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France and Great Britain, so close geographically but separated by language, culture and history, had been exchanging merchandise, visitors, rulers and ideas for hundreds of years before the eighteenth century. The flow of traffic only quickened during this period, and became a flood, in the direction of Great Britain, during the decade following the Revolution. While certain of these exchanges, such as Voltaire’s sojourn abroad, have been studied in detail, others are coming into focus only as scholars study secondary figures in the host country and the interactions of various groups with its citizens. British-French Exchanges in the Eighteenth Century gathers together fourteen recent essays by scholars from Great Britain and the United States who have examined various parameters of the subject. Correspondences and translations are obvious forms of cultural sharing and are in play in many of the essays. Others recount and analyse the stories of persons who actually visited the other country in circumstances ranging from pure tourism to emigration to a hostage exchange. A final group of essays treats intellectual influences in realms as diverse as encyclopaedism, cultural analysis, connoisseurship, and cosmopolitanism in the arts. The volume is appropriate for collections in history, literature, and culture. TABLE OF CONTENTS Part I: Translations and Correspondence 1 Bernardin de Saint-Pierre’s English Correspondents During the French Revolution MALCOLM COOK 2 The English Translations of Voltaire’s La Pucelle J. PATRICK LEE† 3 Enlightened Exchange: The Correspondence of André Morellet and Lord Shelburne DOROTHY MEDLIN and ARLENE P. SHY 4 The Scottish Enlightenment in Action: The Correspondence of William Robertson and J.-B.-A. Suard JEFFREY SMITTEN Part II: Sojourns Abroad 5 ‘The Only Disagreeable Thing in the Whole’: the Selection and Experience of the British Hostages for the Delivery of Cape Breton in Paris, 1748-49 ROBIN EAGLES 6 Peregrinations to the Convent: Hester Thrale Piozzi and Ann Radcliffe TONYA MOUTRAY MCARTHUR 7 Friend or Foe? French Émigrés Discover Britain ROSENA DAVISON 8 ‘Genuine Anecdotes’: Mary Charlton and Revolutionary Celebrity GILLIAN DOW Part III: Intellectual and Artistic Exchanges 9 Two Partial English-Language Translations of the Encyclopédie: The Encyclopedias of John Barrow and Temple Henry Croker JEFF LOVELAND 10 British Biography in the Encyclopédie méthodique: Histoire KATHLEEN HARDESTY DOIG 11 Diderot, Dentistry and British Politics: Two Neglected Pamphlets DAVID ADAMS 12 British and French Influences on Hector St. John de Crèvecoeur’s Letters from an American Farmer DEIDRE DAWSON 13 A Commonwealth of Connoisseurs: British Humanism in the Art and Science of the Ancien Régime ELIZABETH LIEBMAN 14 An Anglo-Swiss Connection in the Age of Voltaire: Jean Huber’s British Friends and Relations GARRY APGAR
This book aims to reconceive the field of knowledge of the “Gallic past” in French discourse of the eighteenth and early nineteenth centuries by focusing on the monument as an object capable of underpinning insights into that past, the evolution of the concept, and the epistemic practices used to produce it. Through monuments, the book redirects our gaze toward the French provinces, where material and immaterial evidence of the Gallic past was “discovered” and transformed into epistemic objects. This perspective results in a “provincialization” of Paris as a site of knowledge production and sheds light on the crucial role of provincial scholarship, not only in the “invention” of the Gallic past but also in methodological and epistemological renewal. The result is a revision of recent historiography, which interpreted the narrative of an “autochthonous” pre-Roman, Gallic past as nation-building. This volume offers a pioneering contribution toward new directions in historical epistemology focused on the historicity of the “species” of evidence of each epoch.
Uncovers the rich diversity and distinctive accomplishments of eighteenth-century German thinking, long overshadowed by Kant's philosophy.
As the first comprehensive encyclopedic survey of Western architectural theory from Vitruvius to the present, this book is an essential resource for architects, students, teachers, historians, and theorists. Using only original sources, Kruft has undertaken the monumental task of researching, organizing, and analyzing the significant statements put forth by architectural theorists over the last two thousand years. The result is a text that is authoritative and complete, easy to read without being reductive.
