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Publisher Description
The suite of forty prints published in Geneva in 1570 depicting the wars, massacres and troubles of the French Wars of Religion may have been the first picture history made in woodcuts or etchings that promised a geenral public a true view of great events of the recent past. This richly illustrated study reconstructs the gradual elaboration of this experimental work, situating it within the previously untold story of the use of the graphic arts to report the news in the fist centuries of European printmaking. Successive chapters explore the pictorial traditions that inspired the printmakers, examine how they gathered their information, assess the reliability of the scenes, and analyze the historical vision informing the series. Part 2 reproduces the full suite with commentary in double page fold-outs. Through the study of a single print series, lost chapters in the history of jorunalism, of the graphic arts, and of Protestant historical consciousness re-emerge.
In Virgil's third Eclogue, Palaemon concludes the poetry competition between Menalcas and Damoetas by saying that he cannot choose between them, a judgment that is emblematic of the contest between Neo-Latin and vernacular poetry in Renaissance France. Both forms of poetry draw on similar roots, both are equally accomplished, and the contest between them is largely amicable. The Judgment of Palaement illustrates the almost symbiotic relationship between Renaissance Latin and French poetry, while exploring poets' motivation for choosing one language over another, the different challenges each form of writing involved, and the extent of the collaboration between different language communities. It focuses on some of the major writers of the period, as well as less known ones, and on genres specific to humanist poetry. It shows that composing in Latin was often considered more natural than writing in the vernacular, at a time when many Frenchmen's mother tongue was a non-standard French dialect or distinct language. Book jacket.
Between the outbreak of war with Austria in 1792 and Napoleon's final debacle in 1814, France remained almost continously at war, recruiting in the process some two to three million frenchmen--a level of recruitment unknown to previous generations and widely resented as an attack on the liberties of rural communities. Forrest challenges the notion of a nation heroically rushing to arms by examining the massive rates of desertion and avoidance of service as well as their consequences on French society--on military campaigns and the morale of armies, on political opinion at home, on the social fabric of local villages, and on the Napoleonic dream of bringing about a coherent and centralized state.
A major assessment of a crucial moment in the history of the French Revolution - the fall of Robespierre in July 1794.
A collection of Jewish-American literature written by various authors between 1656 and 1990.
The author applies the philosophies of Alexis de Tocqueville and Augustin Cochin to both historical and contemporary explanations of the French Revolution.
Confident that they had broken with a discredited past, French revolutionaries after 1789 referred to pre-revolutionary times as the ancien regime (old regime). The National Assembly proclaimed the sovereignty of the people, grasping the reins of power and asserting the supremacy of law over all other interests. Even as the liberalism of 1789 collapsed into the Terror and then into the Napoleonic dictatorship, a new regime emerged at the juncture of state and civil society. The cycles of recrimination, hatred, and endemic local conflict unleashed by the Terror did not obliterate this new civic order. In this fascinating and wide-ranging study of three turbulent decades in French history, the eminent historian Isser Woloch examines some large questions: How did the French civic order change after 1789? What civic values animated the new regime; what policies did it adopt? What institutions did it establish, and how did they fare when carried into practice? Drawing on a variety of archival sources, Professor Woloch explains shifts in lawmaking and local authority, state intervention in village life, the creation of public primary schools, experiments in public assistance, a cycle of changes in the mechanisms of civil justice, the introduction of felony trials, and above all the imposition of military conscription. Unlike most accounts of the period, The New Regime moves outside Paris in search of the new civic order. Professor Woloch writes: "Imagine approaching a typical French town in 1798 or 1808 - the capital of one of the eighty-odd departments that the National Assembly created by redividing the nation's territory. The spires of a cathedral or the largest parish churches would stillcommand the horizon. But as one moved about the town, one could readily identify its civic institutions: the departmental administration (later the prefecture); the town hall or mairie; the local schools; several new courts or tribunals; the institutions of poor relief such as a