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This collection brings together a spread of writers, revolutionaries and reprobates to offer up a variety of critical perspectives on key European armed struggle groups from the 1970's . Gianfranco Sanguinetti, founding member of the Italian Section of the Situationist International, writes in 'On Terrorism and the State', 1978 : "Italian terrorism is the last enigma of the society of the spectacle and only those who reason dialectically can solve it.... Today, all those who speak of social revolution without denouncing and combating the terrorist counter-revolution have a corpse in their mouths." Dave and Stuart Wise, (King Mob) look into the relationship between the Italian Communist Party, workers struggles post 68' and the roots of the Red Brigades, concluding of the latter: "they added to the substitutionism of Lenin, who replaced the proletariat by the Party, by replacing the Party with the armed struggle." Prof. Charity Scribner (MIT), contributes "Buildings on Fire: The Situationist International and the Red Army Faction", exploring how and why the SI and the RAF's differing definitions of autonomy produced divergent modes of resistance : "Both the RAF and the Situationists drew from the arsenals of anarchism and Marxism. But whereas Debord critiqued the society of the spectacle...the leaders of the RAF became fodder for the media machine, leaving a legacy heavy on style, but light on political analysis." Tom Vague contributes fast paced, potted histories of the RAF and Angry Brigade, both strong on time line energy, both useful entry level introductions to the respective narratives. John Barker was sentenced to ten years at the Old Bailey in 1972 for his Angry Brigade activities ("they framed a guilty man"), and here he laments Tom Vague's "fetishisation of the Angry Brigade" and "how comfortable he is with ‘the situationist angle' while saying nothing about the analysis and theory that came out of the Italian movement from Potere Operaio onwards, which was more important to us." Barker's piece, dated from the late 1990's, goes on to give a brief, but uniquely frank first person perspective on the AB's activities, viewed through the prism of realism, maturity, and continued belief in the revolutionary potential of mass working class action over the clandestine, substitutionist activities of the few - a fitting end to this book.
In this fiery, theoretical tour de force, Beatrice Adler-Bolton and Artie Vierkant offer an overview of life and death under capitalism and argue for a new global left politics aimed at severing the ties between capital and one of its primary tools: health. Written by co-hosts of the hit “Death Panel” podcast and longtime disability justice and healthcare activists Adler-Bolton and Vierkant, Health Communism first examines how capital has instrumentalized health, disability, madness, and illness to create a class seen as “surplus,” regarded as a fiscal and social burden. Demarcating the healthy from the surplus, the worker from the “unfit” to work, the authors argue, serves not only to undermine solidarity but to mark whole populations for extraction by the industries that have emerged to manage and contain this “surplus” population. Health Communism then looks to the grave threat capital poses to global public health, and at the rare movements around the world that have successfully challenged the extractive economy of health. Ultimately, Adler-Bolton and Vierkant argue, we will not succeed in defeating capitalism until we sever health from capital. To do this will require a radical new politics of solidarity that centers the surplus, built on an understanding that we must not base the value of human life on one’s willingness or ability to be productive within the current political economy. Capital, it turns out, only fears health.
Art and the Historical Film provides an important examination of fine art's impact on filmmaking, grappling with the question of authenticity. From Eugene Delacroix's interpretation of the 1830 French revolution to Uli Edel's version of the Baader-Meinhof Gang, artistic representations of historical subjects are appealing and pervasive. Movies often adapt imagery from art history, including paintings of historical events. Films and art shape the past for us and continue to affect our interpretation of history. While historical films are often argued over for their adherence to "the facts," their real problem is realism: how can the past be convincingly depicted? Realism in the historical film genre is often nourished and given credibility by its use of painterly references. This book examines how art-historical images affect historical films by going beyond period detail and surface design to look at how profound ideas about history are communicated through pictures. Art and the Historical Film: Between Realism and the Sublime is based on case studies that explore the links between art and cinema, including American independent Western Meek's Cutoff (Kelly Reichardt, 2010), British heritage film Belle (Amma Asante, 2013), and Dutch national epic Admiral (Roel Reiné, 2014). The chapters create immersive worlds that communicate distinct ideas about the past through cinematography, production design, and direction, as the films adapt, reference, and transpose paintings by artists such as Rubens, Albert Bierstadt, and Jacques-Louis David.
