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Winner of the 2014 National Outdoor Book Awards for History/Biography Emma Gatewood told her family she was going on a walk and left her small Ohio hometown with a change of clothes and less than two hundred dollars. The next anybody heard from her, this genteel, farm-reared, 67-year-old great-grandmother had walked 800 miles along the 2,050-mile Appalachian Trail. And in September 1955, having survived a rattlesnake strike, two hurricanes, and a run-in with gangsters from Harlem, she stood atop Maine's Mount Katahdin. There she sang the first verse of "America, the Beautiful" and proclaimed, "I said I'll do it, and I've done it." Grandma Gatewood, as the reporters called her, became the first woman to hike the entire Appalachian Trail alone, as well as the first person—man or woman—to walk it twice and three times. Gatewood became a hiking celebrity and appeared on TV and in the pages of Sports Illustrated. The public attention she brought to the little-known footpath was unprecedented. Her vocal criticism of the lousy, difficult stretches led to bolstered maintenance, and very likely saved the trail from extinction. Author Ben Montgomery was given unprecedented access to Gatewood's own diaries, trail journals, and correspondence, and interviewed surviving family members and those she met along her hike, all to answer the question so many asked: Why did she do it? The story of Grandma Gatewood will inspire readers of all ages by illustrating the full power of human spirit and determination. Even those who know of Gatewood don't know the full story—a story of triumph from pain, rebellion from brutality, hope from suffering.
Peopled by eccentrics and sparkling with humor and grace, this memoir by the editor of "Tin House" magazine tracks her fathers illness and death and her fragmented familys reunion.
The Wright brothers have long received the lion’s share of credit for inventing the airplane. But a California scientist succeeded in flying gliders twenty years before the Wright’s powered flights at Kitty Hawk in 1903. Quest for Flight reveals the amazing accomplishments of John J. Montgomery, a prolific inventor who piloted the glider he designed in 1883 in the first controlled flights of a heavier-than-air craft in the Western Hemisphere. Re-examining the history of American aviation, Craig S. Harwood and Gary B. Fogel present the story of human efforts to take to the skies. They show that history’s nearly exclusive focus on two brothers resulted from a lengthy public campaign the Wrights waged to profit from their aeroplane patent and create a monopoly in aviation. Countering the aspersions cast on Montgomery and his work, Harwood and Fogel build a solidly documented case for Montgomery’s pioneering role in aeronautical innovation. As a scientist researching the laws of flight, Montgomery invented basic methods of aircraft control and stability, refined his theories in aerodynamics over decades of research, and brought widespread attention to aviation by staging public demonstrations of his gliders. After his first flights near San Diego in the 1880s, his pursuit continued through a series of glider designs. These experiments culminated in 1905 with controlled flights in Northern California using tandem-wing Montgomery gliders launched from balloons. These flights reached the highest altitudes yet attained, demonstrated the effectiveness of Montgomery’s designs, and helped change society’s attitude toward what was considered “the impossible art” of aerial navigation. Inventors and aviators working west of the Mississippi at the turn of the twentieth century have not received the recognition they deserve. Harwood and Fogel place Montgomery’s story and his exploits in the broader context of western aviation and science, shedding new light on the reasons that California was the epicenter of the American aviation industry from the very beginning.
This Prince Edward Island native is the widely recognized author of the beloved;Anne of Green Gables;series.
L.M. Montgomery’s writings are replete with enchanting yet subtle and fluid depictions of nature that convey her intense appreciation for the natural world. At a time of ecological crises, intensifying environmental anxiety, and burgeoning eco-critical perspectives, L.M. Montgomery and the Matter of Nature(s) repositions the Canadian author’s relationship to nature in terms of current environmental criticism across several disciplines, introducing a fresh approach to her life and work. Drawing on a wide range of Montgomery’s novels as well as her journals, this collection suggests that socio-ecological relationships encompass ideas of reciprocity, affiliation, autonomy, and the capacity for transformation in both the human and more-than-human worlds, and that these ideas are integral to Montgomery’s vision and her literary legacy. Framed by the twin themes of materiality and interrelationships, essays by scholars of literature, law, animal studies, anthropology, and ecology examine place, embodiment, and difference in Montgomery’s works and embrace the multiplicities embedded in the concept of nature. Through innovative critical approaches, L.M. Montgomery and the Matter of Nature(s) opens up conversations about humans’ interactions with nature and the material environment.
