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Nearly 300 accurate botanical illustrations, selected from a rare reference, include detailed renderings of woodbine, peony root, cherry, hare's beard, couch grass, and scores of other examples. Easy-to-use royalty-free images will add an authentic medieval touch to catalogs, brochures, and other projects calling for horticulture-related graphics. 294 black-and-white illustrations.
Outstanding collection of over 400 designs and illustrations, selected from authentic sources of medieval and Gothic ornamentation, includes woodcuts of human figures and walled cities, images of fanciful beasts and creatures of the sea and air, drawings of turreted castles, knights in armor, and much more.
Rich royalty-free collection reprinted from rare reference work includes detailed renderings of borage, oak-apple, valerian, thistle, tansy, many other plant varieties.
In our modern world, the spiny-stemmed flowers, intertwined leaves, and delicate pink blossoms of the rubus fruticosus, or common blackberry bramble, might catch the eye of the casual observer or weekend gardener. Pleasant, prolific, and decorative, plants like the blackberry are looked upon as sources for harvest, landscape, and visual pleasure. To the medieval and Renaissance artist, however, these botanicals were far more. Part of a richly symbolic visual language culled from the classical era, their exquisite depiction in illuminated manuscripts of the age evoked fertility, conjured bad dreams, and even aligned itself with ancient wisdom. The popular and enduring appeal of flowers in medieval art and literature extended beyond simple botanical illustration; instead, flowers helped to tell countless stories without words through potent symbolic imagery. The Medieval Flower Book artfully presents an alphabetical collection of over one hundred of the major flowers that appear in medieval manuscripts--gathered with fascinating explanatory texts on their history, significance, and usage. The sumptuous reproductions that accompany each entry offer a visual reference to the symbolism of botanicals in medieval manuscripts that's beyond breathtaking in its appeal. An introductory section explaining the ancient roots of practical horticulture's expansion into cultural and spiritual realms not only places the volume in the context of gardening history, but gives the general reader insight into our enduring interest in these remarkable herbals. Widely appealing to all of those interested in flowers and gardening, the horticultural historian, and the student of visual culture and medieval history, The Medieval Flower Book is a fascinating and important primer on the beauty and language of florals. Extensively ranging through the canon of medieval botanicals--from acanthus and anemones to violets and wallflowers--this volume is the perfect gift for anyone interested in blossoms and blooms, and should thrill the everyday gardener and art collector alike.
Collins shows how the principal herbal traditions of Classical descent were replaced by a new observation of nature that itself paved the way for the magnificent paintings of later French and Italian herbals.
Illustrated survey of gardening lore from the Norman Conquest to the Renaissance reveals wealth of ancient secrets drawn from obscure sources, chronicling cultivation of pleasure gardens as well as herbariums, orchards, and vineyards.
“A fascinating account of formal gardens during the middle ages,” including plants and their uses, features, tools, cultivation techniques, and more (Books Monthly). Medieval gardens usually rate very few pages in the garden history books. The general perception is still of small gardens in the corner of a castle. Recent research has shown that the gardens were larger than we previously believed. This book contains information and pictures that have not been generally available before, including the theory and practice of medieval horticulture. Many features of later gardens were already a part of medieval gardens. The number of plants was limited, but was still no less than many modern gardeners use in their own gardens today. Yet medieval gardens were imbued with meaning. Whether secular or religious, the additional dimension of symbolism, gave a greater depth to medieval gardens, which is lacking in most modern ones. This book will be of interest to those who know little about medieval gardens and to those with more knowledge. It contains some of the vast amount of research that the author carried out to create the medieval gardens at the Prebendal Manor, Nassington, Northamptonshire. The author has tried to use previously unused sources and included his own practical experience of medieval gardening methods that he carried out to maintain the gardens. “Beautifully illustrated . . . a fascinating read for the armchair gardener as well as the more practical variety . . . The author draws on a wide range of sources: herbals, animal management, medieval manuals, illuminated manuscripts, account books, poems, paintings, and tapestries.” —The Ricardian Bulletin
Provides information on the history, uses, range, and characteristics of more than one hundred herbs, and offers tips on growing them
Containing new full-colour illustrations of over 2400 plants in Europe, this combines the paintings of the noted botanical artist Marjorie Blamey with text by Christopher Grey-Wilson, a leading professional at Kew. Grasses are omitted but introduced species are covered.