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The face of scrapbooking is about to get a youthful, cutting-edge makeover! Despite the craft’s popularity, all the books flooding the market focus on the same images of weddings, baby showers, and Little League. So where’s a scrapbooking rebel to go? To Scrap City of course. With its edgy and artistic points of reference, it fills the gap to reach those urban hipsters, downtown secretaries, big city divas, and small-town nonconformists. Along with a basics section and scrapping tips, is the pièce de résistance: a gallery of real-life scrapbook pages from people of all stripes, from the single mom to the skate kid. These contributors celebrate their panty collection; reveal why single is fun; list their tattoos; and, yes—even redefine the baby shower. Paul Gambino has taught screenwriting at the School of Visual Arts, was a production consultant and writer for NBC, and was Creative Director for the magazines Gener8 and Ultra. He has spent endless nights in NYC’s hottest clubs; years as a punk on London’s King’s Road; and college days with Keith Haring and Jean Michael Basquiat. Now a father, he has a special appreciation for time’s fleeting nature and how important it is to preserve memories for yourself and others.
Haunted by history. Bound by mystery. Lori Chase doesn't know what to think about ghosts. She may have seen a few in the past, but those were just childish imaginings . . . right? Only now that she is living in Gettysburg, Pennsylvania, spirits seem to be on everyone's mind. The town is obsessed with its bloody Civil War history, and the old inn that Lori's parent run is supposedly haunted by the souls of dead soldiers. Then Lori meets one such soldier -- the devastatingly handsome Nathaniel Pierce. Nathaniel's soul cannot rest, and he desperately needs Lori's help. Because Nathaniel was not killed in the famous battle. He was murdered. Lori begins to investigate the age-old mystery, stumbling upon shocking clues and secrets. At the same time, she can't help falling for Nathaniel, just as he is falling for her . . . .
An engaging and impassioned look at Turkey's identity crisis 'A brilliant literary thriller, an incursion into forbidden territory that is all the more gripping for being true' The Times 'Sifting through propaganda, partisan accounts and evasive oral histories, de Bellaigue delivers a comprehensive primer in Turkish political history' Guardian _______________________________ What is the meaning of love and death in a remote, forgotten, impossibly conflicted part of the world? In Rebel Land the acclaimed author and journalist Christopher de Bellaigue journeys to Turkey's inhospitable eastern provinces to find out. Immersing himself in the achingly beautiful district of Varto, a place left behind in Turkey's march to modernity, medieval in its attachment to race and religious sect, he explores the violent history of conflict between Turks, Kurds and Armenians, and the maelstrom, of emotion and memories, that defines its inhabitants even today. The result is a compellingly personal account of one man's search into the past, as de Bellaigue, mistrusted by all he meets, and particularly by the secret agents of the State, applies his investigative flair and fluent Turkish to unlock jealously-guarded taboos and hold humanity's excesses up to the light of a very modern sensibility.
When Martin Luther published his 95 Theses in October 1517, he had no intention of starting a revolution. But very quickly his criticism of indulgences became a rejection of the papacy and the Catholic Church emphasizing the Bible as the sole authority for Christian faith, radicalizing a continent, fracturing the Holy Roman Empire, and dividing Western civilization in ways Luther—a deeply devout professor and spiritually-anxious Augustinian friar—could have never foreseen, nor would he have ever endorsed. From Germany to England, Luther’s ideas inspired spontaneous but sustained uprisings and insurrections against civic and religious leaders alike, pitted Catholics against Protestants, and because the Reformation movement extended far beyond the man who inspired it, Protestants against Protestants. The ensuing disruptions prompted responses that gave shape to the modern world, and the unintended and unanticipated consequences of the Reformation continue to influence the very communities, religions, and beliefs that surround us today. How Luther inadvertently fractured the Catholic Church and reconfigured Western civilization is at the heart of renowned historian Brad Gregory’s Rebel in the Ranks. While recasting the portrait of Luther as a deliberate revolutionary, Gregory describes the cultural, political, and intellectual trends that informed him and helped give rise to the Reformation, which led to conflicting interpretations of the Bible, as well as the rise of competing churches, political conflicts, and social upheavals across Europe. Over the next five hundred years, as Gregory’s account shows, these conflicts eventually contributed to further epochal changes—from the Enlightenment and self-determination to moral relativism, modern capitalism, and consumerism, and in a cruel twist to Luther’s legacy, the freedom of every man and woman to practice no religion at all. With the scholarship of a world-class historian and the keen eye of a biographer, Gregory offers readers an in-depth portrait of Martin Luther, a reluctant rebel in the ranks, and a detailed examination of the Reformation to explain how the events that transpired five centuries ago still resonate—and influence us—today.
