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In a riveting, groundbreaking narrative, Russell Shorto tells the story of New Netherland, the Dutch colony which pre-dated the Pilgrims and established ideals of tolerance and individual rights that shaped American history. "Astonishing . . . A book that will permanently alter the way we regard our collective past." --The New York Times When the British wrested New Amsterdam from the Dutch in 1664, the truth about its thriving, polyglot society began to disappear into myths about an island purchased for 24 dollars and a cartoonish peg-legged governor. But the story of the Dutch colony of New Netherland was merely lost, not destroyed: 12,000 pages of its records–recently declared a national treasure–are now being translated. Russell Shorto draws on this remarkable archive in The Island at the Center of the World, which has been hailed by The New York Times as “a book that will permanently alter the way we regard our collective past.” The Dutch colony pre-dated the “original” thirteen colonies, yet it seems strikingly familiar. Its capital was cosmopolitan and multi-ethnic, and its citizens valued free trade, individual rights, and religious freedom. Their champion was a progressive, young lawyer named Adriaen van der Donck, who emerges in these pages as a forgotten American patriot and whose political vision brought him into conflict with Peter Stuyvesant, the autocratic director of the Dutch colony. The struggle between these two strong-willed men laid the foundation for New York City and helped shape American culture. The Island at the Center of the World uncovers a lost world and offers a surprising new perspective on our own.
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In this fast-paced, exhilarating sequel to the acclaimed The Islands at the End of the World, Leilani and her family on the Big Island of Hawai’i face the challenge of survival in the world of the Emerald Orchid, a green presence that appeared in the sky after a global blackout. As the Hawaiian Islands go back to traditional ways of living, people must grow their own food and ration everything from gas to bullets. Medicine is scarce; a simple infection can mean death. Old tensions and new enemies emerge. And one girl, Leilani, is poised to save her world.
Presents asymmetry theory, a different paradigm for the study of international relations, derived from China's relationships with its neighbors and the world. This title brings together key writings on the theory and its applications to China's basic foreign policy, particularly towards the United States and the rest of Asia.
Inspired by its use in literary theory, film criticism and the discourse of game design, Salomé Voegelin adapts and develops “possible world theory” in relation to sound. David K Lewis' Possible World is juxtaposed with Maurice Merleau-Ponty's life-world, to produce a meeting of the semantic and the phenomenological at the place of listening. The central tenet of Sonic Possible Worlds is that at present traditional musical compositions and contemporary sonic outputs are approached and investigated through separate and distinct critical languages and histories. As a consequence, no continuous and comparative study of the field is possible. In Sonic Possible Worlds, Voegelin proposes a new analytical framework that can access and investigate works across genres and times, enabling a comparative engagement where composers such as Henry Purcell and Nadia Boulanger encounter sound art works by Shilpa Gupta and Christina Kubisch and where the soundscape compositions of Chris Watson and Francisco López resound in the visual worlds of Louise Bourgeois.

World Farm Center

United States. Congress. Senate. Committee on Agriculture and Forestry. Subcommittee on Agricultural Research and General Legislation

Published: 1967

Total Pages: 28


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• Reframes Jane Roberts’s Seth teachings, recentering them in the awareness that all consciousness expands in all directions • Examines how we create our reality through our conscious beliefs but how no one controls spontaneous reality so you cannot simply will your desires into being • Synthesizes Sethian teachings with an eclectic variety of concepts, schools, and influences, from aura reading and interpersonal engagement to Buddhism and Theosophy to nondual awareness, multipersonhood, and communication theory The Seth books, channeled by the late Jane Roberts in the 1970s, galvanized a whole generation of spiritual explorers. The entity known as Seth turned familiar mystical concepts into a radically new framework and introduced a unique understanding of how we create our own reality with our conscious beliefs. After nearly five decades exploring Seth’s ideas, John Friedlander has reframed the groundbreaking Seth teachings, recentering them in the awareness that all consciousness expands in all directions. He synthesizes Sethian teachings with an eclectic variety of concepts and influences, from aura reading, healing, and interpersonal engagement to Buddhism and reincarnation to conscious dying and nondual awareness. He reveals how you do create your own reality, but that no one controls reality, which is spontaneous and surprisingly creative.
Arguing that ethnicity and multiculturalism are essential for understanding globalization, this book offers sustained treatments of their reach beyond a limited national context. It proposes ethnicities and global multiculture as alternative, wide-angle perspectives on cultural diversity.
How are a reader's perceptions of a plot impacted by its presentation through textual clues rather than explicit narration, and why would an author choose this comparatively indirect mode of narration? Conspicuous Silences answers these questions by examining Victorian novels in which pivotal events are left inexplicit for hundreds of pages at a time, but are nonetheless evident to the reader. The clarity with which readers understand these inexplicit plot lines is evidenced by their ability to follow the progression of narratives that rely heavily on the inexplicit content being detected; without this reader comprehension, these narratives would be deemed incoherent. In linguistics, communications that depend on a hearer's or reader's inference, rather on their 'decoding' the explicit content of an utterance, are termed 'implicatures'. Conspicuous Silences explores the impact that central, sustained implicatures have on a reader's experience of a novel. It also discusses how authors may generate those implicatures by exploiting the reader's assumption of narratorial omniscience, and the correlated reader assumption of a narrative's fictionality. Reliance on such sustained, fictionality-related implicatures is fairly ubiquitous: Conspicuous Silences concentrates on texts by Elizabeth Gaskell, George Eliot, Charles Dickens, Frances Trollope, Anthony Trollope, Wilkie Collins, and M. E. Braddon. It examines the use of implicature in communicating impolite topics, communicating character psychology, and in fashioning a playful narrative tone. This work contributes to Victorian literary scholarship, narratological discussions about narratorial omniscience and fictionality, and pragmatic stylistic debates about fictionality and the use of implicature.