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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Excerpt from Records of a Vanished Life, Lectures, Addresses, Etc: A Memoir by His Wife, a Funeral Sermon by R. A Fyfe and Some Additional Papers In preparing this brief memoir of my dear, departed husband, my purpose is not so much to enter into the details of a life which, in its earthly aspects, boasts few specially distinguishing events, as to endeavour to gather from it some simple lessons of the power of Divine grace to lift its possessor up into the light of a new life, whose secret forces are with Christ in God, - of that grace which ensures the victory over earthly corruptions and besetting sins, and which gilds the sunset of mortal life with a glory in which earth has no share. Such lessons, those who knew and loved Mr. Yule will find it sweet to trace, and from their study some, for whom he laboured and prayed, may gain an impulse towards those high ends he kept so constantly in view. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
*The Sunday Times Top Ten Bestseller* Rose Tremain (or Rosie as she was then) grew up in post-war London – a city still partly in ruins, where both food and affection were fiercely rationed. But when she is ten years old, everything changes. She loses her father, her house, her school, her friends and is dispatched to a freezing boarding-school in Hertfordshire. Slowly though, the teenage Rosie escapes from the cold world of the Fifties, into a place of inspiration and friendship, where a young writer is suddenly ready to be born. ‘An evocative, unflinching memoir...electric’ Mail on Sunday
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the original versions are generally quite old, there may occasionally be certain imperfections within these reproductions. We're happy to make these classics available again for future generations to enjoy!
The life and times of one of our most enchanting artists; a twentieth-century fairy tale, lovingly remembered and luminously told. Fourteen years ago, the artist Dorothea Tanning published Birthday, a collection of reminiscences. Now she has expanded it into a memoir of her journey through the last century as confidant, collaborator, and muse to some of its most inspired minds and personalities: a diverse assemblage that ranges from the fathers of dada and surrealism to Virgil Thompson, George Balanchine, Alberto Giacometti, Dylan Thomas, Truman Capote, Joan Miró, James Merrill, and many more. At its center is the relationship, tenderly rendered, between Tanning and her famed husband, the enigmatic surrealist Max Ernst. Whether recalling the poignant presence of her friend Joseph Cornell or simply marveling at the facades along a Venice canal, "their filmy reflections fluttering in the dirty canal like fragile altar cloths hung out to dry," Tanning's writing is beguiling, wry, and shot through with the same eye for pregnant detail and immanent magic that marks her art.
Yesterday in the Hills recalls life in North Georgia from the 1890s until World War II and records vanished and vanishing folkways of the region. Here is folklore at its best--seen from the inside and mediated though the heart. Yesterday in the Hills is built upon the bedrock of experience and memory, but its sharply drawn characters and beautifully proportioned narrative transcend reminiscence and realistically depict hill country life as it once was.