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"The first family-authorized photographic study of Natalie Wood, and the first book to examine her glamorous film career as well as her private, off-screen life as a wife and mother"--Front jacket flap.
The wildest seven years in the history of hockey The Rebel League celebrates the good, the bad, and the ugly of the fabled WHA. It is filled with hilarious anecdotes, behind the scenes dealing, and simply great hockey. It tells the story of Bobby Hull’ s astonishing million-dollar signing, which helped launch the league, and how he lost his toupee in an on-ice scrap. It explains how a team of naked Birmingham Bulls ended up in an arena concourse spoiling for a brawl. How the Oilers had to smuggle fugitive forward Frankie “Seldom” Beaton out of their dressing room in an equipment bag. And how Mark Howe sometimes forgot not to yell “Dad!” when he called for his teammate father, Gordie, to pass. There’s the making of Slap Shot, that classic of modern cinema, and the making of the virtuoso line of Hull, Anders Hedberg, and Ulf Nilsson. It began as the moneymaking scheme of two California lawyers. They didn’ t know much about hockey, but they sure knew how to shake things up. The upstart WHA introduced to the world 27 new hockey franchises, a trail of bounced cheques, fractious lawsuits, and folded teams. It introduced the crackpots, goons, and crazies that are so well remembered as the league’s bizarre legacy. But the hit-and-miss league was much more than a travelling circus of the weird and wonderful. It was the vanguard that drove hockey into the modern age. It ended the NHL’s monopoly, freed players from the reserve clause, ushered in the 18-year-old draft, moved the game into the Sun Belt, and put European players on the ice in numbers previously unimagined. The rebel league of the WHA gave shining stars their big-league debut and others their swan song, and provided high-octane fuel for some spectacular flameouts. By the end of its seven years, there were just six teams left standing, four of which—the Winnipeg Jets, Quebec Nordiques, Edmonton Oilers, and Hartford Whalers—would wind up in the expanded NHL.
This book features the behind-the-scenes stories of eighty important moments in film history, both on and off the screen. From Robert DeNiro's iconic "You talkin' to me?" scene in Taxi Driver to the strange case of Brandon Lee's death while filming The Crow, this book details the unique circumstances of artistic creation: how the shot was made or the bizarre and often dangerous lengths a director or actor will go to for the perfect take.
Camille Claudel, sister of writer Paul Claudel, was a gifted nineteenth-century French sculptor who worked with Auguste Rodin, became his lover, and then left him to gain recognition for herself in the art world. With a strong sense of independence and a firm belief in her own considerable talent, Claudel created some extraordinary works of art and challenged the social and artistic limitations imposed upon the women of her time. Eventually, however, she crumbled beneath the combined weight of social reproof, deprivation, and art-world prejudices. Her family, distraught by her unconventional behavior as well as her delusions and paranoia, had her committed to a mental asylum, where she died thirty years later. Camille Claudel’s life has been romanticized in print and on film, but this is the first fully researched biography to present a rounded picture of the life and work of this remarkable woman. The book, also available in French, has been widely praised for its gripping presentation of the life of a woman artist in the nineteenth century, and for its successful attempt to free Claudel from the myths that had been woven around her. “The complete story of Claudel’s tragic life has never been thoroughly researched and recounted until now, and Ayral-Clause’s polished, to-the-point coverage is galvanizing… Fair and precise, Ayral-Clause’s clarion biography arouses the only reasonable response to Claudel’s saga: outrage.” — Booklist “Ayral-Clause commands much new data and an admirable objectivity. Highly recommended.” — Library Journal “… scholars will find this book, with its mastery of the sources in their original language, a welcome substitute for outdated previous studies…” — Publisher’s Weekly “By excavating Claudel from the edifice of victimization, Ayral-Clause frees us to focus on her work and the factors, both Rodin-and non-Rodin-related, that nurtured and hindered her career.” — Los Angeles Times “This is a fascinating biography… Using newly discovered private letters, family photographs and