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A gripping, literary recollection of a pilot's experiences during WWII.
“The memoir of . . . an American pilot flying with the famous French Flying Corps’ American Layfayette Escadrille and provides a unique personal insight.”—Firetrench In 1915 James Roger McConnell enlisted as a US volunteer in the French Flying Corps. He was part of a remarkable band of American volunteers which were formed into the famous Lafayette Escadrille, which was then based at Verdun. This book brings his personal account of the war, Flying for France, to a new generation of readers. His memoirs produce an amazing insight into the early aerial battles and trace the evolution of aerial warfare as the rickety aircraft of 1915 rapidly evolved into the purpose-built fighters of 1917. Casualties among the American Escadrille were very high and McConnell’s own luck finally ran out when he was ambushed by two German fighters and was killed in action in March 1917. His gripping and detailed memoir of the war is his lasting memorial; his honest account of the everyday life of a pilot in the Great War is matched only by Sagittarius Rising. However, his dramatic description of the battlefield of Verdun viewed from above is one of the classic descriptions of any wartime memoir and is unmatched by any other Great War writer. “Resurrects an important part of the first-person literature of the Lafayette Escadrille. A long-lost gem.”—Over the Front “The memoir and letters give a surprising amount of detail about the pilot’s life and tactics employed. McConnell’s story is certainly an interesting one and this is a short and easily digestible introduction to the life of a First World War pilot.”—WW1 Geek
Abridqement of the author's Seven pillars of wisdom. Illustrated lining-papers. Includes index.
This rare primary source account is the story of the hard fighting battalion of the 7th Northumberland Fusiliers, which saw action on the Somme, Passchendaele and in the Battle of Arras. This wonderfully detailed account provides a rare insight into the experiences of the common soldier on the front line during some of the bitterest conflicts of the war.Unembellished and unwavering in his account, Francis Buckley here records not only the events of the battles he fought in, but also provides an emotional tribute to the heroism of the friends he made and lost during his time in the field. As well as his fellow troops of the 7th Northumberland Fusiliers, Buckley also remembers, with great fondness, the bravery of the officers and men of the 149th Infantry Brigade, and of the 50th Division. His recollections here provide a poignant reminder of the true human cost of war in the modern age.
From bailouts to belly landings, flaming cockpits to lurching carrier decks, here are the heoic tales of pilots from all backgrounds, united by a desire to fight their country's enemy to the finish. Drawn from a small corner of Tennessee, these men flew in all theatres of combat, in every front-line fighter aircraft. They soared to victory in the air--and fled from capture on the ground. This is a memorable anthhology of combat tales with great appeal both for veterans and historians.
In this riveting narrative, Jack R. Myers recounts his experiences as a B-17 bombardier during World War II. Commissioned a second lieutenant in 1944 at age twenty, Myers began flying missions with the 2nd Bomb Group, U.S. Fifteenth Air Force. He learned firsthand the exhilaration—and terror—of being shot at and missed. Based in Italy, the Fifteenth Air Force flew strategic bombing raids over southern Germany, Austria, Hungary, Rumania, and Czechoslovakia. Less celebrated than the Eighth Air Force, which flew out of England, the Fifteenth, nevertheless, was pivotal in dismantling the German industrial complex. Myers offers an insider’s view of these missions over southern and central Europe. The reader goes with him into the highly exposed Plexiglas nose of the Flying Fortress, flying with him through the flak-filled skies of Europe and peering with him through his Norden bombsight at Axis targets. On average, a heavy-bomber crewman survived only sixteen bombing missions. Myers survived his allotted thirty-five missions before being honorably discharged in 1945.
NEW YORK TIMES BESTSELLER • Drawing on exhaustive research, this intimate account details how World War I reduced Europe’s mightiest empires to rubble, killed twenty million people, and cracked the foundations of our modern world “Thundering, magnificent . . . [A World Undone] is a book of true greatness that prompts moments of sheer joy and pleasure. . . . It will earn generations of admirers.”—The Washington Times On a summer day in 1914, a nineteen-year-old Serbian nationalist gunned down Archduke Franz Ferdinand in Sarajevo. While the world slumbered, monumental forces were shaken. In less than a month, a combination of ambition, deceit, fear, jealousy, missed opportunities, and miscalculation sent Austro-Hungarian troops marching into Serbia, German troops streaming toward Paris, and a vast Russian army into war, with England as its ally. As crowds cheered their armies on, no one could guess what lay ahead in the First World War: four long years of slaughter, physical and moral exhaustion, and the near collapse of a civilization that until 1914 had dominated the globe. Praise for A World Undone “Meyer’s sketches of the British Cabinet, the Russian Empire, the aging Austro-Hungarian Empire . . . are lifelike and plausible. His account of the tragic folly of Gallipoli is masterful. . . . [A World Undone] has an instructive value that can scarcely be measured”—Los Angeles Times “An original and very readable account of one of the most significant and often misunderstood events of the last century.”—Steve Gillon, resident historian, The History Channel
From German-occupied Poland to the sickle of communism, this memoir will take you deep inside hidden basements, along icy mountain passes, amidst false identities, harrowing near misses and, finally, to freedom. Join the author as he journeys from childhood to adulthood during one of the most horrific times in modern history.
