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Miles Lechler is nothing special. Like a million other highschoolers, he spends his days blissfully unaware of the comings and goings of life, absorbed in his own world of school, football and crushes. That is, until one rainy afternoon, when a fatal car accident changes what he thought he knew about death. Lance is a predator. A prodigy of the reapers, a sect of human souls overseen by the angels themselves, Lance mercilessly hunts the recently departed, dutifully carrying them onwards to paradise. That is, until one rainy night, when a rogue burst of spiritual power changes what he thought he knew about life after death. Now Lance, or as he was once called, Miles, must move quickly, fighting in both the physical and spiritual realms against nightmarish creatures born of sin, ancient demons hungering for pain, and perhaps most frighteningly, a growing hatred for humanity bred within the angels themselves. The fate of both worlds hangs in the balance.
When the plague came, federal agent Ellie Colson fled into the Adirondacks with Dee, the daughter she barely knew. They began a new life as subsistence farmers, isolated from the fall of the world. In the six years since, a small community has arisen from the ashes. Dee is grown up. She's engaged to Quinn, a young man from across the lake. And she's being hunted. Strangers are spying on the farms at night. Dee's harassed by a spurned suitor. One of Quinn's dogs turns up dead. Drawing on her old skills, Ellie launches an investigation of the locals. Turns out Quinn's dad has made some bad decisions. Some enemies, too. The strangers aren't after Dee--they're after Quinn. When he goes missing, Quinn's dad fears the worst. But Ellie has a lead. She and Dee track the kidnappers into the post-apocalyptic wilderness of New York--and into darker lands than Ellie could ever imagine. ~ Reapers is the fourth book in the post-apocalyptic BREAKERS series. The complete series to date includes Outcome, Breakers, Melt Down, Knifepoint, and Reapers.
This exciting Christian fictional drama, is inspired by Galatians 6:9, "And let us not be weary in well doing: for in due season we shall reap, if we faint not." Set in New York City, three friends have each petitioned the Lord for some crucial issues they need Him to fix this year. Agnes - after surviving tragic life altering events, she is radically pleading the blood of Jesus for her grown "off the chain" sons, before it's too late. Marcia - the West Indian diva - Is it possible to serve God and her fine, wealthy, non-believing husband at the same time? Rebecca- feels her heartstrings pulling, telling her to seek God like never before. Her friends need her to pray and pray some more. And then the women meet Raneisha. God has promised us that if we keep His word, we will reap His promises. Can they endure in their seasons and not faint? Or will they get weary on their Christian journey and give up? Who will keep and who will reap? Keepers and Reapers is an anointed story about the love of Jesus Christ, God's faithfulness, friendship, family, trials, tribulation, forgiveness, hope, grace, mercy, blessings and miracles. Kim A. Daniels in an Evangelist, a nurse, a native New Yorker, of Caribbean ancestry, who now lives in North Central Florida with her husband and daughter. Keepers & Reapers is her debut novel. Visit her online at www.godschileministries.com.
Documentary novel of life in an Andalusian fishing village since the days of the Spanish civil war--a tribute to the dignity of a people under an oppressive regime.
A Paranormal Romantic Comedy with Ghosts, Gods, and Grimm Fairytales by USA Today Bestselling urban fantasy romance authors Kel Carpenter and Meg Anne. . . I'm the first female reaper. Ever. It would be cool, if not for the boy's club secret society that would rather silence me than accept me as one of them. Instead, I have to hide my bad*ss magic from the supernatural community like some sort of knock off Clark Kent. My dislike for glasses aside, hiding my newfound reaper identity isn't the easiest when the whole reason I returned home was to find out what happened to my brother. Learning I'm a reaper, like him, wasn't part of the plan. Neither was working with his sinfully attractive best friend. Graves is as arrogant and bad-tempered as they come. As the unofficial leader of the Grimm Brotherhood, he's not exactly my first choice as a partner. But if there's one thing we can agree on, it's that my brother's death wasn't an accident. He was murdered. And the talking stuffed animal I found in his things, might just be my first clue as to how. Together with my brother's best friend, a demonic crocheted sheep, and my bubbly personality–I'm going to get to the bottom of this. Hopefully I won't die, or worse, lose my heart in the process. Author's Note: The boxset contains the complete Reapers of the Grimm Brotherhood series. If you like secret societies, mysterious small towns, and slow-burn urban fantasy romance--you'll probably love this series. Fans of K.F. Breene, Shannon Mayer, Deborah Wilde, and Carrie Pulkinen should one-click right now!
