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The practice and politics of the unfettered female voice--reclaiming your power through voice, song, and opera-inspired exercises. For centuries, opera has used women’s voices to convey male stories. Within an art form dominated by men, the female voice is a means to an end: controlled, denatured, and crafted to carry words and intentions that belie the true depth and complexity of the female experience. Here, author and opera singer Fides Krucker shows readers what it means to find--and use--our authentic voice, to sing wildly and uninhibited from the depths of our bodies and spirits. Part memoir, part radical vocal guide, and part feminist call to action, Reclaiming Calliope offers an intriguing look at the rarified world of opera, with fascinating behind-the-scenes details to which outsiders don’t typically have access. Through incisive critique, personal stories, and intriguing exposé, Krucker razes the male gaze that packaged characters like Carmen, Tosca, and La Traviota’s Violetta for viewer consumption--and radically envisions an empowered, new way of finding and fueling the authentic female voice. Through a series of breathing and vocal prompts that anyone--not just singers--can do, Krucker helps readers reconnect to their authentic primal voices: she takes the reader inside her vocal studio to learn new methods of breath, voicework, and embodiment to uncover and access personal and social truths. Each chapter includes a theme-related exercise--an act of expression, release, self-discovery, or resistance--that guides readers to develop voices unbound from anyone else’s storytelling, boldly and without apology.
This book examines the history of American exhibitions of Russian art in the twentieth century in the context of the Cold War. Because this history reflects changes in museological theory and the role of governments in facilitating or preventing intercultural cooperation, it uncovers a story that is far more complex than a chronological listing of exhibition names and art works. Roann Barris considers questions of stylistic appropriations and influences and the role of museum exhibitions in promoting international and artistic exchanges. Barris reveals that Soviet and American exchanges in the world of art were extensive and persistent despite political disagreements before, during, and after the Cold War. It also reveals that these early exhibitions communicated contradictory and historically invalid pictures of the Russian or Soviet avant-garde. The book will be of interest to scholars working in art history, museum studies, and Russian studies.
For more than 20 years, Toronto photo-based artist Sara Angelucci has transformed found photographs and created images exposing the cultural and historical conditions outside the image frame. Her work brings attention to the social forces that generate the language of photography. Her series Aviary — which morphs extinct and endangered birds with 19th-century cartes-de-visite portraits — reveals the colonizing role the camera played in capturing animals for consumption. In her current work, Nocturnal Botanical Ontario, images of entwined native and invasive plants — made with a digital scanner — pay homage to photography as a tool of scientific inquiry. These complex botanical compositions uncover the impacts of settler colonialism and global trade on our ecology. Through acts of empathy, embodiment, and envisioning, the images and essays in Undergrowth seek to reconcile our fraught relationship with the natural world, addressing one of the most critical issues of our time. Undergrowth is a copublication with Art Gallery Sudbury | Galerie d’art de Sudbury.
Reclaiming Greek Drama for Diverse Audiences features the work of Native-American, African-American, Asian-American, Latinx, and LGBTQ theatre artists who engage with social justice issues in seven adaptations of Sophocles’ Antigone, Euripides’ Trojan Women, Hippolytus, Bacchae, Alcestis, and Aristophanes’ Frogs, as well as a work inspired by the myth of the Fates. Performed between 1989 and 2017 in small theatres across the US, these contemporary works raise awareness about the trafficking of Native-American women, marriage equality, gender justice, women’s empowerment, the social stigma surrounding HIV, immigration policy, and the plight of undocumented workers. The accompanying interviews provide a fascinating insight into the plays, the artists’ inspiration for them, and the importance of studying classics in the college classroom. Readers will benefit from an introduction that discusses practical ways to teach the adaptations, ideas for assignments, and the contextualization of the works within the history of classical reception. Serving as a key resource on incorporating diversity into the teaching of canonical texts for Classics, English, Drama and Theatre Studies students, this anthology is the first to present the work of a range of contemporary theatre artists who utilize ancient Greek source material to explore social, political, and economic issues affecting a variety of underrepresented communities in the US.
