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This Compendium gives an outline of the historical, philosophical and ethical aspects of the return of cultural objects (e.g. cultural objects displaced during war or in colonial contexts), cites past and present cases (Maya Temple Facade, Nigerian Bronzes, United States of America v. Schultz, Parthenon Marbles and many more) and analyses legal issues (bona fide, relevant UNESCO and UNIDROIT Conventions, Supreme Court Decisions, procedure for requests etc.). It is a landmark publication that bears testament to the ways in which peoples have lost their entire cultural heritage and analyses the issue of its return and restitution by providing a wide range of perspectives on this subject. Essential reading for students, specialists, scholars and decision-makers as well as those interested in these topics.
Presents a collection of essays, manifestos, and illustrations that provide an overview of the Dada movement in art, describing its convictions, antics, and spirit, through the words and art of its principal practitioners.
Reproduction of the original: Character Sketches of Romance, Fiction and the Drama by E. Cobham Brewer
The history of Jean de Labadie and the Labadists has re ceived attention through the years. That attention, however, has more often than not fallen short in its tracing of Labadie's 'double migration'. Disaffected with the established church order of his day and motivated by a sense of prophetic mis sion to establish again the life of the primitive church, this spiritual nomad wandered from France to Switzerland, then to the United Provinces, Germany and Denmark, according to the vicissitudes of the times. As he went, he changed his affiliations from 'high' church ever 'lower', from the bosom of Rome to Calvinism, then to congregational separatism. Thus there has been ample reason to treat Labadie's life and ministry episodically, be it a geographical or denominational episode, and a solid grounding could be had by piecing to gether several of these (all listed in bibliography part D): M. de Certeau on the Jesuit years; X. de Bonnault d'Houet on his stay at Amiens; A-L. Bertrand on the 'lost years' from Amiens to Montauban; J-H. Gerlach and W. Goeters on the schism at Middelburg; P. Scheltema on Amsterdam; L. Holscher and G.E. Guhrauer on Herford; J. Lieboldt and H. von Schubert on Altona; B.B. James and H.C. Murphy on the colony in Maryland; L. Knappert on that in Surinam; and any number of authorities on the Labadists in Friesland. Yet there are sig nificant gaps.
It is traditional in the literature on Pierre Bayle to make some refer ene e to iVlontaigne as one of the masters of skepticism in whose tracks he follows, albeit hardly so eloselyas Charron had. Time and again critics feel the need to mention Montaigne and Bayle in the same context, sometimes to contrast their brands of Pyrrhonism, more often to explain similarities in their ideas and methods, which have frequent ly been regarded as important steps in the gradual evolution of un Christian, even anti-Christian, thought. Their names were already associated during Bayle's life, for example, in the mediocre work by Dom Alexis Gaudin, La Distinction et la Nature du Bien et du MaI, Traite ou l'on combat l'erreur des Manicheens, les sentimens de Jvfontaigne & de Charron, & ceux de J. Vfonsieur Bayle. In the nineteen th century, the author of the Dictionnaire historique et critique wa~ generally elassified as a skeptic; and his name was inevi tably linked with the essayist's. In his Port-Royal, Sainte-Beuve pictured Bayle as one of the avowed skeptics in Montaigne's funeral cortege and spoke of both men as "d'autant pIus fourbes qu'ils ne le sont pas toujours." His later works show that he revised his opinion on each somewhat, l but in this he was unusual for his century.
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