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Theodore Parker was one of the most controversial theologians and social activists in pre-Civil War America. This book argues that Parker's radical vision and contemporary appeal stemmed from his abiding faith in the human conscience and in the principles of the American revolutionary tradition.
Lincoln’s incredible ascent to power in a world of chaos is newly revealed in this “compelling, original, and elegantly written” (Michael Beschloss, New York Times bestselling author) third volume of the “magisterial” (The New York Times Book Review) Political Life of Abraham Lincoln series, following A Self-Made Man and Wrestling with His Angel. After a period of depression that he would ever find his way to greatness, Lincoln takes on the most powerful demagogue in the country, Stephen Douglas, in the debates for a senate seat. He sidelines the frontrunner William Seward, a former governor and senator for New York, to cinch the new Republican Party’s nomination. All the Powers of Earth is the political story of all time. Lincoln achieves the presidency by force of strategy, of political savvy and determination. This is Abraham Lincoln, who indisputably becomes the greatest president and moral leader in the nation’s history. But he must first build a new political party, brilliantly state the anti-slavery case and overcome shattering defeat to win the presidency. In the years of civil war to follow, he will show mightily that the nation was right to bet on him. He was its preserver, a politician of moral integrity. All the Powers of Earth is “as essential as any political biography is likely to be” and Sidney Bluementhal is “the definitive chronicler of Lincoln’s political career” (Kirkus Reviews, starred review).
A new wave of research in black classicism has emerged in the 21st century that explores the role played by the classics in the larger cultural traditions of black America, Africa and the Caribbean. Addressing a gap in this scholarship, Margaret Malamud investigates why and how advocates for abolition and black civil rights (both black and white) deployed their knowledge of classical literature and history in their struggle for black liberty and equality in the United States. African Americans boldly staked their own claims to the classical world: they deployed texts, ideas and images of ancient Greece, Rome and Egypt in order to establish their authority in debates about slavery, race, politics and education. A central argument of this book is that knowledge and deployment of Classics was a powerful weapon and tool for resistance-as improbable as that might seem now-when wielded by black and white activists committed to the abolition of slavery and the end of the social and economic oppression of free blacks. The book significantly expands our understanding of both black history and classical reception in the United States.
This exciting interdisciplinary volume, featuring contributions from a group of leading international scholars, reflects on the long history of representations of transatlantic slaves and slavery, encompassing a broad chronological range, from the eighteenth century to the present day.
The sentimental antislavery novel Ida May appeared so like its predecessor in the genre, Uncle Tom’s Cabin, that for the month of November 1854, reviewers looked for Harriet Beecher Stowe’s hand in the narrative. Ida May explores the “possibility” of white slavery from the safety of an exciting, romantic narrative: Ida is kidnapped on her fifth birthday from her white middle-class family in Pennsylvania, stained brown, and sold into slavery in the South. Traumatic amnesia brought about by a severe beating keeps her from knowing who she really is, until after five years in slavery her identity is recovered in a dramatic flash of recognition. To the abolitionists of the period, fictional narratives of white enslaved children offered a crucial possibility: to unsettle the legitimacy of a race-based system of enslavement. The historical appendices to this Broadview Edition provide context for the novel’s reception, Pike’s racial politics, and the “problem” of white slavery in nineteenth-century abolitionist writing.
Shatters the conventional belief that American foreign policy was borne out of a reaction to Pearl Harbor, revealing instead a rich history of debates over the direction of American international relations, many of which persist to this day.