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In this intellectual and literary history of American, British, and Continental novels of realism and naturalism from 1850 to 1950, Richard Lehan argues that literary naturalism is a narrative mode that creates its own reality. Employing this strategy allows and encourages intertextuality - one novel talking or responding to another.
Jarry - Garcia Lorca - Satre - Camus - Beckett - Ritual theatre and Jean Genet - Fringe theatre in Britain__
Henrik Ibsen, the 'Father of Modern Drama', came from a seemingly inauspicious background. What are the key contexts for understanding his appearance on the world stage? This collection provides thirty contributions from leading scholars in theatre studies, literary studies, book history, philosophy, music, and history, offering a rich interdisciplinary understanding of Ibsen's work, with chapters ranging across cultural and aesthetic contexts including feminism, scientific discovery, genre, publishing, music, and the visual arts. The book ends by charting Ibsen's ongoing globalization and gives valuable overviews of major trends within Ibsen studies. Accessibly written, while drawing on the most recent scholarship, Ibsen in Context provides unique access to Ibsen the man, his works, and their afterlives across the world.
This fourth volume in the series Theatre in Europe charts the development of theatrical presentation at a time of great cultural and political upheaval.
This 1981 volume begins with the French revolt against naturalism in theatre and then covers the European realist movement.
Whether fear, anguish, or unrequited desire, Symbolist painters believed that art should reflect an emotion or idea rather than a realistic representation of the natural world. This book brings together some of the most important images from their mysterious, spiritual, and seductive visual language.