It might surprise some to know that internationally beloved Canadian writer L.M. Montgomery (1874-1942), author of the Anne of Green Gables series, among other novels, and hundreds of short stories and poems, also fuelled a passion for photography. For forty years, Montgomery photographed her favourite places and people, using many of these photographs to illustrate the hand-written journals she left as a record of her life. Artistically inclined, and possessing a strong visual memory, Montgomery created scenes and settings in her fiction that are closely linked to the carefully composed shapes in her photographs. Elizabeth Rollins Epperly's Through Lover's Lane is the first book to examine Montgomery's photography in any depth; it is also the first study to connect Montgomery's photography with her fiction and other writing. Drawing on the work of Montgomery scholars, as well as theorists such as Susan Sontag, Gaston Bachelard, Roland Barthes, John Berger, and George Lakoff, Epperly connects Montgomery's practice of photography with the writer's metaphors for home and belonging. Epperly examines thirty-five of Montgomery's photographs, demonstrating how they figure in the novelist's life and fiction. She argues that the shapes in Montgomery's favourite place in nature - Lover's Lane in Cavendish P.E.I. - organized Montgomery's other photographs, underpinned her colourful descriptions, and grounded her aesthetics. Through Lover's Lane suggests how an artist creates metaphors that resonate within a single work, echo across a lifetime of writing and photography, and inspire readers and viewers across cultures and time.
British operative Charlie Muffin infiltrates a Russian spy ring in a Cold War thriller that’s “good dirty fun” (The New York Times Book Review). Edgar Award Finalist After a trumped-up trial, Charlie Muffin lands in jail for treason—ready to learn the secrets of his fellow inmate, a convicted British traitor. Nobody expected KGB agents to stage a prison break to free their man. Charlie faces another choice: go to Moscow to complete his assignment or face 40 long years in prison. It doesn’t take him long to decide. Charlie doesn’t have the full picture, of course, which is the way of espionage. But Charlie doesn’t regret his Iron Curtain escape, as it leads him to Natalia Fedova, the KGB interrogator assigned to determine if his defection is genuine or staged. For anyone else, the risk would be suicidal. But for Charlie, the greatest danger may be falling in love. This ebook features an illustrated biography of Brian Freemantle including rare photos from the author’s personal collection.
"An exciting new collection, The L.M. Montgomery Reader assembles significant rediscovered primary materials on one of Canada's most enduringly popular authors throughout her high-profile career as the author of the resoundingly successful Anne of Green Gables (1908) and after her death. Each of its three volumes gathers pieces published all over the world to set the stage for a much-needed reassessment of Montgomery's literary reputation. Much of the material is freshly unearthed from archives and digital collections and has never before been collected in book form. The ninety selections appearing in this first volume focus on Montgomery's role as a public celebrity, giving a strong impression of her as a writer and cultural critic as she discusses a range of topics with wit, wisdom, and humour, including the natural landscape of Prince Edward Island, her wide readership, anxieties about modernity, and the continued relevance of "old ideals." These essays and interviews are joined by a number of additional pieces that discuss her work's literary and cultural value in relation to an emerging canon of Canadian literature, with nearly one hundred selections in all. Each volume is accompanied by an extensive introduction and detailed commentary by leading Montgomery scholar Benjamin Lefebvre that trace the interplay between the author and the critic, as well as between the private and public Montgomery. This volume, and the Reader as a whole, adds tremendously to our understanding and appreciation of Montgomery?s legacy as a Canadian author and as a literary celebrity both during and beyond her lifetime." --Publisher's description.