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August Archer thinks she's an average teenage girl—who also happens to have disturbing and sexy dreams about werewolves. Still grieving over the loss of her father, and confused about his final gift of a red hooded cloak, August is uprooted from her New York City apartment to the tiny town of Mahigan Falls, Maryland. There she meets a cast of characters that hold clues to her past—especially her new neighbor, an enigmatic, fascinating older man who refuses to talk to her, and who she cannot stop thinking about. When August's grandmother starts to weave a strange and unbelievable tale of werewolves and hunters, she realizes that the man of her dreams may be her family's oldest enemy, in this modern-day Red Riding Hood story. This series is a paranormal romance inspired by the Red Riding Hood fairy tale and is set in the 1980s. It includes tragedy, star-crossed lovers, fated mates, age-gap romance, and some kilts.
WINNER OF: Frantz Fanon Outstanding Book from the Caribbean Philosophical Association Canadian Political Science Association’s C.B. MacPherson Prize Studies in Political Economy Book Prize Over the past forty years, recognition has become the dominant mode of negotiation and decolonization between the nation-state and Indigenous nations in North America. The term “recognition” shapes debates over Indigenous cultural distinctiveness, Indigenous rights to land and self-government, and Indigenous peoples’ right to benefit from the development of their lands and resources. In a work of critically engaged political theory, Glen Sean Coulthard challenges recognition as a method of organizing difference and identity in liberal politics, questioning the assumption that contemporary difference and past histories of destructive colonialism between the state and Indigenous peoples can be reconciled through a process of acknowledgment. Beyond this, Coulthard examines an alternative politics—one that seeks to revalue, reconstruct, and redeploy Indigenous cultural practices based on self-recognition rather than on seeking appreciation from the very agents of colonialism. Coulthard demonstrates how a “place-based” modification of Karl Marx’s theory of “primitive accumulation” throws light on Indigenous–state relations in settler-colonial contexts and how Frantz Fanon’s critique of colonial recognition shows that this relationship reproduces itself over time. This framework strengthens his exploration of the ways that the politics of recognition has come to serve the interests of settler-colonial power. In addressing the core tenets of Indigenous resistance movements, like Red Power and Idle No More, Coulthard offers fresh insights into the politics of active decolonization.
As the world’s only English-language historical dictionary of the Chinese Cultural Revolution (1966-1976), this book offers a comprehensive coverage of major historical figures, events, political terms, and other matters relevant to this unique period of modern Chinese history that had profound influence on social and cultural movements of the world in the 1960s and 1970s. This second edition of Historical Dictionary of the Chinese Cultural Revolution covers its history through a chronology, an introductory essay, glossary, and an extensive bibliography. The dictionary section has over 400 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent access point for students, researchers, and anyone wanting to know more about this important period in Chinese history.
The concluding volume--following Mao's Great Famine and The Tragedy of Liberation--in Frank Dikötter's award-winning trilogy chronicling the Communist revolution in China. After the economic disaster of the Great Leap Forward that claimed tens of millions of lives from 1958–1962, an aging Mao Zedong launched an ambitious scheme to shore up his reputation and eliminate those he viewed as a threat to his legacy. The Cultural Revolution's goal was to purge the country of bourgeois, capitalistic elements he claimed were threatening genuine communist ideology. Young students formed the Red Guards, vowing to defend the Chairman to the death, but soon rival factions started fighting each other in the streets with semiautomatic weapons in the name of revolutionary purity. As the country descended into chaos, the military intervened, turning China into a garrison state marked by bloody purges that crushed as many as one in fifty people. The Cultural Revolution: A People's History, 1962–1976 draws for the first time on hundreds of previously classified party documents, from secret police reports to unexpurgated versions of leadership speeches. After the army itself fell victim to the Cultural Revolution, ordinary people used the political chaos to resurrect the market and hollow out the party's ideology. By showing how economic reform from below was an unintended consequence of a decade of violent purges and entrenched fear, The Cultural Revolution casts China's most tumultuous era in a wholly new light.