Kant's philosophical achievements have long overshadowed those of his German contemporaries, often to the point of concealing his contemporaries' influence upon him. This volume of new essays draws on recent research into the rich complexity of eighteenth-century German thought, examining key figures in the development of aesthetics and art history, the philosophy of history and education, political philosophy, and the philosophy of religion. The essays range over numerous thinkers including Baumgarten, Mendelssohn, Meyer, Winckelmann, Herder, Schiller, Hamann and Fichte, showing how they variously influenced, challenged, and revised Kant's philosophy, at times moving it in novel directions unacceptable to the magister himself. The volume will be valuable for all who are interested in this distinctive period of German philosophy.
The striking engravings of Julien-David Le Roy's The Ruins of the Most Beautiful Monuments of Greece (1758) first revealed the architectural wonders of ancient Athens to the West. Part architectural theory, part archaeological report, part travelogue, the greatly expanded edition of 1770 -- here translated into English -- is entirely original in its understanding of the spirit of classical Greek architecture and in its influence on the direction of contemporary architectural creation. Book jacket.
As the official architects of Napoleon, Charles Percier (1764–1838) and Pierre-François-Léonard Fontaine (1762–1853) designed interiors that responded to the radical ideologies and collective forms of destruction that took place during the French Revolution. The architects visualized new forms of imperial sovereignty by inverting the symbols of monarchy and revolution, constructing meeting rooms resembling military encampments and gilded thrones that replaced the Bourbon lily with Napoleonic bees. Yet in the wake of political struggle, each foundation stone that the architects laid for the new imperial regime was accompanied by an awareness of the contingent nature of sovereign power. Contributing fresh perspectives on the architecture, decorative arts, and visual culture of revolutionary France, this book explores how Percier and Fontaine’s desire to build structures of permanence and their inadvertent reliance upon temporary architectural forms shaped a new awareness of time, memory, and modern political identity in France.
This collection of essays explores the role played by imaginative writing in the Scottish Enlightenment and its interaction with the values and activities of that movement. Across a broad range of areas via specially commissioned essays by experts in each field, the volume examines the reciprocal traffic between the groundbreaking intellectual project of eighteenth-century Scotland and the imaginative literature of the period, demonstrating that the innovations made by the Scottish literati laid the foundations for developments in imaginative writing in Scotland and further afield. In doing so, it provide a context for the widespread revaluation of the literary culture of the Scottish Enlightenment and the part that culture played in the project of Enlightenment.
The commemorative tradition in early American art is given sustained consideration for the first time in Sally Webster's study of public monuments and the construction of an American patronymic tradition. Until now, no attempt has been made to create a coherent early history of the carved symbolic language of American liberty and independence. Establishing as the basis of her discussion the fledgling nation's first monument, Jean-Jacques Caffi?'s Monument to General Richard Montgomery (commissioned in January of 1776), Webster builds on the themes of commemoration and national patrimony, ultimately positing that like its instruments of government, America drew from the Enlightenment and its reverence for the classical past. Webster's study is grounded in the political and social worlds of New York City, moving chronologically from the 1760s to the 1790s, with a concluding chapter considering the monument, which lies just east of Ground Zero, against the backdrop of 9/11. It is an original contribution to historical scholarship in fields ranging from early American art, sculpture, New York history, and the Revolutionary era. A chapter is devoted to the exceptional role of Benjamin Franklin in the commissioning and design of the monument. Webster's study provides a new focus on New York City as the 18th-century city in which the European tradition of public commemoration was reconstituted as monuments to liberty's heroes.
Martin M. Winkler argues for a new approach to various creative affinities between ancient verbal and modern visual narratives. He examines screen adaptations of classical epic, tragedy, comedy, myth, and history, exploring, for example, how ancient rhetorical principles regarding the emotions apply to moving images and how Aristotle's perspective on thrilling plot-turns can recur on screen. He also interprets several popular films, such as 300 and Nero, and analyzes works by international directors, among them Pier Paolo Pasolini (Oedipus Rex, Medea), Jean Cocteau (The Testament of Orpheus), Mai Zetterling (The Girls), Lars von Trier (Medea), Arturo Ripstein (Such Is Life), John Ford (westerns), Alfred Hitchcock (Psycho), and Spike Lee (Chi-Raq). The book demonstrates the undiminished vitality of classical myth and literature in our visual media, as with screen portrayals of Helen of Troy. It is important for all classicists and scholars and students of film, literature, and history.