the same time protecting their investments. Archival and primary sources provide insight into the perceptions of the major league owners and an understanding of how most of them were able to keep their businesses profitable while the nation fought an enormous two-front war.