In his monumental narrative of the outbreak of the First World War and the ill-fated Russian offensive into East Prussia, Solzhenitsyn has written what Nina Krushcheva, in The Nation, calls "a dramatically new interpretation of Russian history." The assassination of tsarist prime minister Pyotr Stolypin, a crucial event in the years leading up to the Revolution of 1917, is reconstructed from the alienating viewpoints of historical witnesses. The sole voice of reason among the advisers to Tsar Nikolai II, Stolypin died at the hands of the anarchist Mordko Bogrov, and with him perished Russia's last hope for reform. Translated by H.T. Willetts. August 1914 is the first volume of Solzhenitsyn's epic, The Red Wheel; the second is November 1916. Each of the subsequent volumes will concentrate on another critical moment or "knot," in the history of the Revolution. Translated by H.T. Willetts.
Hiroshima is the story of six people—a clerk, a widowed seamstress, a physician, a Methodist minister, a young surgeon, and a German Catholic priest—who lived through the greatest single manmade disaster in history. In vivid and indelible prose, Pulitzer Prize–winner John Hersey traces the stories of these half-dozen individuals from 8:15 a.m. on August 6, 1945, when Hiroshima was destroyed by the first atomic bomb ever dropped on a city, through the hours and days that followed. Almost four decades after the original publication of this celebrated book, Hersey went back to Hiroshima in search of the people whose stories he had told, and his account of what he discovered is now the eloquent and moving final chapter of Hiroshima.
In Red Line, Joby Warrick, the Pulitzer Prize–winning author of Black Flags, shares the thrilling unknown story of America’s mission in Syria: to find and destroy Syria’s chemical weapons and keep them out of the hands of the Islamic State. In August 2012, Syrian president Bashar al-Assad was clinging to power in a vicious civil war. When secret intelligence revealed that the dictator might resort to using chemical weapons, President Obama warned that doing so would cross “a red line.” Assad did it anyway, bombing the Damascus suburb of Ghouta with sarin gas, killing hundreds of civilians, and forcing Obama to decide if he would mire America in another unpopular war in the Middle East. When Russia offered to broker the removal of Syria’s chemical weapons, Obama leapt at the out. So began an electrifying race to find, remove, and destroy 1,300 tons of chemical weapons in the midst of a raging civil war. The extraordinary little-known effort is a triumph for the Americans, but soon Russia’s long game becomes clear: it will do anything to preserve Assad’s rule. As America’s ability to control events in Syria shrinks, the White House learns that ISIS, building its caliphate in Syria’s war-tossed territory, is seeking chemical weapons for itself, with an eye to attack the West. Drawing on astonishing original reporting, Warrick crafts a character-driven narrative that reveals how the United States embarked on a bold adventure to prevent one catastrophe but could not avoid a tragic chain of events that led to another.
"I'll tell you what, Ygberg, I believe one has to be very unscrupulous if one wants to get on in the world." That's how The Red Room could be summarised through one of its sentences. Through a number of cultural workers Strindberg asks the question of how life should be lived. As a young person, you can pretend to be an ardent idealist; as an older, somewhat sober person, you can come to realise that what you from the beginning thought to be idealistic may not really be. Through its straightforward language The Red Room (1879) is often called the first modern novel in Swedish. It constitutes a representation of Stockholm in the 1870s and is known for its depictions of the urban environment as well as its satire. The book is an attempt to stand by the lower classes by humorously attacking the hypocrisy of the higher classes. The Red Room was described as dirt by contemporary critics, but it was an immediate success. This edition of The Red Room constitutes the first novel in the cluster text style, which could be 20 percent better than ordinary texts, and is intended to function as a kind of survey for how we look at text, reading and book design. This book, in Swedish, was made as an entry for Svensk bokkonst, which every year rewards good examples of book design. The winners get to participate in Stiftung Buchkunt's Best Book Design from all over the World which in German is called Schönste Bücher aus aller Welt. This difference captures an important gap. Book design has long been about designing beautiful books. Now we'll see how Svensk bokkonst and possibly Stiftung Buchkunst see this. What do you think? Should we read cluster texts? You will get an answer to that question by reading this edition of The Red Room. PLEASE NOTE that the text in this book, i.e. cluster text, cannot be reflown and therefore needs to be read on tablets/screens at least 13 centimetres wide, which can handle line lengths of 95 characters (i.e. smaller screens are not suitable).
Examines the radical Chinese Communist movement called the Cultural Revolution, a period of suppression so controversial in China, that the Chinese government forbids a full investigation into it even 50 years later. Original.