In this rigorous study, Marcus Collins reconceives the Beatles' social, cultural and political impact on sixties Britain.
"Krueger proves...that terrorists are not desperately poor killers but well-educated politicians using violence to draw attention to their 'market'--violent change."--Hernando de Soto, author of The Mystery of Capital. Features a new Introduction by the author.he author.
In compiling this annotated bibliography on the psychology of terrorism, the author has defined terrorism as "acts of violence intentionally perpetrated on civilian noncombatants with the goal of furthering some ideological, religious or political objective." The principal focus is on nonstate actors. The task was to identify and analyze the scientific and professional social science literature pertaining to the psychological and/or behavioral dimensions of terrorist behavior (not on victimization or effects). The objectives were to explore what questions pertaining to terrorist groups and behavior had been asked by social science researchers; to identify the main findings from that research; and attempt to distill and summarize them within a framework of operationally relevant questions. To identify the relevant social science literature, the author began by searching a series of major academic databases using a systematic, iterative keyword strategy, mapping, where possible, onto existing subject headings. The focus was on locating professional social science literature published in major books or in peer-reviewed journals. Searches were conducted of the following databases October 2003: Sociofile/Sociological Abstracts, Criminal Justice Abstracts (CJ Abstracts), Criminal Justice Periodical Index (CJPI), National Criminal Justice Reference Service Abstracts (NCJRS), PsycInfo, Medline, and Public Affairs Information Service (PAIS). Three types of annotations were provided for works in this bibliography: Author's Abstract -- this is the abstract of the work as provided (and often published) by the author; Editor's Annotation -- this is an annotation written by the editor of this bibliography; and Key Quote Summary -- this is an annotation composed of "key quotes" from the original work, edited to provide a cogent overview of its main points.
Is one person's terrorist another's freedom fighter? Is terrorism crime or war? Can there be a 'War on Terror'? For many, the terrorist attacks of September 2001 changed the face of the world, pushing terrorism to the top of political agendas, and leading to a series of world events including the war in Iraq and the invasion of Afghanistan. The recent terror attacks in various European cities have shown that terrorism remains a crucial issue today. Charting a clear path through the efforts to understand and explain modern terrorism, Charles Townshend examines the historical, ideological, and local roots of terrorist violence. Starting from the question of why terrorists find it so easy to seize public attention, this new edition analyses the emergence of terrorism as a political strategy, and discusses the objectives which have been pursued by users of this strategy from French revolutionaries to Islamic jihadists. Considering the kinds of groups and individuals who adopt terrorism, Townshend discusses the emergence of ISIS and the upsurge in individual suicide action, and explores the issues involved in finding a proportionate response to the threat they present, particularly by liberal democratic societies. Analysing the growing use of knives and other edged weapons in attacks, and the issue of 'cyberterror', Townshend details the use of counterterrorist measures, from control orders to drone strikes, including the Belgian and French responses to the Brussels, Paris, Nice, and Rouen attacks. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
The history of Italy’s victory over the Red Brigades offers lessons that may be useful to America’s future. The United States has suffered from the horrors of home grown and global terrorism but so far has been spared the endemic violence of the kind that plagued Italy during the years of lead that are described in this volume. In 2003, Philip Heymann compared the US favorably to Italy, expressing relief that American society did not suffer from the kind of deep divisions that had created the conditions for the rise of the Red Brigades. Fifteen years later, Heymann’s confidence no longer looks so well founded. The political divisions in the United States have widened and become stubbornly entrenched. The combination of conspiratorial thinking, ideological division and a powerful sense of grievance, combined with the easy access to powerful weapons and a cult of political violence, should worry all those who are sworn to keep the peace.
Looks at the history and motivation of the Red Brigades, recounts the kidnapping and murder of Aldo Moro, and assesses Italy's anti-terrorist efforts.
An accessible, authoritative history of terrorism, offering systematic analyses of key themes, problems and case studies from terrorism's long past.