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"In this book Piper thus examines major works by Swift, Gay, Pope, Radcliffe, and Austen with the awareness of perceptualism that they must have possessed and describes the connections between their works and this philosophy."--BOOK JACKET.
Walking the Streets of Eighteenth-Century London will entertain and inform all who are interested in literature, history, and the city of London. This unique book invites the reader to walk along the dirty, crowded, and fascinating streets of eighteenth-century London in an unusual way. Nine leading experts from the fields of literature, history, classics, gender, biography, geography, and costume, offer different interpretations of John Gay's poem Trivia: or, the Art of Walking the Streets of London (1716). The poem - a lively, funny, and thought-provoking statement about urban life - accompanies the essays, in a new edition with comprehensive notes. The introduction paints a vibrant picture of London in 1716, depicting Gay's fascinating life and literary world, offering an invaluable guide to the poem. Together, these elements allow the heat, grime, and smells of the underbelly of eighteenth-century London come alive in new ways.
The first study dedicated to the relationship between Alexander Pope and George Berkeley, this book undertakes a comparative reading of their work on the visual environment, economics and providence, challenging current ideas of the relationship between poetry and philosophy in early eighteenth-century Britain. It shows how Berkeley's idea that the phenomenal world is the language of God, learnt through custom and experience, can help to explain some of Pope's conservative sceptical arguments, and also his virtuoso poetic techniques.
Modernist Invention attends to the parallel histories of media technology and modernist American poetry.
Books recommended for undergraduate and college libraries listed by Library of Congress Classification Numbers.
Includes "List of books indexed" (published also separately).
Free, romantic, and individualistic, Britain’s self-image in the eighteenth century constructs itself in opposition to the dominant power of a southern European aesthetics. Offering a fresh understanding of how the British intelligentsia created a ‘Northern’ aesthetics to challenge the European yoke, this book explores the roots of British Romanticism and a newly created past. Literature, the arts, architecture, and gardening all contributed to the creation of this national, ‘enlightened’, Northern cultural environment, with its emphasis on a home-grown legal tradition, on a heroic Celtic past, and on the imagined democracy of King Arthur and his Roundtable of Knights as a prophetic precursor of Constitutional Monarchy. Set against the European Grand Tour, the British turned to the Domestic, Picturesque Anti-Grand-Tour, and alongside a classical literary heritage championed British authors and British empiricism, against continental religion that sanctioned an authoritarian politics that the Gothic Novel mocks. However, if empiricism and common law were vital to this emerging tradition, so too was the other driving force of Britain’s medieval inheritance, the fantasy world of mythic heroes and a celebration of what would come to be known as the ‘fairy way of writing’.