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Captain Gronow, joined the Grenadier guards as a young subaltern in 1812, having completed his studies at Eton and was widely know in England and the Continent thereafter as a raconteur and a fine pistol shot. His “Reminiscences” span four volumes in their original edition, an edited version was produced around the turn of the 19th century, having varied titles but following a stream of collected anecdotes set in distinct eras. These memoirs have achieved a high degree of fame and are justly accorded much historical respect, especially in those incidents where Gronow was personally present to record the words and deeds of those around him. Although admitted to the highest society, Gronow is far from being a snob and his works bear the stamp of a high degree of moral probity, they could not be described as the handiwork of a gossip. In this the second volume, there is a more diverse range in the anecdotes, rather than focussing in on a particular period of his life, Gronow’s work is roughly divided into two parts; the first is more of eye-witness account the 1815 campaign and particularly the battle of Waterloo. He is critical of what has been published by some of the French historians who wrote somewhat biased views, and indeed what was reported as Napoleon’s view of the battle. The second part focuses on the Court and the Clubs, with further tales of famous figures of the era, their vices and their stories. The great and the good of the period appear in thumb sketches and anecdotes; men such as The Duke of Wellington, Napoleon’s family including Madame Mére, Hortense, Jérome et al, Beau Brumell, The Prince Regent, General Ornano, Lord Byron, Shelley, the Duke of York, Alexandre Dumas, Balzac all feature. “Reading Gronow is like drinking champagne - effervescent and mildly addictive” Author - Captain Rees Howell Gronow - (1794–1865)
Within weeks of Thomas Hardy’s return to his native Dorchester in June 1883, he began to compile his ’Facts’ notebook, which he kept up throughout the years when he was writing some of his major work - The Mayor of Casterbridge, The Woodlanders, Tess of the d’Urbervilles and Jude the Obscure. From his intensive study of the Dorset County Chronicle for 1826-1830, he noted and summarised into 'Facts' (with the help of his first wife, Emma) hundreds of reports, many of them suggestive 'satires of circumstance', for possible use in his fiction and poems. Along with extensive reading in memoirs and local histories, this immersion in the files of the old newspaper involved him in a wider experience - the recovery and recognition of the unstable culture of the local past in the post-Napoleonic war years before his birth in 1840, and before the impact of the modernising of the Victorian era. 'Facts' is thus a unique document amongst Hardy's private writings and is here for the first time edited, the text transcribed in 'typographical facsimile' form, together with substantial annotation of the entries and critical and textual introductions.