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Stunningly original, this collection--a prodigious feat of verbal invention--contains idiomatic phrases spiced with quicksilver insights, exploring craziness and horror, grief and love, wry humor and historical commentary.
For the first time, the long, exciting, often surprising story of journalism in the Old West--from the freewheeling days of the early 1800s when all the news was an expression of the editor's opinion, to the more balanced reporting of the classic small-town weeklies and busy city newsrooms of the 1920s. Here are the printers who founded the first papers, arriving in town with a shirttail of type and a secondhand press, setting up shop under trees, in tents, in barns or storefronts, moving on when the town failed, or into larger quarters if it flourished. Using many excerpts from the early papers themselves, Dary shows us the amazing ways the early editors stretched the language, often inventing new words to describe unusual events or to lambaste their targets--and how they sometimes had to defend their right of free speech with fists or guns. We see women working in partnership with their husbands or out on their own, and tramp printers who moved from place to place as need for their services rose and fell. Here, too, are Mark Twain, Bret Harte, Horace Greeley--and William Allen White writing on the death of his young daughter. Here is the Telegraph and Texas Register article that launched the legend of the Alamo, and dozens of tongue-in-cheek, brilliant, or moving reports of national events and local doings, including holdups, train robberies, wars, elections, shouting matches, hyperbolic vegetable-growing contests, weddings, funerals, births, and much, much more. In Red Blood & Black Ink David Dary makes a strong case for the importance of the press in settling the West and helping to knit the nation together, making us into the country we are today. A fascinating look at aneglected part of our history.
Two friends who use tattoo magic to send divine messages must rely on each other to survive when they discover the fake deity they serve is very real--and very angry. This dark and twisty YA is perfect for fans of Leigh Bardugo and Kendare Blake.
The land of Urtal_Ir beckons. Come along on Santino, Herb, and Appleton's latest adventure. Santino builds a submarine! Above deck drama and below the waves adventures follow!
Gotlieb is a writer central to the Canadian science fiction canon. Though she has been called the queen of Canadian SF by Robert J. Sawyer, and though David Ketterer has suggested that she is Canadian SF, Gotlieb has been largely overlooked by SF studies. This book delves deeply into her body of work and traces her career in detail. Offering close readings of Gotlieb's novels, short stories (including ones not reprinted since their initial appearances), and SF-related poetry, this study explores Gotlieb's development as a writer and her characteristic themes. The book also references her manuscripts when the differences between them and the published stories provide insights into her working methods. The book enumerates and analyzes Gotlieb's innovative explorations of common SF tropes such as the superhuman, human-alien interaction, and the galactic empire, her prevalent thematic concerns (e.g., reproduction, colonization, the mind-body relationship, the essence of "humanity") as well as her stylistically dense and literary approach to the genre.
This first book-length study to trace the evolution of the comic old man in Italian and English Renaissance comedy shows how English dramatists adopted and reimagined an Italian model to reflect native concerns about and attitudes toward growing old. Anthony Ellis provides an in-depth study of the comic old man in the erudite comedy of sixteenth-century Florence; the character's parallel development in early modern Venice, including the commedia dell'arte; and, along with a consideration of Anglo-Italian intertextuality, the character's subsequent flourishing on the Elizabethan and Jacobean stage. In outlining the character's development, Ellis identifies and describes the physical and behavioral characteristics of the comic old man and situates these traits within early modern society by considering prevailing medical theories, sexual myths, and intergenerational conflict over political and economic circumstances. The plays examined include Italian dramas by Bernardo Dovizi da Bibbiena, Niccolò Machiavelli, Donato Giannotti, Lorenzino de' Medici, Andrea Calmo, and Flaminio Scala, and English works by William Shakespeare, Ben Jonson, and Thomas Dekker, along with Middleton, Rowley, and Heywood's The Old Law. Besides providing insight into stage representations of aging, this book illuminates how early modern people conceived of and responded to the experience of growing old and its social, economic, and physical challenges.
A tribute to the expressiveness of today's artists and the incredible versatility of the medium, AcrylicWorks features 126 contemporary masterpieces. This stunning collection covers a wide range of styles and subjects from intimate portraits and ultra-realistic wildlife paintings to sweeping landscapes and bold abstracts. Captions reveal the unique creative story behind each piece and offer tips and techniques from top acrylic artists. Arguable no other medium offers such a breadth of creative opportunities, from transparent veils of color to juicy impasto strokes. Acrylics allow artists the freedom to move from layer to layer quickly and intuitively, without waiting for paint to dry...or, when used with additives, time to work the paint for wet-into-wet applications. Combined with colored pencil, oil, collage, gels, pastes, and a wealth of other complementary mediums, the opportunities for texture and experimentation are endless. The results--as you'll see inside--are diverse, original and unabashedly acrylic.