George Stubbs is one of the greatest of British eighteenth-century painters, with a deep and unaffected sympathy for country life and the English countryside. This fully illustrated book outlines his career, followed by a catalogue raisonne (the first since Sir Walter Gilbey's short listing of 1898) of all his known works. One of the stickiest labels in the history of British art attached itself to Stubbs as 'Mr Stubbs the horse painter'. Over half of his paintings were of horses, each founded on the pioneering observations assembled (in 1766) in his book The Anatomy of the Horse; but Stubbs's wide-ranging subjects included portraits, conversation pieces and paintings of exotic animals from the Zebra to the Rhinoceros, as well as an extraordinarily sympathetic series of portraits of dogs.
Compendium of the first four soul anarchy books/journals.
Second volume of paradoxes. I recommend reading Soul Anarchy I before this because those came before these. These are pretty hardcore existential stuff so be sure you want to put these there before putting them there. Enjoy: D/ Good Searchin, Ace
Infinity is paradoxical in many ways. Some paradoxes involve deterministic supertasks, such as Thomson's Lamp, where a switch is toggled an infinite number of times over a finite period of time, or the Grim Reaper, where it seems that infinitely many reapers can produce a result without doing anything. Others involve infinite lotteries. If you get two tickets from an infinite fair lottery where tickets are numbered from 1, no matter what number you saw on the first ticket, it is almost certain that the other ticket has a bigger number on it. And others center on paradoxical results in decision theory, such as the surprising observation that if you perform a sequence of fair coin flips that goes infinitely far back into the past but only finitely into the future, you can leverage information about past coin flips to predict future ones with only finitely many mistakes. Alexander R. Pruss examines this seemingly large family of paradoxes in Infinity, Causation and Paradox. He establishes that these paradoxes and numerous others all have a common structure: their most natural embodiment involves an infinite number of items causally impinging on a single output. These paradoxes, he argues, can all be resolved by embracing 'causal finitism', the view that it is impossible for a single output to have an infinite causal history. Throughout the book, Pruss exposits such paradoxes, defends causal finitism at length, and considers connections with the philosophy of physics (where causal finitism favors but does not require discretist theories of space and time) and the philosophy of religion (with a cosmological argument for a first cause).
Over the last two centuries, Europe has developed various forms of political representation from which democratic parliamentary systems gradually emerged. This book unravels the conditions, scale and impact under which political participation of common burghers and peasants emerged. Political participation in Europe before the Revolutions moved away from the traditional focus on ‘Three Estates’ which has often blurred the interpretation of popular participation’s role in societies. This book instead examines Europe’s key political variants such as high levels of commercialization and urbanization, combined with a balance of powers between competing categories of actors in society controlling relatively independent resources which lead to political participation forming across the continent. Instead of starting from any ideal type of political participation, this book focuses on the variation through time and space, its composition and activity, helps to explain the functions particular institutional settings fulfilled. The time frame 1100–1800 sheds light on the long-term evolutions such as institutional inertia and processes of oligarchizing. To reveal a correlation of economic and demographical growth with the claim of rising social classes to voice their interests. It also points to the opposite tendency: the formation of fiscalmilitary monarchical states. This book is essential reading for those interested in the formation of Europe’s political structures and students of premodern political history.