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This new edition of Southern Writers assumes its distinguished predecessor's place as the essential reference on literary artists of the American South. Broadly expanded and thoroughly revised, it boasts 604 entries-nearly double the earlier edition's-written by 264 scholars. For every figure major and minor, from the venerable and canonical to the fresh and innovative, a biographical sketch and chronological list of published works provide comprehensive, concise, up-to-date information. Here in one convenient source are the South's novelists and short story writers, poets and dramatists, memoirists and essayists, journalists, scholars, and biographers from the colonial period to the twenty-first century. What constitutes a "southern writer" is always a matter for debate. Editors Joseph M. Flora and Amber Vogel have used a generous definition that turns on having a significant connection to the region, in either a personal or literary sense. New to this volume are younger writers who have emerged in the quarter century since the dictionary's original publication, as well as older talents previously unknown or unacknowledged. For almost every writer found in the previous edition, a new biography has been commissioned. Drawn from the very best minds on southern literature and covering the full spectrum of its practitioners, Southern Writers is an indispensable reference book for anyone intrigued by the subject.
Written as a narrative history of slavery within the United States, Unrequited Toil details how an institution that seemed to be disappearing at the end of the American Revolution rose to become the most contested and valuable economic interest in the nation by 1850. Calvin Schermerhorn charts changes in the family lives of enslaved Americans, exploring the broader processes of nation-building in the United States, growth and intensification of national and international markets, the institutionalization of chattel slavery, and the growing relevance of race in the politics and society of the republic. In chapters organized chronologically, Schermerhorn argues that American economic development relied upon African Americans' social reproduction while simultaneously destroying their intergenerational cultural continuity. He explores the personal narratives of enslaved people and develops themes such as politics, economics, labor, literature, rebellion, and social conditions.