medical documents recently released to the public, the author provides the first serious, authoritative portrait of this brilliantly gifted, misunderstood artist.” — Umbrella “Ayral-Clause… resists dogmatic interpretation, choosing instead to view her protagonists as fully and as sympathetically as the evidence allows… Her straightforward narrative style offers a clear and vivid context for Claudel’s life and work.” — Art and Auction “Camille Claudel: A Life is riveting: measured, even-handed and revelatory. The author shows how we have absorbed the legend (Rodin exploited and deserted her), ignorant of the facts… Odile Ayral-Clause brilliantly illuminates Claudel’s vivacity and recounts her downfall.” — Art Quarterly (England) “The author has redefined the relationship between Camille Claudel, her environment and the art world, and brings to light the originality of the work of Camille Claudel in relation to Rodin’s” — L’Oeil (France)
"Toussaint's Clause: The Founding Fathers and the Haitian Revolution narrates the intricate history of one of America's early foreign policy balancing acts. Supporters of Toussaint's rebellion at first engineered a bold policy of intervention in favor of the rebels. But Southern slaveholders eyed the revolution with fear and eventually obtained a reversal of the policy - even while taking advantage of the rebellion to make the fateful Louisiana Purchase."--Jacket.
The former Supreme Court justice shares stories about the history and evolution of the Supreme Court that traces the roles of key contributors while sharing the events behind important transformations.
The Rebel is a guide that contains the lectures that were delivered by Osho between 01/06/87 to 25/02/87. In the Rebel, readers will come across questions from various seekers and answers from Osho. He speaks about overthrowing the past to forge a new future. The first lecture, delivered on 1 June, 1987 in the Chuang Tzu Auditorium, is titled the Rebel: The Very Essence of Religion. One of the questions in here is about the difference between a rebel and a revolutionary. In the second chapter, readers will be able to understand the relationship between enlightenment and language. The fourth chapter, the Rebel Is Utterly Innocent, lists the qualities of a rebel in Herald A New Dawn, Osho explains that a rebel does not belong to any existent category and instead is a new category by himself. to understand what justice means to a rebellious man, readers should focus on the ninth chapter. In the thirteenth chapter of the Rebel, a disciple asks Osho why he refers to the word 'rebel' in a positive sense, when it usually implies something negative. Readers who are wondering if rebels are born or made, will find their answers within the same chapter. The Rebel contains many more such questions and even more interesting answers. Those who are looking for answers to life's many questions can find this book to be informative, interesting and enlightening. The Rebel, published by HPB/FC in 2007, is available as a paperback.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Christmas elf Tinklebelle Holly is a screwup. Demoted to a job in the reindeer division after one infraction too many, she hates her job, hates her life, and despises the North Pole. But when a surprise visitor arrives from Elven High Council, and Tink is assigned to show him around, everything changes. Jax Grayson is a dark elf, and unlike anyone she’s ever met. Looking past his obvious hotness, Tink knows he has a secret, and the audit he’s supposedly performing doesn’t feel legit. After an unexpected tragedy occurs, Tink’s life is thrown into even greater turmoil, and it seems like Jax might be the only one Tink can truly trust. Can she help him figure out what’s happening on the North Pole, or will Jax be her worst mistake of all?
The English language is changing constantly. We invent new words and phrases, we mash up idioms, we mispronounce, misuse, misappropriate. Sue Butler has heard it all and is ready to defend and disagree with common usage. Veering from tolerance to outrage, she examines how the word sheila took a nose-dive after World War II, considers whether we should hunker or bunker down, and bemoans the emptiness of rhetoric. She shouts 'down with closure' as it leaps from the psychoanalyst's couch, explains why we've lost the plot on deceptively, untangles the manuka honey stoush, fathoms why the treatment of famous is infamous, and ponders whether you would, could or should ... Rebel without a Clause is a fascinatingly idiosyncratic romp through the world of words by lexicographer and former Macquarie Dictionary Editor, Sue Butler.