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A Dazzling Russian travelogue from the bestselling author of Great Plains In his astonishing new work, Ian Frazier, one of our greatest and most entertaining storytellers, trains his perceptive, generous eye on Siberia, the storied expanse of Asiatic Russia whose grim renown is but one explanation among hundreds for the region's fascinating, enduring appeal. In Travels in Siberia, Frazier reveals Siberia's role in history—its science, economics, and politics—with great passion and enthusiasm, ensuring that we'll never think about it in the same way again. With great empathy and epic sweep, Frazier tells the stories of Siberia's most famous exiles, from the well-known—Dostoyevsky, Lenin (twice), Stalin (numerous times)—to the lesser known (like Natalie Lopukhin, banished by the empress for copying her dresses) to those who experienced unimaginable suffering in Siberian camps under the Soviet regime, forever immortalized by Aleksandr Solzhenitsyn in The Gulag Archipelago. Travels in Siberia is also a unique chronicle of Russia since the end of the Soviet Union, a personal account of adventures among Russian friends and acquaintances, and, above all, a unique, captivating, totally Frazierian take on what he calls the "amazingness" of Russia—a country that, for all its tragic history, somehow still manages to be funny. Travels in Siberia will undoubtedly take its place as one of the twenty-first century's indispensable contributions to the travel-writing genre.
George Kennan tells the story of his expedition through the Siberian wilderness with a small team of explorers.
Geschiedenis van de bevolking van Siberië.
This work offers an account of the Russians' 400 years of experience in Siberia. Rasputin looks at the the peculiar physical and character traits of the Siberian Russian type, and at the gap between dreams and reality that have plagued Russians in Siberia.
Before Russians crossed the Urals Mountains in the sixteenth century to settle their ‘colony' in North Asia, they heard rumours about bountiful fur, of bizarre people without eyes who ate by shrugging their shoulders and of a land where trees exploded from cold. This region of frozen tundra, endless forest and humming steppe between the Urals and the Pacific Ocean was a vast, strange and frightening paradise. It was Siberia. Siberia is a cradle of civilizations, the birthplace of ancient Turkic empires and home to the cultures of indigenes, including peoples whose ancestors migrated to the Americas. It was a promised land to which bonded peasants could flee their cruel masters, yet also a ‘white hell' across which exiles shuffled in felt shoes and chains. If in Stalin’s era Siberia became synonymous with the gulag, today it is a vast region of bustling metropolises and magnificent landscapes, a place where the humdrum, the beautiful and the bizarre ignite the imagination. Tracing the historical contours of Siberia, A. J. Haywood offers a detailed account of the architectural and cultural landmarks of cities such as Irkutsk, Tobolsk, Barnaul and Novosibirsk.
Describes the path of a young ordinary Russian across the desolation of the Siberian countryside, and through the labyrinths of the Soviet system -from construction site, to his military service in Mongolia, all the way to the psychiatric hospital where he was admitted after the death of his brother. Drawn entirely in pencil on paper, Siberia bears witness to the life of the Russian people. It draws on images of faces deformed by alcohol, the fat, laughing mouths of officers, the bullying, the violence, and the cynicsim of Soviet Russia.
This “melodious” mix of music, history, and travelogue “reveals a story inextricably linked to the drama of Russia itself . . . These pages sing like a symphony.” —The Wall Street Journal Siberia’s story is traditionally one of exiles, penal colonies, and unmarked graves. Yet there is another tale to tell. Dotted throughout this remote land are pianos—grand instruments created during the boom years of the nineteenth century, as well as humble Soviet-made uprights that found their way into equally modest homes. They tell the story of how, ever since entering Russian culture under the westernizing influence of Catherine the Great, piano music has run through the country like blood. How these pianos traveled into this snowbound wilderness in the first place is testament to noble acts of fortitude by governors, adventurers, and exiles. Siberian pianos have accomplished extraordinary feats, from the instrument that Maria Volkonsky, wife of an exiled Decembrist revolutionary, used to spread music east of the Urals, to those that brought reprieve to the Soviet Gulag. That these instruments might still exist in such a hostile landscape is remarkable. That they are still capable of making music in far-flung villages is nothing less than a miracle. The Lost Pianos of Siberia follows Roberts on a three-year adventure as she tracks a number of instruments to find one whose history is definitively Siberian. Her journey reveals a desolate land inhabited by wild tigers and deeply shaped by its dark history, yet one that is also profoundly beautiful—and peppered with pianos. “An elegant and nuanced journey through literature, through history, through music, murder and incarceration and revolution, through snow and ice and remoteness, to discover the human face of Siberia. I loved this book.” —Paul Theroux
Siberia has no history of independent political existence, no claim to a separate ethnic identity, and no clear borders. Yet, it could be said that the elusive country 'behind the Urals' is the most real and the most durable part of the Russian landscape. For centuries, Siberia has been represented as Russia's alter ego,as the heavenly or infernal antithesis to the perceived complexity or shallowness of Russian life. It has been both the frightening heart of darkness and a fabulous land of plenty; the 'House of the Dead' and the realm of utter freedom; a frozen wasteland and a colourful frontier; a dumping ground for Russia's rejects and the last refuge of its lost innocence. The contributors to Between Heaven and Hell examine the origin, nature, and implications of these images from historical, literary, geographical, anthropological, and linguistic perspectives. They create a striking, fascinating picture of this enormous and mysterious land.