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Art merchant recounts selling the works of Cézanne; partying with Renoir, Forain, Degas, and Rodin; the studios of Manet, Matisse, Picasso, and Rousseau; encounters with Gertrude Stein, Zola, others. 33 illustrations.
ART DEALtR JAMES HENRY DUVEEN New York E. P. DUTTON CO., INC. To THAT BEING WHICH OCCURS ONLY ONCE IN LIFE A MOTHER CONTENTS CHAPTER PAGE I. REMAKING A RELIQUARY FOR 30,000, 9 II. THE PRINCE WHO LOST HIS TAPESTRIES . 28 III. THE TRAGEDY OF THE JABAGH VASES . 45 IV. THE FATAL PLATE OF BERNARD PALISSY . 64 V. THE TITLED KLEPTOMANIAC . . 77 VI. THE MADDEST COLLECTOR I HAVE EVER KNOWN ...... 88 VII. THE BLACKMAILING OF AN EXPERT, . 102 VIII. How PIERPONT MORGAN BOUGHT MIS TAKES, . . . .118 IX. How A V. C. EARNED A ROYAL SNUFFBOX 134 X. A LOVE-INTRIGUE THAT RUINED AN ART DEALER . . . . . .146 XL How A TWENTY MILLION WIDOW LOST ME 2 7,000 . . . .160 XII. THE SECRET OF NAPOLEON IIs CASKET . 172 XIII. THE DRESDEN PORCELAIN CASE . 184 XIV. THE ART DEALER WHO ESCAPED PENAL SERVITUDE . ., . .196 XV. WHEN CONNOISSEURS Go WRONG . . 208 XVI. How I LOST FIVE 2o, loo VASES . . 224 XVII. THE TRAGEDY OF VAN OLDENBARNE VELDT 238 XVIII. DOUBLE CROSSED BY A FRIEND . .251 XIX. THE CURSE OF THE MALEVOLENT GODS 260 XX. SAVED BY THE CAMORRA . . . 272 ILLUSTRATIONS FACE PAGE GOTHIC TAPESTRY THE CREDO TOURNAI ... 36 THE HEESWIJK CASTLE SET OF AZURE CHINESE VASES WITH THREE COVERS . . . . . . 37 A BERNARD PALISSY DISH ...... 68 A SNUFF Box 69 DRESDEN PORCELAIN SLEIGH GROUP .... 92 FRAXJ HERMINA FEIST ...... 93 GOTHIC SUIT OF ARMOUR . . . . . 108 THE FAMOUS GUZMAN CROSS . . . . .109 THE SNUFF Box OF FREDERICK THE GREAT . . 138 CHEVALIER JACOB VAN Esso THE RIDDER, . 139 THE Louis XVI WRITING CABINET . . . .166 NAPOLEON II KING OF ROME . . . . .167 EXECUTION OF MAXIMILIAN OF AUSTRIA, . .180 THE FREEMASON GROUP OF DRESDEN PORCELAIN . 181 THE COUNTESS COSEL, DRESDEN CRINOLINE FIGURE . 198 FIVE CHINESE PORCELAIN FAMILLEROSE VASES . 199 A Louis XV FAN ....... 212 STUART HIGH-BACK CHAIR . . . . .213 FAMILLE NOIRE VASE 230 JONKHEER VAN OLDENBARNEVELDTs HOUSE IN THE NoORD ElNDE AT THE HAGUE . . . . .231 OLD DELFT POTTERY BY ALBERT DE KEYSER . . 246 CLARET WORCESTER PLATE 247 THE MALEVOLENT GODS ..... 262 WORCESTER DISH 263 vn SECRETS OF AN ART DEALER SECRETS OF AN ART DEALER CHAPTER I REMAKING A RELIQUARY FOR 30,000 THE Combes law which, at a stroke, converted all the ecclesiastical treasures of France into State property, was one of those upheavals which, like the War, brought objects into the art markets of the world which had long been thought quite safe from any chance of dispersal. Thirty odd years ago no one dreamed that such wonderful goldsmiths work, pictures and other treasures, would ever be freed from the dead hand, and the result was startling. The Loi Combes taught me that even the Church would steal its own property rather than allow it to fall into the hands of the State despoilers. Priests, devout citizens, not quite so devout or so respectable ladies afid a host of hangers-on intrigued and conspired one against the other, linked only by the common trait of feverish greed. As I was motoring with an artist friend on the Continent I happened to be amongst the first to be caught up into this maelstrom I say motoring, for although we were aiming for the Riviera we had only got one third of the way in ten days We could have walked it faster, but those were the days when io SECRETS OF AN ART DEALER tyres were only guaranteed for about 500 miles and the motorist spent more time under his car than in it. Near Auxerre Sydney Watson, my companion, sat down on a roadside bank and hitched up hiselegant trousers. He paid no attention at all to a small crowd of loafers and children who goggled alternately at him and me. My dear Duveen, he exclaimed, the more I see of motor cars the more I congratulate myself I know nothing about them Especially in this tropical heat. Kneeling in the dust with the sweat trickling down my face, and wrestling with a burst tyre, I only just avoided losing my temper, 1 must have looked a Harry Tate figure, clad in I regret to say a suit of dark purple leather...
