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The Collector Book Three Who Collects the Collectors? Sam Thornton has had many run-ins with his celestial masters, but he’s always been sure of his own actions. However, when he’s tasked with dispatching the mythical Brethren – a group of former Collectors who have cast off their ties to Hell – is he still working on the side of right? File Under: Urban Fantasy [ Soul Solution | Secret Origins | Flaming Torches | Double Dealing ] From the Paperback edition.
Can time become stuck at NOW or does it just seem that way? Can the past be changed without creating a paradox? Does history repeat or is that something we tell ourselves to cover our poor choices? When Alexander ‘Ramses’ Smith is assigned to decipher the odd hieroglyphs of the Temple of Khnum—all heka (magic) breaks loose. As a teen, his interest was in metaphysical and sharing psychic experiences with a beloved grandmother. When she died, things turned dark when an Ouija Board freed a terrifying entity with red eyes. He thought he was free of it when he shut his psychic gifts down and began a study of Egyptology—But Shezmu was waiting for him in Esna. Lex found others trapped by the time loop: afret (djinni), the ghost of a former archeologist, Dr. Broderick S. Gillwood, the Neteru (Egyptian gods/goddesses) all conspiring against his scientific training and logical mind. Lex soon realizes there is no choice but to obey the voices in his head and the mysterious ones of an outer sort. He must rely on the intuitive gifts he fought so hard to quash. Realizing he can see and sense what others cannot, Lex runs headlong into a past life that puts him dangerously susceptible to the hidden secrets infused in the stone ruins. He must quickly re-define his understanding of the lines between imagination and reality or lose the battle for his mind with the darkness created by blood sorcery and a destiny (shay) he never expected.
Brightman explores the myth of American omnipotence as she takes readers through the various stages of the war in Iraq.
Picking up where Winds of Betrayal ended, this novel opens in 1830's Texas, in the center of a whirlwind where Americans, Mexicans, and Indians all battle for the untamed land. Three determined women embark on three paths of desire and fulfillment in the compelling conclusion to the series. Eighth in the Wind series.
River City, Missouri, florist Bretta Solomon was looking forward to her day off from her busy flower shop. She wants to relax, enjoy the gorgeous summer day, and attend the picnic and open house being given by her friends Dan and Natalie Parker, the owners of Parker Greenhouse, a big and varied operation that also specializes in breeding orchids. That's what she's looking forward to, that is, until her second in command at the Flower Shop comes down with a sinus infection and Bretta is forced to spend her free day taking care of the flower arrangements for a funeral. And so she already has death on her mind when she and her father arrive at the Parker Greenhouse in the late afternoon for the rest of the festivities. What a coincidence-it's not long before death is the main event at the picnic, and a violent death at that. One of the greenhouse employees is discovered-by Bretta's father, no less-lying in a pool of blood on a dimly lit patch of lawn next to a beautiful garden. Because Bretta knows the greenhouse staff so well, both the sheriff and the Parkers want her help in figuring out who could be behind such a brutal crime. Once again, Bretta is in the thick of things in this charming, delightful cozy mystery series from Janis Harrison.
One of the best ways to understand history is through eye-witness accounts. Ting-Xing Ye’s riveting first book, A Leaf in the Bitter Wind, is a memoir of growing up in Maoist China. It was an astonishing coming of age through the turbulent years of the Cultural Revolution (1966 - 1974). In the wave of revolutionary fervour, peasants neglected their crops, exacerbating the widespread hunger. While Ting-Xing was a young girl in Shanghai, her father’s rubber factory was expropriated by the state, and he was demoted to a labourer. A botched operation left him paralyzed from the waist down, and his health deteriorated rapidly since a capitalist’s well-being was not a priority. He died soon after, and then Ting-Xing watched her mother’s struggle with poverty end in stomach cancer. By the time she was thirteen, Ting-Xing Ye was an orphan, entrusted with her brothers and sisters to her Great-Aunt, and on welfare. Still, the Red Guards punished the children for being born into the capitalist class. Schools were being closed; suicide was rampant; factories were abandoned for ideology; distrust of friends and neighbours flourished. Ting-Xing was sent to work on a distant northern prison farm at sixteen, and survived six years of backbreaking labour and severe conditions. She was mentally tortured for weeks until she agreed to sign a false statement accusing friends of anti-state activities. Somehow finding the time to teach herself English, often by listening to the radio, she finally made it to Beijing University in 1974 as the Revolution was on the wane — though the acquisition of knowledge was still frowned upon as a bourgeois desire and study was discouraged. Readers have been stunned and moved by this simply narrated personal account of a 1984-style ideology-gone-mad, where any behaviour deemed to be bourgeois was persecuted with the ferocity and illogic of a witch trial, and where a change in politics could switch right to wrong in a moment. The story of both a nation and an individual, the book spans a heady 35 years of Ye’s life in China, until her eventual defection to Canada in 1987 — and the wonderful beginning of a romance with Canadian author William Bell. The book was published in 1997. The 1990s saw the publication of several memoirs by Chinese now settled in North America. Ye’s was not the first, yet earned a distinguished place as one of the most powerful, and the only such memoir written from Canada. It is the inspiring story of a woman refusing to “drift with the stream” and fighting her way through an impossible, unjust system. This compelling, heart-wrenching story has been published in Germany, Japan, the US, UK and Australia, where it went straight to #1 on the bestseller list and has been reprinted several times; Dutch, French and Turkish editions will appear in 2001.
Harry Wu was arrested in 1960 by Chinese authorities and spent the next 19 years in forced labor camps.
Finally, by popular demand, all seven Barney Thomson novels have been collected in one handsome omnibus edition. And it's a snip at the price! Fans of Douglas Lindsay's genre-defining barbershop death junky novels will be delighted to know that THE BARBERSHOP SEVEN includes the complete, unabridged text from the following Barney Thomson novels: #1 THE LONG MIDNIGHT OF BARNEY THOMSON #2 THE BARBER SURGEON'S HAIRSHIRT #3 MURDERERS ANONYMOUS #4 THE RESURRECTION OF BARNEY THOMSON #5 THE LAST FISH SUPPER #6 THE HAUNTING OF BARNEY THOMSON #7 THE FINAL CUT *** The omnibus also includes the key to unlocking THE WORMWOOD CODE, a free Barney Thomson novella that's available only to purchasers of THE BARBERSHOP SEVEN ***Praise for the Barney Thomson novels "This chilling black comedy unfolds at dizzying speed... an impressive debut novel." - Sunday Mirror "The plot, Russian literature fans, is a modern spin on Dostoyevsky's Crime and Punishment. The bloody ending, movie buffs, is pure Reservoir Dogs." - The Mirror "This is pitch-black comedy spun from the finest writing. Fantastic plot, unforgettable scenes and plenty of twisted belly laughs." - New Woman "A mad, macabre romp with surreal characters and cutting black humour." - The Sunday Mirror "Gloriously over the top, very bloody and very, very funny." - Daily Telegraph "A novel which is both genuinely silly and a fun read." - The Scotsman "Extremely well-written, highly amusing and completely unpredictable in its outrageous plot twists and turns." - The List "Lindsay's burlesque thrills offer no sex, no drugs, no desperation to be cool. Just straightforward adult story; fantastic plot, classic timing and gleeful delight in the grotesque. With more talent than Irvine Welsh could dream of, Lindsay has crafted a macabre masterpiece where content lives up to style." - What's On