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"Examines the largely unexplored topics in Caribbean archaeology of looting of heritage sites, artifact fraud, and illicit trade of archaeological materials"--
"This is the happiest story in the world with the saddest ending," writes Elizabeth McCracken in her powerful, inspiring memoir. A prize-winning, successful novelist in her 30s, McCracken was happy to be an itinerant writer and self-proclaimed spinster. But suddenly she fell in love, got married, and two years ago was living in a remote part of France, working on her novel, and waiting for the birth of her first child. This book is about what happened next. In her ninth month of pregnancy, she learned that her baby boy had died. How do you deal with and recover from this kind of loss? Of course you don't -- but you go on. And if you have ever experienced loss or love someone who has, the company of this remarkable book will help you go on. With humor and warmth and unfailing generosity, McCracken considers the nature of love and grief. She opens her heart and leaves all of ours the richer for it.
Argues that there is no authentic self, that reality is people continually remaking themselves to look like the people they want to be, and that there is nothing inherently wrong with that.
Credulity -- Reference by artifact -- Germany and "Renaissance"--Forgery -- Replica -- Fiction -- Re-enactment.
“Olmsted makes you insanely hungry and steaming mad--a must-read for anyone who cares deeply about the safety of our food and the welfare of our planet.” —Steven Raichlen, author of the Barbecue! Bible series “The world is full of delicious, lovingly crafted foods that embody the terrain, weather, and culture of their origins. Unfortunately, it’s also full of brazen impostors. In this entertaining and important book, Olmsted helps us fall in love with the real stuff and steer clear of the fraudsters.” —Kirk Kardashian, author of Milk Money: Cash, Cows, and the Death of the American Dairy Farm You’ve seen the headlines: Parmesan cheese made from wood pulp. Lobster rolls containing no lobster at all. Extra-virgin olive oil that isn’t. So many fake foods are in our supermarkets, our restaurants, and our kitchen cabinets that it’s hard to know what we’re eating anymore. In Real Food / Fake Food, award-winning journalist Larry Olmsted convinces us why real food matters and empowers consumers to make smarter choices. Olmsted brings readers into the unregulated food industry, revealing the shocking deception that extends from high-end foods like olive oil, wine, and Kobe beef to everyday staples such as coffee, honey, juice, and cheese. It’s a massive bait and switch in which counterfeiting is rampant and in which the consumer ultimately pays the price. But Olmsted does more than show us what foods to avoid. A bona fide gourmand, he travels to the sources of the real stuff to help us recognize what to look for, eat, and savor: genuine Parmigiano-Reggiano from Italy, fresh-caught grouper from Florida, authentic port from Portugal. Real foods that are grown, raised, produced, and prepared with care by masters of their craft. Part cautionary tale, part culinary crusade, Real Food / Fake Food is addictively readable, mouthwateringly enjoyable, and utterly relevant.
Organized by El Museo del Barrio in New York to coincide with a major exhibition, this is the first comprehensive English-language publication on the fascinating legacy of Taiacute;no art and culture. Showcasing over one hundred rare and beautiful ceremonial and domestic artworks and individual masterpieces of this ancient culture -- produced in Puerto Rico, the Dominican Republic, Cuba, Haiti, and the Bahamas between A.D. 1200 and 1500 --Taiacute;noincludes examples of finely detailed and polished sculptures carved in wood, precious ornaments of shell and bone, and ceramics decorated with animals, birds, and intricate geometric motifs. The contributors include ten of the foremost scholars of pre-Columbian culture and art, and an appendix features writings from Spanish explorers who had contact with the Taiacute;no. Of Arawak descent, the Taiacute;no -- whose ancestors migrated to the Caribbean from the Amazon Basin in South America during the sixth century -- were the first people encountered by Christopher Columbus. Although they ceased to exist as an autonomous society within sixty years of the arrival of Spanish colonizers, the Taiacute;no -- skilled agriculturists and navigators and accomplished weavers, potters, and carvers -- developed a complex political, religious, and social system, and made a substantial contribution to the biological, cultural, and linguistic makeup of large areas of the Caribbean. To this date, Caribbean communities in the Antilles and in New York and other large American cities exhibit the survival of Taiacute;no practices in their worldviews, religious beliefs, language, music, and food.
Thames Town—an English-like village built in Shanghai—is many places at once: a successful tourist destination, an affluent residential cluster, a city of migrant workers, and a ghost town. The Real Fake explores how the users of Thames Town transform a themed space into something more than a “fake place.” Piazzoni understands authenticity as a dynamic relationship between people, places, and meanings that enables urban transformations. She argues that authenticity underlies the social and physical production of space through both top-down and bottom-up dynamics. The systems of moral and aesthetic judgments that people associate with “the authentic” materialize in Thames Town. Authenticity excludes some users as it inhibits access and usage especially to the migrant poor. And yet, ideas of the authentic also encourage everyday spontaneous appropriations of space that break the village’s staged atmosphere. Most scholars criticize theming by arguing that it produces a “fake,” controlling city. Piazzoni complicates this view by demonstrating that although the exclusionary character of theming remains unquestionable, it is precisely the experience of “fakeness” that allows Thames Town’s users to develop a sense of place. Authenticity, the ways people construct and spatialize its meanings, intervenes holistically in the making and remaking of space.
With its gripping companion novel, Replica, this remarkable novel by the author of Before I Fall and the Delirium trilogy asks how to be a human being, in a world where humanity cannot be taken for granted. In the world outside of the Haven Institute, the replicas Lyra and Caelum are finding it hard to be human—and Lyra, infected at Haven with a terrible disease, finds her symptoms are growing worse. But in trying to find a cure, they uncover a shocking connection to their past, even as their future seems in danger of collapsing. Gemma just wants to go back to her normal life after Haven. But soon, she learns that her powerful father has other plans for the replicas—unless she and her boyfriend Pete can stop him. Bestselling author Lauren Oliver brings the Replica duology to a shocking close in Ringer. Like Gemma and Lyra, you won’t be able to leave the world of Haven behind after you’ve turned the last page.
The study of the cultural landscape has gained momentum in recent years, revealing new insights to geographers, archaeologists, sociologists and architects. The cultural landscape is often viewed as an emblematic site and thus a key player in the heritage process. This book explores the overlapping and often complex relationships between identity, memory, heritage and the cultural landscape. It provides an overview of new approaches in the study of these relationships, combined with evidence from Ireland, England, Scotland and the United States. These case studies demonstrate the significance of the past in the contemporary construction of identity narratives and draw attention to the powerful role of monuments and parades as sites of cultural heritage. The focus then shifts to the way in which heritage has become politicized for various ends, demonstrating the changing perception of particular heritage sites and buildings, and the role that this has played in constructing and reconstructing particular identities.