In literature and popular culture, small town America is often idealized as distilling the national spirit. Does the myth of the small town conceal deep-seated reactionary tendencies or does it contain the basis of a national re-imagining? During the period between 1940 and 1960, America underwent a great shift in self-mythologizing that can be charted through representations of small towns. Authors like Henry Bellamann and Grace Metalious continued the tradition of Sherwood Anderson in showing the small town--by extension, America itself--profoundly warping the souls of its citizens. Meanwhile, Ray Bradbury, Toshio Mori and Ross Lockridge, Jr., sought to identify the small town's potential for growth, away from the shadows cast by World War II toward a more inclusive, democratic future. Examined together, these works are key to understanding how mid-20th century America refashioned itself in light of a new postwar order, and how the literary small town both obscures and reveals contradictions at the heart of the American experience.
To make a small town believe a fake marriage, it has to look like the real thing. Natalie Haven couldn’t get away from the suffocation of her hometown fast enough. Fluttering around the globe as a freelance photographer is far more to her liking. Even better that her unconventional job pisses off her daddy. But when her best friend sends out an SOS, all her running comes to an end and she returns to the small southern town. Asher McCoy can win over a crowd with a husky note and a strum of his guitar. Wooing a judge and proving he’s responsible enough to take custody of his niece and nephew won’t be so easy. But marriage makes any man look more respectable, and his best friend will be the perfect bride. Except for the tiny detail that their fake marriage has to look real, which means living in the same house and sleeping in only one bed—not to mention inciting an undeniable attraction between them. But convincing Nat to put down roots in her hometown—and with him—will prove even more impossible than winning over the toughest judge. For fans of Lauren Blakely, Kate Canterbary, and Tessa Bailey comes a marriage of convenience, friends to lovers, sudden single parent spicy small town romance. Small Town Pretender is book five in the Havenbrook series, but it can be read and enjoyed without reading any other Havenbrook books. Each full length book in this series can be read on its own.
In This Is a Picture and Not the World, Joseph Natoli employs the lingua franca of film itself—screenplay dialogue—as well as the more recent form of the political blog to present a hyperreal account of popular film as both a creator and a reflector of our post-9/11 mass psyche. Drawing on both classic and contemporary film examples, the book also offers a quasihistory of film genres, including science fiction, the western, film noir, and screwball comedy, emphasizing how these genres have been shaken up, recontextualized, recombined, turned self-reflexive, and parodied over the past couple of decades. Taken together, these satirical parodies of screenplays and blogs reveal and perform how our very gaze has shifted from modern to postmodern, from a direct view of the world to a filtered one.
This book continues the narrative begun by the author in Wars of Latin America, 1899-1941. It provides a clear and readable description of military combat occurring in Latin America from 1948 to the start of 1982. (In an unusual peaceful lull, Latin America experienced no wars from 1942 to 1947.) Although the text concentrates on combat narrative, matters of politics, business, and international relations appear as necessary to explain the wars. The author draws on many previously unknown sources to provide information never before published. The book traces the many insurgencies in Latin America as well as conventional wars. Among the highlights are the chapters on the Cuban and Nicaraguan insurrections and on the Bay of Pigs invasion. One goal of the text is to explain why, of the many insurgencies appearing in Latin America, only those in Cuba and Nicaragua were successful in overthrowing governments. The book also helps explain why even unsuccessful insurgencies have survived for decades, as has happened in Colombia and Peru. Instructors considering this book for use in a course may request an examination copy here.