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The plantation household was, first and foremost, a site of production. This fundamental fact has generally been overshadowed by popular and scholarly images of the plantation household as the source of slavery's redeeming qualities, where 'gentle' mistresses ministered to 'loyal' slaves. This book recounts a very different story. The very notion of a private sphere, as divorced from the immoral excesses of chattel slavery as from the amoral logic of market laws, functioned to conceal from public scrutiny the day-to-day struggles between enslaved women and their mistresses, subsumed within a logic of patriarchy. One of emancipation's unsung consequences was precisely the exposure to public view of the unbridgeable social distance between the women on whose labor the plantation household relied and the women who employed them. This is a story of race and gender, nation and citizenship, freedom and bondage in the nineteenth century South; a big abstract story that is composed of equally big personal stories.
Pictures and Progress explores how, during the nineteenth century and the early twentieth, prominent African American intellectuals and activists understood photography's power to shape perceptions about race and employed the new medium in their quest for social and political justice. They sought both to counter widely circulating racist imagery and to use self-representation as a means of empowerment. In this collection of essays, scholars from various disciplines consider figures including Frederick Douglass, Sojourner Truth, Ida B. Wells, Paul Laurence Dunbar, and W. E. B. Du Bois as important and innovative theorists and practitioners of photography. In addition, brief interpretive essays, or "snapshots," highlight and analyze the work of four early African American photographers. Featuring more than seventy images, Pictures and Progress brings to light the wide-ranging practices of early African American photography, as well as the effects of photography on racialized thinking. Contributors. Michael A. Chaney, Cheryl Finley, P. Gabrielle Foreman, Ginger Hill, Leigh Raiford, Augusta Rohrbach, Ray Sapirstein, Suzanne N. Schneider, Shawn Michelle Smith, Laura Wexler, Maurice O. Wallace
The first in-depth study of the Freemasons during the Civil War From first-person accounts culled from regimental histories, diaries, and letters, Michael A. Halleran has constructed an overview of 19th-century American freemasonry. The author examines carefully the major Masonic stories from the Civil War, in particular the myth that Confederate Lewis A. Armistead made the Masonic sign of distress as he lay dying at the high-water mark of Pickett's charge at Gettysburg.
Edward Wild, the controversial Union general who headed the all-black African Brigade in the Civil War, was one of the most loved and most hated figures of the 19th century. The man was neither understood nor appreciated by military or civilian, black or white, Northerner or Southerner. After enlisting at the outbreak of the war, Wild was promoted to Brigadier General and placed in charge of the United States Colored Troops. In fulfilling his assignment to free slaves and gain recruits, he took three women as hostages and ordered a great deal of property destruction. He freed hundreds, perhaps thousands, of slaves and settled them safely on Roanoke Island. Wild then not only recruited the newly freed blacks but trained them and gave them the opportunity to prove their worth in battle. Nobody, it seems, was happy about serving with them, but the African Brigade performed courageously in several battles. Wild did some inexplicable things. Were his actions typical of the 19th century or did he act outside the norm? Was the criticism he suffered from his fellow Union officers valid--or was it due to personality conflicts? Did he deserve to be arrested, court-martialed, and even wiped from the history books--or was he the victim of discrimination? This work draws its answers from extensive research and includes many rare letters to and from Wild, including one from one of the North Carolinian hostages.
Fox's book is a detailed history of the Fifty-Fifth Regiment of Massachusetts Volunteer Infantry, which fought in some of the most important battles of the Civil War. Drawing on official records, personal accounts, and his own observations as a member of the regiment, Fox provides a gripping and authoritative narrative of the soldiers' experiences and achievements. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The established reference work Guide to Reprints has been radically reworked for this edition. Bibliographical data was substantially increased where information was obtainable. In addition, the user-friendliness of Guide to Reprints was raised to the high level of other K.G. Saur directories through author-title cross-references, a subject volume, a person index and a publisher index. In this edition, the directory lists more than 60,000 titles from more than 350 publishers.
Volume IV: Compiled and revised by Silas Felton. 1063 pp., revised with books missed in vols. I,II, and III, regimental publications, personal narratives, biographies, campaigns and battles, Northern and Southern. Felton?s new compilation is without peer. He covers the subject from five different perspectives: Regimental Publications and Personal Narratives, Union and Confederate Biographies, General References, Armed Forces and Campaigns and Battles.And, making the work extremely useful, the last 236 pages contain a complete Index of Authors of Volumes I through IV as well as a new Index of Titles in the Revised Volume IV.Furthermore, to clear up confusion created by the multiple names often used by Confederate units during the war ? artillery batteries in particular ? which carried a state designation but were commonly known by the battery commander?s name, Felton has cited a written work with a single number designation but indexed and listed it under its common appellation to aid the researcher and eliminate confusion.