Based on recorded conversations Lisa Cooper’s father had with his mother, Pearl, about her early life in Ukraine, A Forgotten Land is the story of one Jewish family in the Russian Empire in the late 19th and early 20th centuries, set within the wider context of pogroms, World War I, the Russian Revolution, and civil war. The book weaves personal tragedy and the little-known history of the period together as Pearl finds her comfortable family life shattered first by the early death of her mother and later by the Bolshevik Revolution and all that follows.
Acclaimed on first publication, Harriet Vyner's Groovy Bob is the cult biography of hedonistic gallery owner Robert Fraser and a dazzling evocation of 1960s culture and counter-culture. Taste-maker, heroin addict and promiscuous homosexual, Fraser astonished London with the artists he introduced: Andy Warhol, Peter Blake, Claes Oldenburg, Keith Haring and Jean-Michel Basquiat. Told through the voices of those who knew him best--Paul McCartney, Richard Hamilton, Mick Jagger, Bridget Riley, Keith Richards, Kenneth Anger, Malcolm McLaren and Vyner herself--Groovy Bob is a brilliant biography and a searing portrait of the most exhilarating period in post-war British social history. This edition features a new afterword by the author and colour plates including works from the major exhibition A Strong Sweet Smell of Incense: A Portrait of Robert Fraser, curated by Vyner and Brian Clarke at Pace London, 2015.
Annotation 2005 Book News, Inc., Portland, OR (booknews.com).
Item consists of interviews with people who knew Andy Warhol.
Rachel went to bed curled up in her grammy’s quilt, worrying about her Geometry test and next week’s ballet lesson...and woke up in a ditch, bloodied, bruised, and missing a year of her life. She doesn’t recognize the person she’s become: She’s popular. She wears nothing but black. And she can fight. She’s not the only girl to go missing in the last year, but she is the only one to come back. She desperately wants to unravel what happened to her, to try and recover the rest of the Lost Girls. But the more she discovers, the more her memories return. And the thrill of what she remembers—of what she can’t resist—might still get her killed.
"The gentlest of renegades, the most tender of the French avant-garde poets, the co-author of the first literary work of automatic writing (The Magnetic Fields, 1919), Philippe Soupault was a central figure in both the Dada and Surrealist movements but throughout his long life walked under no banner except the one of artistic freedom. In this previously untranslated book, he gives us a collection of richly remembered portraits of some of his best-loved friends from the old days of the new modernism. A young disciple of the short-lived Apollinaire, the translator of Joyce's Anna Livia Plurabelle, the son of one of Proust's jeunes filles en fleurs, Soupault crossed paths with nearly everyone from that time whose name is still remembered today. As a glimpse into that time, these lost portraits are invaluable--and often deeply moving. The chapter about Proust alone is worth the price of admission, and then there is more, much more packed into the pages of this small, indelible book. Bravo to Alan Bernheimer for having given it to us."--Paul Auster, author of Report from the Interior "Poets must encourage each other because time is indifferent to the lives that flow through it. Time is what we are made of, but we are a rare school of fish that can see, in Rimbaud's sense, the substance that everyone disregards even as it dissolves them. We have to be young because we are the only force that can slow time down to reveal the beauty of its devastation. Reading Alan Bernheimer's splendid translation of Soupault's memoir, I forgot that it was a translation, that it was Soupault writing or talking about another time, about his friends of one century past. I read myself into these vivid and virile (so, sue me ) assaults on time, and Time stopped."--Andrei Condrescu, author of The Posthuman Dada Guide: Tzara and Lenin Play Chess "First published in 1963, this charming collection of reminiscences by surrealist poet Philippe Soupault offers warm, generous, appreciative profiles of some of his famous contemporaries. ... Sharp, stylish, and anecdotal, the book offers a fresh glimpse into a fertile artistic world."--Kirkus Reviews "In Alan] Bernheimer's graceful translations, Soupault's little reflections on many of his contemporaries give readers the poet's own insights into a host of literary giants ... For anyone interested in early 20th-century literary and artistic movements, Bernheimer's translation is a worthy event."--Publishers Weekly "Soupault's lively, up-close account underlines the astonishing vitality and versatility of the avant-garde he helped to create and shape. ... Despite his preference for poetry, Soupault writes prose with gusto and lan. He beautifully conveys the passage of time and its impact on individuals and their relationships. ... Lost Profiles captures the restlessness and aspiration of a generation of writers for whom received wisdom was cant, but who could never shake their own self-doubt and propensity for disenchantment."--Paul Maziar, Los Angeles Review of Books "Lost Profiles offers witty and unexpurgated views of a daring era in the Arts when the world became shatteringly altered. These are the memories shared some forty odd years later by one actively involved with multiple fellow players in various scenes of the time. It's a delightful, thought-provoking read that will have those who are already familiar with the material returning to favorite books, while those who are unfamiliar will be busy becoming acquainted with marvelous characters from a key period in world literary history. Even more importantly, Lost Profiles signals a necessary reminder of how much joy there is to be found in discovering terrific, epochal texts freshly translated."--Patrick Dunagan, The Northwest Review of Books " C]harming ... a brief account by a perceptive writer who was on