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Recounting surveys the social history of Barcelona and Catalonia, primarily since the end of the Spanish Civil War in 1939. The novel follows the youth and education of Raúl Ferrer Gaminde, son of a well-connected, middle-class Catalan family that embraces Franco and Spanish Nationalism. The novel’s potent drama plays out through Goytisolo’s crisp, forceful presentation of youth, humor, optimism, rebellion, violence, sexual awakening, indulgence, punishment, and the realization of one’s artistic vocation. Alternately modern and historical, Recuento displays intelligent realism, emotional gravity, profane beauty, brute vulgarity, sweeping rhetorical scope, and seamless transitions through long, streaming passages of narrative and introspection.
This book contributes to a better understanding of street children and youth within Sub-Saharan Africa. It investigates the psychological conditions of these children and determines how to reintegrate them into mainstream socio-economic activities. The book proposes cures and preventive measures. It also highlights the inextricable link which exists between street children and youth problem, and economic underdevelopment within Sub-Saharan Africa. With a careful examination of the main reasons of poverty and weak institutions within the region, the book offers suggestions on how to prevent street children and youth problem by alleviating poverty through a vibrant industrial sector and economic development. This book also provides recommendations on how to cure the problem by creating social enterprises which can offer opportunities to the youth and their parents. It achieves this by first comparing children and youth on the street (those who have homes to return to at night), with children and youth of the street (those who both work and live on the street). It then looks at a project designed to boost the resilience of street children. By looking at the differences between children on the street and children of the street, the book highlights the importance of having a home, and of the great value of cooperation between churches, non-government organizations and the state, in working to make the lives of these young people better. This book is a useful resource for students, academics and researchers in the fields of psychology, social work, sociology, and international development.
Many remember the 1980s as the era of Ronald Reagan, a conservative decade populated by preppies and yuppies dancing to a soundtrack of electronic synth pop music. In some ways, it was the "MTV generation." However, the decade also produced some of the most creative works of punk culture, from the music of bands like the Minutemen and the Dead Kennedys to avant-garde visual arts, literature, poetry, and film. In We're Not Here to Entertain, Kevin Mattson documents what Kurt Cobain once called a "punk rock world" --the all-encompassing hardcore-indie culture that incubated his own talent. Mattson shows just how widespread the movement became--ranging across the nation, from D.C. through Ohio and Minnesota to LA--and how democratic it was due to its commitment to Do-It-Yourself (DIY) tactics. Throughout, Mattson puts the movement into a wider context, locating it in a culture war that pitted a blossoming punk scene against the new president. Reagan's talk about end days and nuclear warfare generated panic; his tax cuts for the rich and simultaneous slashing of school lunch program funding made punks, who saw themselves as underdogs, seethe at his meanness. The anger went deep, since punks saw Reagan as the country's entertainer-in-chief; his career, from radio to Hollywood and television, synched to the very world punks rejected. Through deep archival research, Mattson reignites the heated debates that punk's opposition generated in that era-about everything from "straight edge" ethics to anarchism to the art of dissent. By reconstructing the world of punk, Mattson demonstrates that it was more than just a style of purple hair and torn jeans. In so doing, he reminds readers of punk's importance and its challenge to simplistic assumptions about the 1980s as a one-dimensional, conservative epoch.
Containing reports from Pennsylvania judicial districts and other leading decisions.
A memoir-meets-exposé that examines our fraught relationship with the West and our attempts to clean up a toxic environmental legacy In 2002, Texas journalist Brad Tyer strapped a canoe on his truck and moved to Montana, a state that has long exerted a mythic pull on America’s imagination as an unspoiled landscape. The son of an engineer who reclaimed wastewater, Tyer was looking for a pristine river to call his own. What he found instead was a century’s worth of industrial poison clotting the Clark Fork River, a decades-long engineering project to clean it up, and a forgotten town named Opportunity. At the turn of the nineteenth century, Montana exploited the richest copper deposits in the world, fueling the electric growth of twentieth-century America and building some of the nation’s most outlandish fortunes. The toxic by-product of those fortunes—what didn’t spill into the river—was dumped in Opportunity. In the twenty-first century, Montana’s draw is no longer metal but landscape: the blue-ribbon trout streams and unspoiled wilderness of the nation’s “last best place.” To match reality to the myth, affluent exurbanites and well-meaning environmentalists are trying to restore the Clark Fork River to its “natural state.” In the process, millions of tons of toxic soils are being removed and dumped—once again—in Opportunity. As Tyer investigates Opportunity’s history, he wrestles with questions of environmental justice and the ethics of burdening one community with an entire region’s waste. Stalled at the intersection of a fading extractive economy and a fledgling restoration boom, Opportunity’s story is a secret history of the American Dream and a key to understanding the country’s—and increasingly the globe’s—demand for modern convenience. As Tyer explores the degradations of the landscape, he also probes the parallel emotional geography of familial estrangement. Part personal history and part reportorial narrative, Opportunity, Montana is a story of progress and its price: of copper and water, of father and son, and of our attempts to redeem the mistakes of the past.
In April 1998, legendary southern jam band Widespread Panic held a free open-air record release show in downtown Athens, Georgia. This book recounts that event and what inspired nearly 100,000 spectators to take part.
In Kids on the Street Joseph Plaster explores the informal support networks that enabled abandoned and runaway queer youth to survive in tenderloin districts across the United States. Tracing the history of the downtown lodging house districts where marginally housed youth regularly lived beginning in the late 1800s, Plaster focuses on San Francisco’s Tenderloin from the 1950s to the present. He draws on archival, ethnographic, oral history, and public humanities research to outline the queer kinship networks, religious practices, performative storytelling, and migratory patterns that allowed these kids to foster social support and mutual aid. He shows how they collectively and creatively managed the social trauma they experienced, in part by building relationships with johns, bartenders, hotel managers, bouncers, and other vice district denizens. By highlighting a politics where the marginal position of street kids is the basis for a moral economy of reciprocity, Plaster excavates a history of queer life that has been overshadowed by major narratives of gay progress and pride.
Africa is a legitimizing factor in the world: some might argue because of the weakness of its position in the world; others might say because of the realization on the part of some African leaders that there are strengths inherent to their states' positions that can be tapped. Africa’s place in the world is being re-thought and re-shaped. And that is exactly what this book is about: the authors invite and incite the reader to a much closer and nuanced reading of Africa and its history, and the way in which that history, over time and space allows for a re-conceptualization of Africa’s role and place in the world. The authors evoke W.E.B. Du Bois on the invention of identity in the modern world. In that light, these works remind us, as Du Bois would, that the current invention of Africa is indeed a modern one; an identity configured in numerous ways, with and without our interventions. Contributions by Lamont de Haven King (State and Ethnicity in Nigeria), Jesse Benjamin (Nubians and Nabateans), Jeremy Prestholdt (Portuguese on the Swahili Coast), Thomas Ricks (Slaves in Shi’i Iran, AD 1500-1900) Launay Robert (Late-Seventeenth Century Narratives of Travel to Asia) and Richard J. Payne and Cassandra Veney (Taiwan and Africa)