Kerry Vance is a legend, a leather-lunged, Grammy-nominated, heavy metal madman. When he dies under mysterious circumstances at the start of his latest European tour, his fans are crushed. To the outside world it looks like just another rock-n-roll tragedy, another talented musician done in by excess. But there is much more at play than his family and friends realize. As they try to come to terms with their loss, a mysterious woman from Kerry’s past comes to them and tells them that his death was no accident. And if things are to be set right, they’ll have to be willing to put everything on the line.
Examines the role of the sacred in art and makes a compelling case for its continued contemporary relevance.
Enjoy this urban fantasy series by USA Today bestselling romance author Nicole Zoltack… Police detective Clarissa Tempest has her hands full trying to keep Bethlehem safe. Demons, leprechauns, angels... She's gonna need help if she's to survive, in the form of the enigmatic Blake Damon, vampire hunter, but he has his own tribulations to face. Will either of them survive? Or will Bethlehem go down in flames? KEYWORDS: mayhem of magic, urban fantasy, urban fantasy romance, romantic fantasy, slow burn romance, supernatural powers, magic, come into powers, dark fantasy romance, clean fantasy, young adult paranormal romance, young adult academy, paranormal romance, dark paranormal romance, war, Free Royal, Raven Kennedy, Kelly St. Clare, Caroline Peckham, Susanne Valenti, C.N Crawford, Elise Kova, Robin D. Mahle, Elle Madison, D.K. Holmberg, Cordelia Castel, Kay L Moody, Alisha Klaphe
Enjoy this urban fantasy series by USA Today bestselling author Nicole Zoltack where cops fight supernatural creatures including vampires, werewolves, demons, and more! The aftermath of Clarissa's father coming is peace. Unsurprisingly, that peace can't last long. A werewolf is hunting and eating people. Someone is kidnapping people and leaving behind fake gold coins. In the middle is Clarissa's best friend Samantha, who is not acting like herself at all. With St. Paddy's day coming up, Clarissa actually does think a leprechaun is responsible. Can she save her best friend, or will the leprechaun have all the luck in the world? WHEN LEPRECHAUNS LEAP is a part of Mayhem of Magic. KEYWORDS: mayhem of magic, witches, urban fantasy, supernatural suspense, fairytale fantasy, fantasy romance, romantic fantasy, slow burn romance, supernatural powers, magic, come into powers, dark fantasy romance, clean fantasy, vampire, werewolf, academy, young adult paranormal romance, young adult academy, paranormal romance, dark paranormal romance, war, Free Royal, Raven Kennedy, Kelly St. Clare, Caroline Peckham, Susanne Valenti, C.N Crawford, Elise Kova, Robin D. Mahle, Elle Madison, D.K. Holmberg, Cordelia Castel, Kay L Moody, Alisha Klaphe
The Fragmented Female Body and Identity explores the symbol of the wounded and scarred female body in selected postmodern, multiethnic American women's novels, namely Toni Morrison's Beloved, Theresa Hak Kyung Cha's Dictée, Phyllis Alesia Perry's Stigmata, Gayl Jones's Corregidora, Emma Pérez's Gulf Dreams, Paula Gunn Allen's The Woman Who Owned the Shadows, and Kathy Acker's Blood and Guts in High School and Empire of the Senseless. In each of these novels, disjointed, postmodern writing reflects the novel's focus on fragmented female bodies. The wounded and scarred body emerges from various, often intersecting, forms of oppression, including patriarchy, racism, and heteronormativity. This book emphasizes the different and nuanced forms of oppression each woman faces. However, while the fragmented body symbolizes oppression and pain, it also catalyzes resistance through recognition. When female characters recognize some element of a shared oppression, they form bonds with one another. These feminist unities, as a response to multiple forms of oppression, become viable means for resistance and healing.