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How different were the men who fought at Blenheim and at Goose Green? Is there a human thread that connects the redcoat of 300 years ago with the British soldier of today? What would they find in common if they faced a common foe? This book is about the people in the Army, and the very human interactions between them in their daily lives. It marries the disciplines of Social Anthropology and Military History to provide a novel way of looking at the anatomy of the British Army at unit level from an entirely human perspective. Concentrating on the attitudes, expectations, and concerns expressed by the people involved, it sets out a set of simple models of life at regimental duty that can be used to describe, analyze and explain their behaviour over the past 300 years. The book is grounded on what soldiers of all ranks have said, using the author's research interview material for the modern witnesses, and memoirs, diaries, and letters (published and unpublished) for earlier ones.
Based on the letters and diaries of the British soldiers who served as the backbone of the army from 1760 to 1860, this illuminating book is rich in the history of a fascinating era. of illustrations.
In this collection of essays of incomparable scholarship, Stephen Badsey explores in individual detail how the British Army fought in the First World War, how politics and strategy affected its battles and the decisions of senior commanders such as Douglas Haig, and how these issues were intimately intertwined with the mass media portrayal of the Army to itself and to the British people. Informative, provocative, and often entertaining, based on more than a quarter-century of research, these essays on the British Army in the First World War range through topics from a trench raid to modern television comedy. As a contribution to progressive military history, The British Army in Battle and Its Image 1914-1918 proves that the way the British Army fought and its portrayal through the media cannot be separated. It is one of a growing number of studies which show that, far from being in opposition to each other, cultural history and the history of battle must be combined for the First World War to be properly understood. For more information visit Stephen Badsey's website www.stephenbadsey.com .
Providing a unique glimpse into the experiences of regular British and French infantry during the French and Indian War, Stuart Reid reveals what it was like to fight in three battles at the height of the struggle for Canada: La Belle-Famille, the Plains of Abraham and Sainte-Foy. In 1755, Britain and France both decided to escalate a low intensity frontier war that had started the previous year by dispatching regular troops to their respective colonies in North America. Far from home, both sides' equipment and tactics were initially more suited to the European theatre. As the war ground on, however, combat doctrine evolved as both armies learned lessons that would be utilized by succeeding generations of soldiers. Packed with first-hand accounts, dramatic illustrations and a technical analysis of the changing nature of warfare on the American continent, this book puts readers in the shoes of the combatants who played a pivotal role in shaping the future of North America.
Sheets of patterns are in an envelope inside the front cover, each sheet is doubled sided.
Britain’s Soldiers explores the complex figure of the Georgian soldier and rethinks current approaches to military history.
Günter Koschorrek wrote his illicit diary on any scraps of paper he could lay his hands on, storing them with his mother on infrequent trips home on leave. The diary went missing, and it was not until he was reunited with his daughter in America some forty years later that it came to light and became Blood Red Snow. The author’s excitement at the first encounter with the enemy in the Russian Steppe is obvious. Later, the horror and confusion of fighting in the streets of Stalingrad are brought to life by his descriptions of the others in his unit – their differing manners and techniques for dealing with the squalor and death. He is also posted to Romania and Italy, assignments he remembers fondly compared to his time on the Eastern Front. This book stands as a memorial to the huge numbers on both sides who did not survive and is, some six decades later, the fulfilment of a responsibility the author feels to honour the memory of those who perished.
In Naked Lunch, William S. Burroughs revealed his genius. In The Soft Machine he begins an adventure that will take us even further into the dark recesses of his imagination, a region where nothing is sacred, nothing taboo. Continuing his ferocious verbal assault on hatred, hype, poverty, war, bureaucracy, and addiction in all its forms, Burroughs gives us a surreal space odyssey through the wounded galaxies in a book only he could create.