The horrors and tragedies of the First World War produced some of the finest literature of the century: including Memoirs of an Infantry Officer; Goodbye to All That; the poetry of Wilfred Owen and Edward Thomas; and the novels of Ford Madox Ford. Collectively detailing every campaign and action, together with the emotions and motives of the men on the ground, these 'war books' are the most important set of sources on the Great War that we have. Through looking at the war poems, memoirs and accounts published after the First World War, Ian Andrew Isherwood addresses the key issues of wartime historiography-patriotism, cowardice, publishers and their motives, readers and their motives, masculinity and propaganda. He also analyses the culture, society and politics of the world left behind. Remembering the Great War is a valuable, fascinating and stirring addition to our knowledge of the experiences of WWI.
This true contemporary account of an American nurse's horrific and sometimes bizarre experiences while serving at a French battlefield hospital near Soissons during World War I has poignant layers which even the often naive author did not see. "As our camion drove through the chateau gate we could see that the grounds were covered with what looked like sleeping men." That is just her own introduction to the unit, housed in what was once a country estate, and soon she was standing hours on end treating friend and enemy alike, facing harrowing hyperreality with aplomb. Shirley Millard is throughout a willing reporter of her fascinating perspective on war, youth, loss, and love -- and always slapdash surgery and gallows camaraderie, inside a MASH unit before there was M*A*S*H. And before antibiotics, it is painfully clear. But she is also an unwitting reporter of so much more. The modern reader sees truths and wrongs that Shirley fails to experience herself, some at the time and too many upon rested reflection. Even some of the pronouns she uses reveal herself and the understory more than she ever realized. The book compels attention not only on the level on which she wrote it, which would be enough to bring crashing home this forgotten war, but also on levels hidden to her. Either way the insights pierce through, as when the young French doctor sums up war: "La gloire, la gloire! Bah! C'est de la merde!" He is a hero too, but has his own incongruous scenes later, just in his smoking habits alone. This collection of diary entries and later flashbacks may be the second greatest personal account of World War I, behind that by the much more self-aware Erich Remarque (though readers here may find themselves drawn into the lack of awareness as much as the account itself). Yet this book seems to have been lost in time and the crush of later events. As Time reviewed it in 1936, "Spare, simply written diary of a young, red-haired U.S. volunteer nurse in French hospitals near the front lines of 1918, in which romantic interludes heighten rather than ease a grisly atmosphere." It is that, but there is a lot more to it. And much of the writing is deeper than that, and certainly crisp and evocative in prose, even if some of the depth is more for the reader than the author. Includes penetrating new Foreword by law professor Elizabeth Townsend Gard, who studied the genre as part of her Ph.D. research in History at UCLA. The original book, and its incongruities and twists revealed by Townsend Gard, will stick with you. Previously only available as a rare book, now returned to its place in poignant history. This book, though listed as "trade" or could be read by college adults, will have as its principal audience the general reader and young adults. It would be an excellent, fairly brief book to assign to classes in High School and possibly Middle School. Although some of its scenes are stark and upsetting, and one would be cautioned to have YAs read it much as would be true of the candor of All Quiet on the Western Front, it has no other aspects which would make it inappropriate for minors and allows excellent discussions of war, class, race, nationalism, medicine, unsung women in war, foreshadowing and subtext, and many other themes that the author herself did not mean to raise. In other words, since the writer speaks on one level, and does not realize the other levels she touches, it would help to develop readers' critical skills to share their opinions about what she is missing in her own text. And in the process there will be no concern that the book would be inappropriate for YAs except that some of the medical and casualty moments are, of course, brutal. Also available in ebook and digital formats.