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Remnant is a word that defines a small group of people that were dissidents of the established church but wanted to be faithful to the Word of God, although that would cost their own lives. Christian remnants in history were the direct result of the reading of the Word of God. The translation of the Bible in the vernacular language produced a revival among believers that through the reading of the eternal book wanted to follow its teachings and precepts. This book deals with the history of those Christians in Spain that found in the Word of God their faith and trust. It explains what a remnant is, which remnants were present in Spain, how they were persecuted and the most important how they survived in the midst of persecution.
Narrada como autobiografía, el escritor les presenta las experiencias médicas que ha sufrido en el transcurso de los dos últimos años. Escrita de una manera sencilla y clara, trata de explicar y describir las incógnitas que aparecen a su alrededor y sobre todo las inexplicables y misteriosas formas en que ciertos avisos o mensajes son transmitidos por Dios o por un ser supremo desde un lugar que desconocemos y que por motivos de poca percepción y de la falta de atención, algunas veces estos mensajes pasan desapercibidos para muchos Consiente de las especulaciones y de las diferentes creencias religiosas que existen y además de la posible controversia que esta lectura pueda causar, ha dejado a la opción y a la imaginación del lector, el crear su propio criterio, sin querer inferir ni sugerir la aceptación de la misma. Los hechos son todos verídicos e incluidos en la narración solamente para expresar la creencia, el sentimiento y el valor religioso del escritor.
"Republics of Knowledge tells the story of how the circulation of knowledge shaped the formation of nation-states in Latin America, and particularly in Argentina, Peru and Chile, during the century after Iberian rule was defeated in the 1820s. Most immediately, the author has sought to provide a cross-disciplinary approach to the history of knowledge, combining the methods of global intellectual history with a new way of thinking about nations as experienced and enacted as well as how they are imagined, and in so doing offer a new interpretation of the history of independent Latin America to illustrate its wider significance in the making of the modern world. By bringing these lines of inquiry together within a transnational framework, Nicola Miller shows how evidence from the pioneering nations of Latin America can invite historians to rethink many of their general theories about how knowledge travels and how a sense of nationhood is created. The book is designed to stimulate debate about the significance of knowledge not only in Latin America but in all modern societies. As Miller explains, Latin America is usually regarded as an exception to general theories, notably of colonialism, nationalism and liberalism; and yet it was in that part of the world, not in Europe, that the Age of Revolution brought the founding of a second wave of modern republics, and it was in Latin America that pioneering attempts were made to apply liberal principles in societies with inherited caste divisions and corporate institutions. It was there that some of the richest debates about the vexed relationship between collective identities and individualism took place"--
Who writes "I"? To whom are autobiographies addressed? What kinds of readers are inscribed in autobiographical narratives? In Apology to Apostrophe, James D. Fernández's offers a lucid and powerful meditation on the nature of autobiographical writing through his investigation of the historical conditions and literary stagings of autobiographical writing in Spain. As Fernández demonstrates, recent developments in critical theory provide new and fruitful approaches to autobiographical works that have long been neglected, misunderstood, or, in some cases, virtually unknown. Focusing primarily but not exclusively on nineteenth-century Spain, Fernández exposes a rhetorical tension that often occurs in autobiographical discourse, between self-justification, or "apology," and the transcendence of this worldly impulse, or "apostrophe." This tension, he argues, is of particular interest in the case of Spain, but not peculiar to that nation, and his attention to the theoretical nature of autobiography leads to insightfl considerations of many canonical European autobiographies, including those of Saint Augustine, Rousseau, Saint Teresa, and Cardinal Newman. Considering Spanish autobiography in the context of first-person narrative in Europe and in the terms of current debates on the relationship between writing and selfhood, Apology to Apostrophe marks a significant advance in our historical understanding and critical discussion of the genre. The book will be of great value not only to Hispanists but also to those interested in autobiography and cultural history.
Henry Frye was born in Bogotá, Colombia, July 16, 1934. He started writing poetry at a very young age, but this is the first time that he is publishing something. He moved to the United States in 1960 and started writing in English at the same time that he went to college to get a BBA in Business and an MBA in International Management. His poetry seems to be based on personal experiences, but in reality, other people experiences have contributed material to his personal style. He decided to publish his first book, this one, in both languages, Spanish and English. Love and romance are at the center of his poetry with some glimpses of passion and eroticism, without reaching a crude description of love situations.
This volume discusses the role of comics in the formation of a modern sense of nationhood in Latin America and the rise of a collective Latino identity in the USA. It is one of the first attempts - in English and from a cultural studies perspective - to cover Latin/o American comics with a fully continental scope. Specific cases include cultural powerhouses like Argentina, Brazil, and Mexico, as well as the production of lesser-known industries, like Chile, Cuba, and Peru.
"In the wake of the Buena Vista Social Club, the world has rediscovered the rich musical tradition of Cuba. A unique combination of popular and elite influences, the music of this island nation has fascinated since the golden age of the son - that new World aural collision of Africa and Europe that made Cuban music the rage in Paris, New York, and Mexico beginning in the 1920s." "Drawing on such primary documents as obscure church circulars, dog-eared musical scores pulled from attics, and the records of the Spanish colonial authorities, Music in Cuba sweeps from the sixteenth to the twentieth centuries. Carpentier covers European-style elite Cuban music as well as the popular worlds of rural Spanish folk and Afro-Cuban urban music."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Cuando Laura Marchmont, una joven artista londinense, se casa con Charles después de un apasionado y raudo romance, deciden trasladarse a vivir a Devon para que Charles pueda estar cerca de sus dos hijas adolescentes. Sin embargo, la hostilidad que las niñas le muestran y la nostalgia que Laura siente por la pérdida de la agitada vida de Londres, hacen que se plantee si no ha tomado una decisión equivocada al casarse de modo tan precipitado.Pero las casualidades del destino dan un giro a la vida de Laura cuando hereda una colección de bordados de la época victoriana de una remota antepasada suya llamada Mary Rose que vivió precisamente en la casa de Devon que ella y Charles acaban de comprar.Laura no cree demasiado en las coincidencias, así que fascinada por las inquietantes palabras que acompañan a los bordados, ?Yo soy inocente, tú eres culpable, mi anillo robaste, y nuestro nombre maldijiste.?, decide investigar de qué terrible acusación se defiende Mary Rose y qué poder tiene el anillo robado. Pero mientras tanto, Laura deberá enfrentarse a decisiones personales mucho más difíciles y resolver, a su vez, un oscuro secreto de su pasado que la persigue noche y día.El anillo de rubí es la historia de una saga familiar que esconde un secreto inconfesable y una desgarradora vida truncada. Es también la historia de un anillo perdido, un amor finito y de dos mujeres que obstinadament buscaron la felicidad