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This book is the outcome of a lifelong love of history and the results of many years of research. Mr. Hooper tired of hearing There werent any people in Crane before the oil boom, and set out to prove the statement wrong. The material covers historical information of the Comanche War Trails, Chihuahua Trail out of Mexico. Gold hungry prospectors on their way to the gold fields in California. The Butterfield-Overland Mail, route which carried the mail from home. Goodnigh-Loving cattle drives and John Chisum Trail drive, which herded thousands of longhorn cattle to the forts on the western frontier, and the first tough cattlemen who, mixing herds on the open range, of miles of unfenced land. The second section covers the homesteaders in Crane County who endured the challenges and day to day dangers of living in the wild harsh country of West Texas. In-depth details of individuals, families, lives and evolving ranches, occurring after the open range ranches ended turning into fenced territory, becoming property owned by individuals. A treasure chest opened for history buffs, genealogists, with the history needed to educate the youth of today.
As pioneers attempted to settle and civilize the ?Wild West,? cemeteries became important cultural centers. Filled with carved wooden headboards, inscribed local stones, and Italian marble statues, cemeteries functioned as symbols of stability and progress toward a European-inspired vision of Manifest Destiny. As repositories of art and history, these pioneer cemeteries tell the story of communities and visual culture emerging together within the developing landscape of the Old West. Annette Stott traces this story through Rocky Mountain towns on the western frontier, from the unkempt ?boot hills? of the early mining camps and cattle settlements to the more refined ?fair mounts.? She shows how people from Asia, Europe, and the Americas contributed to the visual character of the mountain cemeteries, and how the sepulchral garden functioned as an open-air gallery of public sculpture, at once a site for relaxation, learning, and social ritual. Here, widespread participation in a variety of ceremonies brought mountain communities together with a frequency almost unimaginable today. Illustrated with eighty-three striking photographs, this book shows how the pioneer cemetery emerged as a site of public sculpture and cultural transmission in which each carved or molded monument played dual (and sometimes conflicting) public and private roles, recording the community?s history and values while memorializing individuals and events.
"This book pulls together records from a variety of sources, including information from county court houses, Nevada internet sites, and various lists..."--Page iv.