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Candide is a French satire by Voltaire, a philosopher of the Age of Enlightenment. It begins with a young man, Candide, who is living a sheltered life in an Edenic paradise and being indoctrinated with Leibnizian optimism (or simply Optimism) by his mentor, Pangloss. The work describes the abrupt cessation of this lifestyle, followed by Candide's slow, painful disillusionment as he witnesses and experiences great hardships in the world. Voltaire concludes with Candide, if not rejecting optimism outright, advocating a deeply practical precept, "we must cultivate our garden", in lieu of the Leibnizian mantra of Pangloss, "all is for the best in the best of all possible worlds". Candide is characterized by its sarcastic tone, as well as by its erratic, fantastical and fast-moving plot. A picaresque novel it parodies many adventure and romance clichés, the struggles of which are caricatured in a tone that is mordantly matter-of-fact. Still, the events discussed are often based on historical happenings, such as the Seven Years' War and the 1755 Lisbon earthquake. As philosophers of Voltaire's day contended with the problem of evil, so too does Candide in this short novel, albeit more directly and humorously. Voltaire ridicules religion, theologians, governments, armies, philosophies, and philosophers through allegory; most conspicuously, he assaults Leibniz and his optimism. As expected by Voltaire, Candide has enjoyed both great success and great scandal. Immediately after its secretive publication, the book was widely banned because it contained religious blasphemy, political sedition and intellectual hostility hidden under a thin veil of naïveté. However, with its sharp wit and insightful portrayal of the human condition, the novel has since inspired many later authors and artists to mimic and adapt it. Today, Candide is recognized as Voltaire's magnum opus and is often listed as part of the Western canon; it is arguably taught more than any other work of French literature. It was listed as one of The 100 Most Influential Books Ever Written.
A thematic examination of Voltaire's novel offers a biographical overview of the author, critical essays by varied experts, and a discussion of concurrent historical events.
Now at seventy-three volumes, this popular MLA series (ISSN 10591133) addresses a broad range of literary texts. Each volume surveys teaching aids and critical material and brings together essays that apply a variety of perspectives to teaching the text. Upper-level undergraduate and graduate students, student teachers, education specialists, and teachers in all humanities disciplines will find these volumes particularly helpful.
'If this is the best of all possible worlds, then what must the others be like?' Young Candide is tossed on a hilarious tide of misfortune, experiencing the full horror and injustice of this 'best of all possible worlds' - the Old and the New - before finally accepting that his old philosophy tutor Dr Pangloss has got it all wrong. There are no grounds for his daft theory of Optimism. Yet life goes on. We must cultivate our garden, for there is certainly room for improvement. Candide is the most famous of Voltaire's 'philosophical tales', in which he combined witty improbabilities with the sanest of good sense. First published in 1759, it was an instant bestseller and has come to be regarded as one of the key texts of the Enlightenment. What Candide does for chivalric romance, the other tales in this selection - Micromegas, Zadig, The Ingenu, and The White Bull - do for science fiction, the Oriental tale, the sentimental novel, and the Old Testament. This new edition also includes a verse tale based on Chaucer's The Wife of Bath's Tale, in which we discover that most elusive of secrets: What Pleases the Ladies. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
The hugely admired author of "The Last Fine Time" preserves and makes new the sights, smells, sounds, and poetry of country living. Klinkenborg reveals the beauty of the American landscape, not from a scenic overlook, but through a screened-in porch or from the window of a pickup driving down an empty highway in the teeth of an approaching storm.
This lively new translation of Voltaire's satiric masterpiece is accompanied by a short selection of writings of each of the most prominent optimists to whom Voltaire was responding -- Leibniz, Bolingbroke, Shaftesbury, Pope, Wolff, Rousseau, and Malebranche -- and thus offers a better perspective of the intellectual context in which Candide was written, and of its place in Enlightenment though, than does any other edition.
When you want to read in both French and English, though, there
An accessible and authoritative new history of French literature, written by a highly distinguished transatlantic group of scholars This book provides an engaging, accessible, and exciting new history of French literature from the Renaissance through the twentieth century, from Rabelais and Marguerite de Navarre to Samuel Beckett and Assia Djebar. Christopher Prendergast, one of today's most distinguished authorities on French literature, has gathered a transatlantic group of more than thirty leading scholars who provide original essays on carefully selected writers, works, and topics that open a window onto key chapters of French literary history. The book begins in the sixteenth century with the formation of a modern national literary consciousness, and ends in the late twentieth century with the idea of the "national" coming increasingly into question as inherited meanings of "French" and "Frenchness" expand beyond the geographical limits of mainland France. Provides an exciting new account of French literary history from the Renaissance to the end of the twentieth century Features more than thirty original essays on key writers, works, and topics, written by a distinguished transatlantic group of scholars Includes an introduction and index The contributors include Etienne Beaulieu, Christopher Braider, Peter Brooks, Mary Ann Caws, David Coward, Nicholas Cronk, Edwin M. Duval, Mary Gallagher, Raymond Geuss, Timothy Hampton, Nicholas Harrison, Katherine Ibbett, Michael Lucey, Susan Maslan, Eric Méchoulan, Hassan Melehy, Larry F. Norman, Nicholas Paige, Roger Pearson, Christopher Prendergast, Jean-Michel Rabaté, Timothy J. Reiss, Sarah Rocheville, Pierre Saint-Amand, Clive Scott, Catriona Seth, Judith Sribnai, Joanna Stalnaker, Aleksandar Stević, Kate E. Tunstall, Steven Ungar, and Wes Williams.
Candide has been delighting readers since 1759 with its satiric wit, provocations, and warnings. The novella has never been out of print and has been translated into every conceivable language. The text of this Norton Critical Edition remains that of Robert M. Adams’s superlative translation, accompanied by explanatory annotations. The Norton Critical Edition also includes: · A full introduction by Nicholas Cronk. · Six background studies of Enlightenment ideas and themes (by Richard Holmes, Adam Gopnik, W. H. Barber, Dennis Fletcher, Haydn Mason, and Nicholas Cronk), five of these new to the Third Edition. · Seven critical essays—five of them new to this edition—representing a wide range of approaches to Candide. Contributors include J. G. Weightman, Robin Howells, James J. Lynch, Philip Stewart, Erich Auerbach, and Jean Starobinski. · A revised and expanded Selected Bibliography.