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Rebel Private Front and Rear is a line soldier’s account of the Civil War without heroics. Private Fletcher tells how at Gettysburg he was overcome by a “bad case of cowardly horror” when an order came on the third day to get ready to charge. “I tried to force manhood to the front, but fright would drive it back with a shudder,” he confessed. The attack of jitters lasted about fifteen minutes, and then he fell asleep while awaiting the order to advance. But Fletcher could be brave to a fault. He was restless and venturesome and during the lulls between fighting would sometimes ask for permission to go on dangerous scouts into enemy territory. Once, just before Fredericksburg, he slipped out to a haystack in the no-man’s-land near the Rappahannock so that he could watch the Yankees build a bridge. And in his last fight at Bentonville he risked his life on a rash and futile impulse to capture a whole squad of Federals. At Second Manassas, Fletcher was struck by a bullet that grazed his bowels and lodged in his hip. His detailed description of his subsequent sensations and experiences is one of the most interesting portions of his narrative. He begged the surgeons to operate, but when they started cutting he howled so profanely that they threatened to abandon him. His reply was: “It don’t hurt as badly when I am cursing.” Wounded again at Chickamauga, Fletcher was incapacitated for further infantry service and was transferred to Company E, Eighth Texas Cavalry, and served with Terry’s Rangers until the end of the war. In north Georgia he participated in a number of thrilling skirmishes with mounted forces of Sherman’s command, and in one of these encounters he lost his horse. A short time later, in a daring effort to capture a mount from the Yankees, he was taken prisoner. The story of the forming and execution of his plan to escape by jumping from a moving boxcar is full of suspense and excitement. Rebel Private also reveals Fletcher as something of a philosopher. The narrative is sprinkled with dissertations on unexpected subjects, such as God, justice, and war. He reflects on the rightness and the necessity of “foraging,” in home as well as enemy territory, but he tells with evident relish how he and his “pard” of the occasion “pressed” whiskey, honey, and chickens. Fletcher set down his experiences some forty years after the close of the Civil War. His story is told with the artlessness of the natural raconteur. Though the style is unpolished, the memoir makes lively reading because of the author’s eye for detail, his straightforward language, and his sense of humor. One of the most frequently cited narratives written by soldiers of Lee’s army, it derives its value as a historical source mainly from Fletcher’s honesty, his close observations, the richness and variety of his experiences, and the sharpness of his memory.
Born the eighth child in a wealthy Mississippi plantation family in 1843, David Eldred Holt joined Company K of the 16th Mississippi Regiment in 1861 and served in the Eastern theater throughout the Civil War. Late in his life, at a time when many former soldiers, both Union and Confederate, were reliving their memories of that event, Holt penned this memoir, recounting the idyllic life of an affluent southern boy before the war and the exhilarating, sometimes humorous, often terrifying experiences of a common soldier in camp and in battle. This new edition has been expanded to include Holt's never-before-published diary entries from the last year of the war.
Five decades after the production and initial release of Rebel Without a Cause, this book examines both the complicated historical moment in which the film was made as well as its continuing and pervasive influence on film today. The contributors track how the film continues to speak to diverse audiences as a touchstone for imagined anxieties over adolescence and coming-of-age, traditional values of family and community, threats from abroad, and the provocations of mass or consumer society. Although the specific sources and motivations for rebellion have shifted, what has persisted is the film's singular power to represent rebellion in what could otherwise be seen as the everyday, and to move viewers to ponder its causes.
Richard Wesley Cole was a seventh-generation American whose family got caught up in America's Civil War. He enlisted as a foot soldier with the 3rd Mississippi State Infantry in October 1863 and, less than a year later, became a horseman with George's Regiment, Mississippi Cavalry, which later became the 5th Mississippi Cavalry in General Nathan Bedford Forrest's Cavalry Department. Richard proudly rode with Forrest until Richard was killed on 12 April 1864, at the Battle of Fort Pillow in Lauderdale County, Tennessee. Richard's story is a history of his family, a partial history of the 5th Mississippi Cavalry, the 22nd Mississippi Infantry, and the 30th Mississippi Infantry, and is a history of the war itself seen through the eyes of Richard and his family. When news reached Black Hawk, Mississippi, that Confederate troops in South Carolina had fired on Fort Sumter, the men and boys of the village were excited about the possibility of war with the North and bragged that if war came, it wouldn't be long before the Yankees were defeated and sent scurrying back home. The men and boys misunderstood what war would be like, but Richard's wife, Eliza, didn't and her worst fears would be realized as the war decimated her family. Eight days after the surrender of Fort Sumter, a volunteer state militia company was formed in Black Hawk. Richard's oldest son, a son-in-law, and two future sons-in-law enlisted with the company. Richard's second son ran away from home in February 1862 and joined the Confederate Army. Eight months later, Richard left home for the war. Richard and his family lived through the most tumultuous period in our Nation's history. They experienced firsthand the hardships and horrors of a nation at war with itself and it affected them for the rest of their lives.
"Names of soldiers who died in defense of the American union, interred in the national and public cemeteries" (varies).
Harper Price, peerless Southern belle, was born ready for a Homecoming tiara. But after a strange run-in at the dance imbues her with incredible abilities, Harper's destiny takes a turn for the seriously weird. She becomes a Paladin, one of an ancient line of guardians with agility, super strength and lethal fighting instincts. Just when life can't get any more disastrously crazy, Harper finds out who she's charged to protect: David Stark, school reporter, subject of a mysterious prophecy and possibly Harper's least favorite person. But things get complicated when Harper starts falling for him--and discovers that David's own fate could very well be to destroy Earth. With snappy banter, cotillion dresses, non-stop action and a touch of magic, this new young adult series from bestseller Rachel Hawkins is going to make y'all beg for more. “As surprising as it is delicious.”—BCCB, starred review “Fun with a twist of supernatural and Southern charm.” —VOYA “The romance, coming-of-age aspects, and a well-drawn heroine with a crackling wit will lure in readers.” —Booklist
Finalist for the National Book Critics Circle Award, the epic New York Times bestselling account of how Civil War general Thomas “Stonewall” Jackson became a great and tragic national hero. Stonewall Jackson has long been a figure of legend and romance. As much as any person in the Confederate pantheon—even Robert E. Lee—he embodies the romantic Southern notion of the virtuous lost cause. Jackson is also considered, without argument, one of our country’s greatest military figures. In April 1862, however, he was merely another Confederate general in an army fighting what seemed to be a losing cause. But by June he had engineered perhaps the greatest military campaign in American history and was one of the most famous men in the Western world. Jackson’s strategic innovations shattered the conventional wisdom of how war was waged; he was so far ahead of his time that his techniques would be studied generations into the future. In his “magnificent Rebel Yell…S.C. Gwynne brings Jackson ferociously to life” (New York Newsday) in a swiftly vivid narrative that is rich with battle lore, biographical detail, and intense conflict among historical figures. Gwynne delves deep into Jackson’s private life and traces Jackson’s brilliant twenty-four-month career in the Civil War, the period that encompasses his rise from obscurity to fame and legend; his stunning effect on the course of the war itself; and his tragic death, which caused both North and South to grieve the loss of a remarkable American hero.
"Published in conjunction with the exhibition 'Katharine Hepburn: Dressed for Stage and Screen, ' held at Kent State University Museum, OH (October 2, 2010-September 4, 2011) and the Lincoln Center Library for the Performing Arts, NY (October 18, 2012-January 20, 2013)."