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River City, Missouri, florist Bretta Solomon was looking forward to her day off from her busy flower shop. She wants to relax, enjoy the gorgeous summer day, and attend the picnic and open house being given by her friends Dan and Natalie Parker, the owners of Parker Greenhouse, a big and varied operation that also specializes in breeding orchids. That's what she's looking forward to, that is, until her second in command at the Flower Shop comes down with a sinus infection and Bretta is forced to spend her free day taking care of the flower arrangements for a funeral. And so she already has death on her mind when she and her father arrive at the Parker Greenhouse in the late afternoon for the rest of the festivities. What a coincidence-it's not long before death is the main event at the picnic, and a violent death at that. One of the greenhouse employees is discovered-by Bretta's father, no less-lying in a pool of blood on a dimly lit patch of lawn next to a beautiful garden. Because Bretta knows the greenhouse staff so well, both the sheriff and the Parkers want her help in figuring out who could be behind such a brutal crime. Once again, Bretta is in the thick of things in this charming, delightful cozy mystery series from Janis Harrison.
Reproduction of the original: Sowing and Reaping by Dwight Moody
Originally published: New York: St. Martin's Press, 1980.
Florist Bretta Solomon searches for the brutal killer of a harmless young man in this newest installment of the Gardening Mystery series.
Janis Harrison's gardening mysteries combine a popular "cozy" pastime with a delightfully populated small Missouri town and juicy mysteries. In her fourth outing, Bretta Solomon has been hired along with a few other River City business owners to put together the town's wedding of the year. But when the landscaper responsible for the nuptial's setting and the bride's hairdresser both die suspiciously on the same day, Bretta can't help but think there's something more sinister in the air than love and marriage. It's up to her to figure out just exactly what's going on before the guests arrive for the big event, and with Janis Harrison at the controls it's sure to be another fantastic outing in an admirable series... in A Deadly Bouquet.
Nicoll's History, which tells the story of English drama from the reopening of the theatres at the time of the Restoration right through to the end of the Victorian period, was viewed by Notes and Queries (1952) as 'a great work of exploration, a detailed guide to the untrodden acres of our dramatic history, hitherto largely ignored as barren and devoid of interest'.
Poetry inspired by the anguish and hope of the tradgedy in New Orleans following hurricane Katrina.Royalty proceeds will be donated to Oprah's Angel Network charity for Katrina survivors.
In the definitive biography of John Fante, English and film studies professor Stephen Cooper explores the life of a man whose muse was Los Angeles.
Did Jesus claim to be the "bridegroom"? If so, what did he mean by this claim? When Jesus says that the wedding guests should not fast "while the bridegroom is with them" (Mark 2:19), he is claiming to be a bridegroom by intentionally alluding to a rich tradition from the Hebrew Bible. By eating and drinking with "tax collectors and other sinners," Jesus was inviting people to join him in celebrating the eschatological banquet. While there is no single text in the Hebrew Bible or the literature of the Second Temple Period which states the "messiah is like a bridegroom," the elements for such a claim are present in several texts in Isaiah, Jeremiah, and Hosea. By claiming that his ministry was an ongoing wedding celebration he signaled the end of the Exile and the restoration of Israel to her position as the Lord's beloved wife. This book argues that Jesus combined the tradition of an eschatological banquet with a marriage metaphor in order to describe the end of the Exile as a wedding banquet.