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DIVThe Marquess of Queensberry is as famous for his role in the downfall of one of our greatest literary geniuses as he was for helping establish the rules for modern-day boxing. The trial and two-year imprisonment of Oscar Wilde, lover of Queensberry’s son, Lord Alfred Douglas, remains one of literary history’s great tragedies. However, Linda Stratmann's riveting biography of the Marquess paints a far more complex picture by drawing on new sources and unpublished letters. Throughout his life, Queensberry was emotionally damaged by a series of tragedies, and the events of the Wilde affair—told for the first time from the Marquess’s perspective—were directly linked to Queensberry’s personal crises. Through the retelling of pivotal events from Queensberry’s life—the death of his brother on the Matterhorn and his fruitless search for the body; the suicides of his father, brother, and eldest son—the book reveals a well-meaning man often stricken with a grief he found hard to express, who deserves our compassion./div
Originally published in 1978. Between 1830 and 1890 the English theatre became recognisably modern. Standards of acting and presentation improved immeasurably, new playwrights emerged, theatres became more comfortable and more intimate and playgoing became a national pastime with all classes. The actor’s status rose accordingly. In 1830 he had been little better than a social outcast; by 1880 he had become a member of a skilled, relatively well-paid and respected profession which was attracting new recruits in unprecedented numbers. This is a social history of Victorian actors which seeks to show how wider social attitudes and developments affected the changing status of acting as a profession. Thus the stage’s relationship with the professional world and the other arts is dealt with and is followed by an assessment of the moral and religious background which played so decisive a part in contemporary attitudes to actors. The position of actresses in particular is given special consideration. Many non-theatrical sources are used here and there is a survey of salaries and working conditions in the theatre to show how the rising social status of the actor was matched by changes in his theatrical standing. A novel area of study is covered in tracing the changing social composition of the acting profession over the period and in exploring the case-histories of three generations of performers.
The Frankenstein we know is not Mary Shelley's creature at all. Rather it is an amalgam of over 200 years of images and dramatizations that range from the ghoulish fiends of nineteenth-century sensation dramas to Boris Karloff's movie monster to Mel Brooks's tap-dancing giant. These versions treat the Frankenstein myth with varying levels of horror, hysteria, and humor, but all of them attest to its enduring power. In Hideous Progenies, Steven Earl Forry offers a historical overview of the legend's transformation over time—beginning with Shelley's original and the earliest popular dramatizations of it (which transformed the myth, adding a burlesque quality and simplifying its moral allegory) and continuing on through the advent of cinema. He also documents this development with actual texts of seven pre-1931 dramatizations, a sampling of cartoons and playbills, and a shooting script for the first cinematic version, Thomas Edison's Frankenstein (1910). Forry's rare materials and interesting survey offer a valuable resource for scholars and students of theater history, literary history, and popular culture.
Considered by many to be the most beautiful woman of her generation, Sharon Tate remains a fascinating pop icon and a poster child for the 1960s. What struck most about Sharon was her gentle nature and the sheer perfection of her face, but she was far more than just a beauty. The few films she made during her brief career, including Valley of the Dolls, Eye of the Devil, and The Fearless Vampire Killers, have secured her position as a Hollywood legend. Over forty years since her last film, Sharon's spirit and charisma lives strong in the memories of those who knew her best, and her style continues to inspire the worlds of fashion, beauty, art, and film. Sharon Tate: Recollection is a one-of-a-kind celebration of Sharon's life and career, her influence as a fashion icon throughout the world, and in effect presents a sociological portrait of the 1960s -- its youth culture, the sexual revolution, the rise of independent cinema, and Hollywood's changing studio system. In this impressive photo book, Sharon Tate's story emerges through quotes and short essays -- recollections -- by her sister, Debra Tate, as well as by those who knew and have been influenced by her. What emerges from these pages is a stunning tribute to an unforgettable life. Highlights include: A foreword note by Sharon's husband Roman Polanski. An introduction and remembrances by Sharon's sister Debra Tate. Previously unseen childhood photos from the Tate family album. Original quotes and recollection essays written specially for this book by Jane Fonda, Kelly Osbourne, Bert Stern, Michelle Phillips, Patty Duke, Lee Grant, Elke Sommer, Joan Collins, Viva, Tony Scotti and Trina Turk. Retrospective quotes by Truman Capote, Diana Vreeland, Richard Avedon, Dominick Dunne, Warren Beatty, Mia Farrow, Orson Welles, Barbara Parkins, George Harrison, David Niven, Deborah Kerr, Yul Brynner and Kirk Douglas. Rare and classic photographs by David Bailey, Milton Greene, Philippe Halsman, Shahrokh Hatami, Terry O'Neill, Peter Basch, John Engstead, Peter Brün, Neal Barr and Jean Jacques Bugat. Never-before-seen or published images of Sharon in the classic film Valley of the Dolls, digitally reproduced from their original negatives and transparencies specially for this book by the 20th Century Fox archive.
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